Tania Larsson: Traditional Meets Contemporary

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Tania Larsson starts with the land. Her materials are harvested from nature, then combined with silver, gold, and precious stones. The combination of traditional craft with a contemporary education results in striking, intricate adornment.

“My heritage is an integral part of who I am and my work,” said Tania Larsson in an interview with UNUM Magazine. “I wanted to present myself as a Gwich’in woman and needed cultural indicators that could be worn anywhere.”

Larsson maintains a studio in Yellowknife, but she hand delivers her jewelry works to our gallery shop. View some of our favorites below.

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Long Muskox Horn and Sterling Silver Earrings
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Long Bison Horn and Sterling Silver Earrings
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Etched Caribou Horn and Sterling Silver Necklace
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Bison Horn and Sterling Silver Necklace
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Triangle Muskox Horn and Sterling Silver Earrings
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Porcupine Claw and Sterling Silver Earrings

 

 

This Friday: Hand/Eye

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Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most photographs have in common: they’re flat. For a new group exhibition at form & concept, eleven artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere. The artworks in the show incorporate a wide array of materials, including fiber, cast glass, micaceous clay and human hair. Call it super-alternative process photography.

Above: David Samuel Stern, Nouri, photographic prints on translucent vellum physically cut and woven together.

 

 

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Cathryn Amidei
Gut Feeling
Fiber
25 x 44 in.

 

 

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Jodi Colella
Sampled Lives series
embroidered found postcards
4 x 6 in. each

 

 

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Elizabeth Claffey
Matrilinear #9
archival pigment print
24 x 18 in.

 

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Jacquelyn Royal
Detroit 3
needlepoint, thread on canvas
11 x 16 in.

 

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Emily Margarit Mason
Yoga Mat and Glass
photograph
36 x 24 in

 

Preview the show on our website.
RSVP on Facebook.

 

Introductions

kylee aragon, form & concept, form and concept gallery

We’re excited to announce that Kylee Aragon is our new Administrative Coordinator! Kylee was born and raised in Albuquerque, NM. She received a BFA in Art History from the University of New Mexico. Kylee began her gallery experience at Tamarind Institute, where she developed a deep love for works on paper. While Kylee is not a printmaker she is a self-proclaimed print nerd who enjoys speaking in great detail about process, paper, and the print market. She is excited to bring her passion for art to form & concept.

 

This Saturday: Matthew Mullins Artist Talk

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This Saturday, Matthew Mullins hosts an artist talk for his solo exhibition The Sun In Our Bones. When Mullins began working on the monumental show last year, he was shooting for the stars. “I thought about this spectrum of very earthy and grounded to the cosmos,” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The exhibition is on view through November 17, 2018. Scroll down to see selections from the exhibition, and click here to browse all of the artwork online.

 

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Matthew Mullins, Source of the Rio Nambe, oil on canvas

 

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Matthew Mullins, Dome, 19th century engraving with gold leaf
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Matthew Mullins, Chama River, archival pigment print

Design Spotlights & Introductions!

Lisa Klakulak

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Lisa Klakulak is an avid traveler, and often draws inspiration from far-flung landscapes to create stunning fiber artworks. In the past, she’s crafted wearables that evoke lava flows and glaciers. This fall, Lisa debuts a series that draws from the vernacular of the human body. The new works reflect the soft textures and hues of hair and skin.

“Attracted by its protective and nurturing qualities, I found wool fiber a relevant material to use in my work that’s related to concepts of human vulnerability and security,” Lisa says. “I attribute the sense of contentment and calm that I feel when I’m working in the studio to the constant touch involved in the process, as well as bringing an idea into fruition. You need that idea, that inspiration.”

 

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Lisa Klakulak, Untitled Bracelet, felt mixed media
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Lisa Klakulak, Tail, merino wool, cotton thread, vintage hot roller pins

Oaxacan Ceramics

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Oaxacan Ceramics, Tall Bartolo Vase, ceramic

Made by hand in Oaxaca, these ceramics are as functional as they are elegant. From spice jars to vases, Oaxacan ceramics adapt to contemporary lifestyles while maintaining Mexican traditions.

Introductions!

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Jordan Eddy is the new Gallery Director of form & concept and Zane Bennett Contemporary Art! Originally from Oregon, Jordan moved to Santa Fe in 2012 and quickly found himself immersed in the gallery community. He performed marketing and public relations work for galleries and museums in every Santa Fe arts district before landing at form & concept as Marketing Director. After two years in that role, he’s excited to take the helm at both galleries. Jordan also writes for a number of arts publications including The MagazineSanta Fe Reporter, and New Mexico Magazine.

 

savannah sakry, form & concept, form and concept, santa fe gallery, form & concept sales manager

Savannah Sakry is our new Sales Manager at form & concept, while our beloved Sales Manager Clara Holiday will continue to spearhead sales for the Zane Bennett Contemporary Art collection! Originally from Evergreen, CO, Savannah moved to New York City where she received a BFA in Photography from the School of Visual Arts. Relocating to Santa Fe in 2015, she began her experience with fine art sales working for the internationally acclaimed photo bookstore and contemporary photography gallery, photo-eye. While photography is Savannah’s first love she is just as enthusiastic about other mediums, and shares form & concept’s mission to challenge traditional distinctions between art, craft, and design.

Design Spotlight: Kat Cole

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Kat Cole, Red Folded Pendant, steel & enamel

When it comes to inspiration, Kat Cole looks to city skylines. Cole studies the constructed environment of her surroundings and replicates the steel structures at an intimate, wearable scale. Her steel and enamel creations are new arrivals to our gallery shop — in dazzling shades of red, yellow, and blue.

 

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Kat Cole, Red Open Oval Earrings, steel, enamel, & sterling silver
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Kat Cole, Red Dangle Hoop Earrings, steel, enamel, & sterling silver

 

Press Roundup: Matthew Mullins | The Sun In Our Bones

Tonight, Santa Fe artist Matthew Mullins presents his solo exhibition The Sun in Our Bones. Mullins’s work is inspired by the intrinsic links between humans and the natural world. He has a lot of ground to cover, which is why we’ve dedicated our entire ground floor to showcase his paintings, photographs, and sculptures.

We visited Matthew’s studio to talk about his process and inspiration for his show. “I want people to look beyond what’s right in front of us,” says Mullins. “And make them aware of our own cosmic origins.” Check out the video above to learn more about his artistic practice.

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Mullins also gave Megan Bennett of the Albuquerque Journal a tour of his studio. Here’s an excerpt:

Mullins thinks of the patterns as a representation of the human experience of being out there nature.

“If you’re in one of these places or in nature just staring off into the trees, I feel the mind kind of wanders a little bit,” he said. “Like you’re looking at the landscape, but other thoughts come in. You lose it, and then you see the landscape.

“So I like the representational qualities with the landscape, as well as the abstract patterns. The brain can go from experiencing the depth and light of the landscape to the flatness and rhythm of the abstraction. The brain toddles back and forth, and it creates a more dynamic experience that’s kind of uncontrollable.”

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Mullins was also the subject of Emily Van Cleve’s article in the Santa Fe Arts Journal. Check out this quote:

An award-winning professional artist who moved to Santa Fe in 2011, Mullins has been working on the pieces in “The Sun in our Bodies” for the past two years.

“My work draws upon my fascination with visual perception and the forces of nature,” he says. “By integrating human-made constructs with natural environments, I’m composing a relationship that is often deconstructed or forgotten in today’s society.

The press doesn’t stop there! The Santa Fe Reporter brought Mullins in for their 3 Questions Column. Here’s what he had to say about The Sun in Our Bone’s overarching theme:

The theme is trying to make art that can connect the viewer with nature and the cosmos. A lot of pieces in the show are about how the materials in our own body are made of the stars, and how the elements that give us life and the ability to have consciousness come from the stars. I’m really trying to drive that point home. The title of the show, The Sun in Our Bones, comes from a poem by poem by Nayyirah Waheed, and really conveys what I’m trying to do with art.

The Sun in Our Bones opens September 28th at 5 PM and runs through November 17th. Mullins will conduct an Artist Talk on the 20th of October.

 

Dr. Estevan Rael-Gálvez | Entre Cíbolos Criados: Creativity, Consciousness and Community

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Dr. Estevan Rael-Gálvez

In August, Dr. Estevan Rael-Gálvez convened beneath the Flying Blue Buffalo for a special lecture titled Entre Cíbolos Criados: Creativity, Consciousness and Community.

In his moving speech, Dr. Rael-Gálvez discusses the three concepts that have long defined his work and the history of Indigenous slavery.

His lecture is sampled below, and can be read in full at flyingbluebuffalo.com

It is a tremendous honor to be able to participate in this opening by the amazing artist, Armond Lara – whose memorial is… breath-taking, but it gives breath as well. This thoughtful remembering is a project — that through creativity raises consciousness — and in the end, is inspired by the promise of strengthening community.

Here in this sovereign landscape, Pueblo elders have said that,  wherever we go, we leave our breath behind us” — an invocation recognizing those who came before us and how their life force remains with us long after they have gone. In recognizing this life force, we not only illuminate all of the ancestors who lived in this place, but point especially to the life of those living now in the present, as well as to those generations that will follow, inheriting what we leave behind in the future.

In time, drawn to the subject of enslaved Indians as a young scholar, I would immerse myself as a historian in countless archives, reading between the lines of documents, tracing my finger across maps and looking closer at photographs, all complemented by my work as an anthropologist, engaged in many hundreds of conversations set with bread at kitchen tables, revealed upon a walk through alfalfa fields, and shared across miles by telephone and electronic correspondence. 

Taking those experiences, connecting them and eventually centering them, the story grew like a forest, one that eventually became a manuscript defended by me to hold a doctoral credential. However, believing that scholarship is most valuable when grounded and applied in the world, I left academia, and yet through my role as a public historian and anthropologist, indeed, because of it, the story only deepened further, to this day.

So when I talk about consciousness now, I am not only referring to the work I have done as a scholar and public historian for over two decades, but a commitment to raising consciousness on the ground, locally, in the minds of people in our region and nation, particularly in the minds of those who have not yet recognized that this story, however painful, is also one of complex beauty. This is no easy task.

The eyes of all of the descendants of those indigenous ancestors continue to awaken the possibility of remembering with each new birth of a New Mexican. Telling this Story—in whatever form that telling comes— is about how individual and collective lives are remembered, how a community takes the memories, stories and traditions of what has been passed down from one generation to the next, and how it reimagines itself, now in the present and into the future. We are the herd of buffalo that rises.

Dr. Rael-Gálvez holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award-winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery.” Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center, and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°.

 

 

 

 

It’s World Rhino Day!

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Elana Schwartz, Meditation on Impermanence, bronze, 12 x 10.5 x 8.5 in. Available in two patinas.

September 22 is World Rhino Day! Just in time for the holiday, Elana Schwartz has completed a fantastical rhino sculpture in bronze. We’re donating 10% of the proceeds from the artwork’s sale to the International Rhino Foundation. Help save the rhinos, and add this stunning artwork to your collection.

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“The Earth is on the verge of a mass extinction event,” said Schwartz. “Today, plants and animals on earth’s surface are becoming extinct at a faster rate than ever before. The corruption of earth’s shared natural resources informs us that humanity is inseparable from the rest the natural world and leads us the confront and thus act on the untimely impermanence of all existence.”

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At the start of the 20th century, 500,000 rhinos roamed the earth. Today, only 29,500 rhinos survive in the wild. Learn more about the rhino crisis and how you can help here.

 

Open House: Canyon Road Creatives

Bunny Tobias - Art Instructor - Workshop - Santa Fe Workshop - Santa Fe Art Workshop - Santa Fe Instructor - Canyon Road Workshop

“Canyon Road is in flux right now—more than locals might realize,” says Sandy Zane. “It’s on the cusp of a contemporary revolution.” As owner of form & concept and Zane Bennett Contemporary Art, Zane has worked for years to foster a strong contemporary arts scene in the city’s Railyard District. Now she’s opening a dynamic new business on Canyon Road, and is determined to help turn the tide in the notoriously traditional gallery district. Canyon Road Creatives, located at 826 Canyon Road, is a national hub for highly unconventional arts workshops. Zane brings together instructors for the first round of workshops at a free open house event on Saturday, July 21 from noon to 5 pm.

“We’ve been doing these spectacular artist demonstrations at form & concept, and wanted a way to present more of those dynamic moments where an artistic process is revealed,” Zane says. form & concept, which opened in the Railyard in May 2016, blends art, craft and design disciplines in a boundary-shattering exhibition and event program. As Zane conceptualized Canyon Road Creatives with local artist Bunny Tobias, they were guided by this resolutely mixed-media philosophy. “In short, things have gotten weird, which is just how we like it,” Tobias explains. “These workshops are designed to spark powerful contemporary dialogues. You’ll leave with new skills and artwork, but also with a head full of fresh ideas.”

Paper Bead Necklace - Bunny Tobias - Canyon Road Creatives - Santa Fe Workshop - Santa Fe Craft - Craft Workshops - Santa Fe Craft Workshops - Canyon Road Workshop

Since the soft opening of Canyon Road Creatives in early June, the space has hosted a number of innovative workshops. Renata Gaul and Francesca Rodriguez Sawaya taught weaving and coding in a class presented by the Currents New Media Festival. Solange Roberdeau introduced students to the process of gilding on fabric, paper and wood. Pat Chapman shared her expertise in sculpting with a papier mâché-clay hybrid, and Tobias presided over an epic, multi-round game of exquisite corpse. 

Upcoming Canyon Road Creatives workshops are just as varied, as is the slate of instructors. Some of the teachers are represented artists at form & concept, while others hail from across the nation and the world. “There’s essentially no limit to what we can do,” says Zane. “The space is versatile, the artists we’re working with are enormously talented, and the demand for programming like this is strong.”

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Canyon Road Creatives is located at 826 Canyon Road, a historic adobe home that’s a few doors up from El Farol Restaurant and across from The Teahouse. Zane owns the building, and previously provided it to Santa Fe Community College’s student-run Red Dot Gallery. When SFCC closed the art space, Zane knew she wanted to keep its educational mission alive in some way. It’s well-suited for workshops, with multiple rooms for classes, a living room with a vast library of art periodicals, and a full kitchen. Zane and Tobias have even bigger plans for the space: they’re working on the plans for an artist residency and exhibition schedule.

Zane sees her new workshop venue as part of a larger wave of new, game-changing art spaces and projects on Canyon Road. Just next door is the Beals & Co. Showroom, a space that’s directed by Bobby Beals and exhibits experimental work by local, emerging artists. Farther up Canyon Road, Pilar Law’s Edition One Gallery presents one-off prints by early-to-late-career photographers. At the base of Canyon Road, galleries such as OTA Contemporary and Peters Projects have resolutely contemporary exhibition programs. “There’s a new contingent forming,” says Zane. “Over the coming months and years, it’s bound to coalesce into something that profoundly shifts the culture of Santa Fe.”

View upcoming workshops here.
RSVP on Facebook.

Design Spotlight: Danny Hart.

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico- Model Sicily Ranieri

Curving lines, swirling textures, glowing accents. Danny Hart‘s elegant new collection combines shaped brass and bronze with carved walnut, olive, coolibah and tiger woods. Look below for some of our favorites.

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, U Necklace (White), wood, bronze
Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Half Moon Earrings (Light/Black), wood, bronze

 

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico- Model Sicily Ranieri

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Crescent Necklace, wood, bronze
Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Canoe Earrings, wood, bronze

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico- Model Sicily Ranieri

 

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Half Moon Pendant, wood, bronze
Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Half Moon Earrings, wood, bronze

Model: Sicily Ranieri.