Dr. Estevan Rael-Gálvez | Entre Cíbolos Criados: Creativity, Consciousness and Community

dr. estevan rael-gálvez, santa fe historian, santa fe, santa fe history, santa fe anthropology, santa fe lecutre, form & concept, form and concept, santa fe gallery, santa fe event
Dr. Estevan Rael-Gálvez

In August, Dr. Estevan Rael-Gálvez convened beneath the Flying Blue Buffalo for a special lecture titled Entre Cíbolos Criados: Creativity, Consciousness and Community.

In his moving speech, Dr. Rael-Gálvez discusses the three concepts that have long defined his work and the history of Indigenous slavery.

His lecture is sampled below, and can be read in full at flyingbluebuffalo.com

It is a tremendous honor to be able to participate in this opening by the amazing artist, Armond Lara – whose memorial is… breath-taking, but it gives breath as well. This thoughtful remembering is a project — that through creativity raises consciousness — and in the end, is inspired by the promise of strengthening community.

Here in this sovereign landscape, Pueblo elders have said that,  wherever we go, we leave our breath behind us” — an invocation recognizing those who came before us and how their life force remains with us long after they have gone. In recognizing this life force, we not only illuminate all of the ancestors who lived in this place, but point especially to the life of those living now in the present, as well as to those generations that will follow, inheriting what we leave behind in the future.

In time, drawn to the subject of enslaved Indians as a young scholar, I would immerse myself as a historian in countless archives, reading between the lines of documents, tracing my finger across maps and looking closer at photographs, all complemented by my work as an anthropologist, engaged in many hundreds of conversations set with bread at kitchen tables, revealed upon a walk through alfalfa fields, and shared across miles by telephone and electronic correspondence. 

Taking those experiences, connecting them and eventually centering them, the story grew like a forest, one that eventually became a manuscript defended by me to hold a doctoral credential. However, believing that scholarship is most valuable when grounded and applied in the world, I left academia, and yet through my role as a public historian and anthropologist, indeed, because of it, the story only deepened further, to this day.

So when I talk about consciousness now, I am not only referring to the work I have done as a scholar and public historian for over two decades, but a commitment to raising consciousness on the ground, locally, in the minds of people in our region and nation, particularly in the minds of those who have not yet recognized that this story, however painful, is also one of complex beauty. This is no easy task.

The eyes of all of the descendants of those indigenous ancestors continue to awaken the possibility of remembering with each new birth of a New Mexican. Telling this Story—in whatever form that telling comes— is about how individual and collective lives are remembered, how a community takes the memories, stories and traditions of what has been passed down from one generation to the next, and how it reimagines itself, now in the present and into the future. We are the herd of buffalo that rises.

Dr. Rael-Gálvez holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award-winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery.” Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center, and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°.

 

 

 

 

It’s World Rhino Day!

Elana Schwartz, meditation on impermenance, form & concept, form and concept, santa fe gallery, rhino art, rhino sculpture, rhino, international rhino day, rhino, santa fe, new mexico gallery
Elana Schwartz, Meditation on Impermanence, bronze, 12 x 10.5 x 8.5 in. Available in two patinas.

September 22 is World Rhino Day! Just in time for the holiday, Elana Schwartz has completed a fantastical rhino sculpture in bronze. We’re donating 10% of the proceeds from the artwork’s sale to the International Rhino Foundation. Help save the rhinos, and add this stunning artwork to your collection.

Elana Schwartz, meditation on impermenance, form & concept, form and concept, santa fe gallery, rhino art, rhino sculpture, rhino, international rhino day, rhino, santa fe, new mexico gallery

“The Earth is on the verge of a mass extinction event,” said Schwartz. “Today, plants and animals on earth’s surface are becoming extinct at a faster rate than ever before. The corruption of earth’s shared natural resources informs us that humanity is inseparable from the rest the natural world and leads us the confront and thus act on the untimely impermanence of all existence.”

Elana Schwartz, meditation on impermenance, form & concept, form and concept, santa fe gallery, rhino art, rhino sculpture, rhino, international rhino day, rhino, santa fe, new mexico gallery

At the start of the 20th century, 500,000 rhinos roamed the earth. Today, only 29,500 rhinos survive in the wild. Learn more about the rhino crisis and how you can help here.

 

Open House: Canyon Road Creatives

Bunny Tobias - Art Instructor - Workshop - Santa Fe Workshop - Santa Fe Art Workshop - Santa Fe Instructor - Canyon Road Workshop

“Canyon Road is in flux right now—more than locals might realize,” says Sandy Zane. “It’s on the cusp of a contemporary revolution.” As owner of form & concept and Zane Bennett Contemporary Art, Zane has worked for years to foster a strong contemporary arts scene in the city’s Railyard District. Now she’s opening a dynamic new business on Canyon Road, and is determined to help turn the tide in the notoriously traditional gallery district. Canyon Road Creatives, located at 826 Canyon Road, is a national hub for highly unconventional arts workshops. Zane brings together instructors for the first round of workshops at a free open house event on Saturday, July 21 from noon to 5 pm.

“We’ve been doing these spectacular artist demonstrations at form & concept, and wanted a way to present more of those dynamic moments where an artistic process is revealed,” Zane says. form & concept, which opened in the Railyard in May 2016, blends art, craft and design disciplines in a boundary-shattering exhibition and event program. As Zane conceptualized Canyon Road Creatives with local artist Bunny Tobias, they were guided by this resolutely mixed-media philosophy. “In short, things have gotten weird, which is just how we like it,” Tobias explains. “These workshops are designed to spark powerful contemporary dialogues. You’ll leave with new skills and artwork, but also with a head full of fresh ideas.”

Paper Bead Necklace - Bunny Tobias - Canyon Road Creatives - Santa Fe Workshop - Santa Fe Craft - Craft Workshops - Santa Fe Craft Workshops - Canyon Road Workshop

Since the soft opening of Canyon Road Creatives in early June, the space has hosted a number of innovative workshops. Renata Gaul and Francesca Rodriguez Sawaya taught weaving and coding in a class presented by the Currents New Media Festival. Solange Roberdeau introduced students to the process of gilding on fabric, paper and wood. Pat Chapman shared her expertise in sculpting with a papier mâché-clay hybrid, and Tobias presided over an epic, multi-round game of exquisite corpse. 

Upcoming Canyon Road Creatives workshops are just as varied, as is the slate of instructors. Some of the teachers are represented artists at form & concept, while others hail from across the nation and the world. “There’s essentially no limit to what we can do,” says Zane. “The space is versatile, the artists we’re working with are enormously talented, and the demand for programming like this is strong.”

Canyon Road Creatives - Canyon Road Gallery - Canyon Road Workshop - Canyon Road Art - Santa Fe Workshops - Santa Fe Art

Canyon Road Creatives is located at 826 Canyon Road, a historic adobe home that’s a few doors up from El Farol Restaurant and across from The Teahouse. Zane owns the building, and previously provided it to Santa Fe Community College’s student-run Red Dot Gallery. When SFCC closed the art space, Zane knew she wanted to keep its educational mission alive in some way. It’s well-suited for workshops, with multiple rooms for classes, a living room with a vast library of art periodicals, and a full kitchen. Zane and Tobias have even bigger plans for the space: they’re working on the plans for an artist residency and exhibition schedule.

Zane sees her new workshop venue as part of a larger wave of new, game-changing art spaces and projects on Canyon Road. Just next door is the Beals & Co. Showroom, a space that’s directed by Bobby Beals and exhibits experimental work by local, emerging artists. Farther up Canyon Road, Pilar Law’s Edition One Gallery presents one-off prints by early-to-late-career photographers. At the base of Canyon Road, galleries such as OTA Contemporary and Peters Projects have resolutely contemporary exhibition programs. “There’s a new contingent forming,” says Zane. “Over the coming months and years, it’s bound to coalesce into something that profoundly shifts the culture of Santa Fe.”

View upcoming workshops here.
RSVP on Facebook.

Design Spotlight: Danny Hart.

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico- Model Sicily Ranieri

Curving lines, swirling textures, glowing accents. Danny Hart‘s elegant new collection combines shaped brass and bronze with carved walnut, olive, coolibah and tiger woods. Look below for some of our favorites.

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, U Necklace (White), wood, bronze
Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Half Moon Earrings (Light/Black), wood, bronze

 

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico- Model Sicily Ranieri

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Crescent Necklace, wood, bronze
Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Canoe Earrings, wood, bronze

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico- Model Sicily Ranieri

 

Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Half Moon Pendant, wood, bronze
Danny Hart Design- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Danny Hart, Half Moon Earrings, wood, bronze

Model: Sicily Ranieri.

Erin Gould: Strangers Collective | Mirror Box

“I’m acutely aware of my own physical fragility and my own evolving relationship with my body.”

Erin Gould sculpts ethereal works that investigate the weakness and fragility of the body. To do so, she works with her materials in a tactile, intimate way, often leaving her studio covered in beeswax, essential oils, and polyurethane.

 

Kyle Farrell, Alex Gill and Jordan Eddy, co-directors of Strangers Collective and the No Land art space, curate this exhibition of emerging artists and writers at form & concept. The show engages a network of early career creatives, anchored in Santa Fe and spiraling across the nation. Its curatorial throughline presents a radical method for reflecting on place and identity through art objects. 

 

Learn more about the exhibition.

View the full Strangers Collective | Mirror box artist series.

RSVP for the Closing Performance & Reception.

TASCHEN at form & concept

TASCHEN book murals of tibet at form & concept
Murals of Tibet

Lovers of beautiful books, rejoice! form & concept is now an official seller of TASCHEN Books, the revolutionary German imprint that deserves its own art museum. TASCHEN has collaborated with the likes of David HockneyChristo & Jeanne-Claude and Beatriz Milhazes to produce limited edition books that are true works of art. We’re particularly excited about their new title Murals of Tibet, an epic chronicle of some of the greatest treasures of Buddhist culture and Tibetan heritage.

For more than a decade, photographer Thomas Laird traveled the length, breadth, and far-flung corners of Tibet’s plateau to capture the land’s spectacular Buddhist murals. Deploying new multi-image digital photography, Laird compiled the world’s first archive of these artworks, some walls as wide as 10 meters, in life-size resolution. In recognition of this World Heritage landmark and preservation of Tibetan culture, His Holiness the 14th Dalai Lama has signed all copies of this Collector’s Edition. As pictured, Murals of Tibetcomes with a stand designed by Pritzker Prize-winning architect and humanitarian pioneer Shigeru Ban.

Click the images below to view more books from TASCHEN, now available from form & concept. Browse all of our TASCHEN titles and other books in our online shop.

 

andy warhol book at form and concept
Andy Warhol, 7 Illustrated Books

 

Beatriz Milhazes book at form and concpet
Beatriz Mihazes
Christo Book Floating Piers at form and concept
Christo, Floating Piers
The Gates by Christo at form and concept
Christo, The Gates
TASCHEN book Christopher Wool at form & concept
Christopher Wool
David Hockney TASCHEN Book at form & concept
David Hockney, A Bigger Book 

 

 

Derek Chan | Strangers Collective: Mirror Box

“The steps that lead up to a process like this are really unseen.”

Derek Chan explores the interrelationships of symbols that are tied to cultural mythology, spiritual beliefs, and the power of supernatural phenomena.

Kyle Farrell, Alex Gill and Jordan Eddy, co-directors of Strangers Collective and the No Land art space, curate this exhibition of emerging artists and writers at form & concept. Mirror Box represents a network of early career creatives, starting in Santa Fe and spiraling across the nation. Its curatorial through line presents a radical method for reflecting on place and identity through art objects. Mirror Box runs through April 14, 2018, with a zine reading on April 7 and a closing performance on April 14. Click the links below to learn about the show’s event series.

Learn more about the exhibition.
RSVP for Closing Reception & Performance.

Preview: Wesley Anderegg | Arizona

“Everybody that lives in New Mexico goes to Arizona every once in a while,” says Wesley Anderegg. “That’s the only reason Arizona exists, is to drive through to go to California.” It’s a particularly sacrilegious statement for a born-and-raised Arizonan, but Anderegg hasn’t lived there for decades. He’s also never directly revisited his wild childhood through his figurative ceramics—until now. “As you get older, you kind of get reminiscing,” says the California-based artist. “It’s like, oh man, I’m on the downslope these days. Time to look back.” In a new series of diminutive ceramic tiles, Anderegg flattens his tragicomic sculptural figures with a playful nod to Pop Art paintings and comic book panels. The painted compositions evoke Anderegg’s experience growing up in the sun-drenched and lawless Sonoran Desert. Wesley Anderegg: ARIZONA debuts at form & concept on Friday, March 30 from 5 to 7 pm, with an artist talk on Saturday, March 31 from 2 to 3 pm.

As Anderegg tells it, his mosaical visual memoir started as a happy accident. “I had a bunch of these ceramic squares made, and they were just sitting there,” he says. Anderegg is known for his sculptural depictions of somewhat impish figures who are often in comical conflict or cartoonish peril. He also has an ongoing series of figurative paintings on circular platters, but the fresh stack of ceramic tiles inspired him to play around with more complex 2D compositions. “I got this idea to make these markers of my time in Arizona, the dusty palette and everything,” he says. “It’s just memories of my childhood, all the crazy crap we used to do.”

The works document all sorts delightful mischief: there’s an inner tube voyage down a lazy river, and a romantic rendezvous in the bed of a pickup truck. Rakish cowboys sip cold cans of Coors, bug-eyed jackrabbits scurry across sizzling highways, and strangely human cacti flash spiny, gaping smiles. “You can see this evolution of techniques through the series,” Anderegg says. “The first desert scenes were glazed, while the last ones are dry with a matte surface.” It’s as though the artist had to ease into this gritty universe of memories, slowly bringing the Arizona of his youth into focus. “One thing that’s the same in all of them is the sky, which is glazed with these really cool blues,” he says. “I had to get that desert sky just right.”

Anderegg’s tiles measure just under 12 x 12 inches each, and they’ll span form & concept’s stairwell and catwalk spaces for the solo exhibition. Though the series represents a new direction for the artist, form & concept director Frank Rose sees a clear link between old and new. “Every figure that Wes makes represents a little part of him and his story,” Rose says. “Arizona is a more direct expression of that—even the desert creatures in the paintings have these bold personalities that evoke personal allegories.” Anderegg recognizes the humor of mounting a show called ARIZONA one state to the east, but it’s a simple matter of personal preference. “I thought about actually having it in Arizona, but I like you guys better,” he says with a grin.

Learn more about this exhibition.
RSVP for the opening reception on Facebook.

Julie Slattery | Strangers Collective | Mirror Box


Sculptor Julie Slattery shapes talismanic objects—such as the enormous bird skulls that appear in our Mirror Box exhibition—that become emotional reliquaries for specific events in her life.

Kyle Farrell, Alex Gill and Jordan Eddy, co-directors of Strangers Collective and the No Land art space, curate this exhibition of emerging artists and writers at form & concept. The show represents a network of early career creatives, starting in Santa Fe and spiraling across the nation. Its curatorial throughline presents a radical method for reflecting on place and identity through art objects. Mirror Box opened at form & concept on Friday, February 23 and runs through April 14, 2018. Click the links below to learn about the Mirror Box event series.

Learn more about the exhibition.
RSVP for Closing Reception & Performance.

Last Look | Jodi Colella: Unidentified Women

“75% of the women were labeled ‘unidentified.’ And that just struck a chord with me, how these lives and labors were lost.”

Unidentified Women made its debut in Santa Fe on January 26th. Fiber artist Jodi Colella appeared at the gallery for the opening reception and artist talk. Afterwards, she sat down with us to discuss the inspiration for her moving exhibition.

It started somewhere among the vast archives of the Historic Northampton Museum in Northampton, Massachusetts. Jodi Colella was working on an art project inspired by the museum’s headwear collection, and she stumbled upon a series of daguerreotype portraits. “They were like little 19th century selfies,” Colella says. “I noticed that all the men in the images had every single detail of their life listed in the catalog. About 80% of the women were labeled ‘unidentified.’” The artist was fascinated by these forgotten, female faces, and the contrast between the women’s fleeting social visibility and their invisibility to history. After hunting down similar portraits in flea markets and antique shops, Colella stitched intricate embroideries across the images, further obscuring the women’s identities.