Last Look | Jodi Colella: Unidentified Women

“75% of the women were labeled ‘unidentified.’ And that just struck a chord with me, how these lives and labors were lost.”

Unidentified Women made its debut in Santa Fe on January 26th. Fiber artist Jodi Colella appeared at the gallery for the opening reception and artist talk. Afterwards, she sat down with us to discuss the inspiration for her moving exhibition.

It started somewhere among the vast archives of the Historic Northampton Museum in Northampton, Massachusetts. Jodi Colella was working on an art project inspired by the museum’s headwear collection, and she stumbled upon a series of daguerreotype portraits. “They were like little 19th century selfies,” Colella says. “I noticed that all the men in the images had every single detail of their life listed in the catalog. About 80% of the women were labeled ‘unidentified.’” The artist was fascinated by these forgotten, female faces, and the contrast between the women’s fleeting social visibility and their invisibility to history. After hunting down similar portraits in flea markets and antique shops, Colella stitched intricate embroideries across the images, further obscuring the women’s identities.

Emily Mason | Strangers Collective: Mirror Box

“I think I’m trying to create a sense of familiarity, but in a total otherworldly way.” – Emily Mason

Photographer Emily Mason makes images of her surroundings, collages them onto sculptural props, and photographs the finished assemblages to create images that flicker between dimensionality and abstraction.

Kyle Farrell, Alex Gill and Jordan Eddy, co-directors of Strangers Collective and the No Land art space, curate this exhibition of emerging artists and writers at form & concept. Mirror Box represents a network of early career creatives, starting in Santa Fe and spiraling across the nation. Its curatorial throughline presents a radical method for reflecting on place and identity through art objects.

The term “mirror box” originates in the medical field: Vilayanur S. Ramachandran invented the box with two back-to-back mirrors in the center to help amputees manage phantom limb pain. The patient places the “good” limb into one side, and the “residual” limb into the other, making mirrored movements that can trick the brain into believing that it’s moving the phantom limb. “It’s a tribute to the incredible power of grey matter,” says Eddy. “If our minds are capable of conjuring a nervous system from thin air, can we link up with people, places or things in the same visceral but invisible way?” The curatorial team realized that art, like the mirror box, can act as a conduit for this type of transcendent—but also highly tangible—experience.

Learn more about the exhibition.

RSVP for Artist Talk.

RSVP for Zine Reading.

RSVP for Closing Reception and Performance by Emmaly Wiederholt.

The Flying Blue Buffalo Project: Finding Inspiration

“Somehow in my mind, in my being, I felt I needed permission.”

Before carving the original Flying Blue Buffalo, Armond journeyed to Colorado to find a herd in the wild. His encounter with the buffalo gave him the inspiration to begin the ambitious installation and storytelling project.

The Flying Blue Buffalo Project will feature 75 cast resin sculptures crafted under Armond’s supervision. The Installation will debut this August. Support our Kickstarter campaign to learn more about the project and collect exclusive Flying Blue Buffalo artwork.

On Saturday, February 17 at 3 pm, Lara will conduct a panel discussion with Moises Gonzales, Estevan Rael-Gálvez, Sunny Dooley, Kim Trujillo, Joseph Riggs, and Weston Brownlee.

Learn more about the panel discussion.
RSVP on Facebook.

Teaser: Flying Blue Buffalo Kickstarter

“Buffalo are masters of survival,” says Armond Lara. “They’re still around today, even though we tried our best to kill them all off.”

The Santa Fe artist has depicted buffalo in his drawings, paintings, and sculptures for decades. In recent years, they’ve turned blue and sprouted wings. Armond combined the buffalo with the symbol of the “lost bluebirds,” a term the Pueblo people called the millions of Native children who were abducted and enslaved as household servants and field-hands.

This August, Armond will collaborate with form & concept to fulfill his long-held dream of creating a monumental installation of flying blue buffalo sculpture that explores this little-told history. A Kickstarter campaign will raise funds to support the production of over seventy 3D printed buffalo, based on a series of wood carvings by Lara.

Visit to learn more.

RSVP for the Kickstarter Launch.

RSVP for the Open House and Panel Discussion.

A letter from Sandy Zane.

Creative Santa Fe- Building Futures- Form and Concept Gallery- Santa Fe New Mexico

I have been a board member of Creative Santa Fe for several years and I believe passionately in the mission of this organization. I want you to know about some very exciting new projects happening in 2018. In addition to addressing Santa Fe’s urgent affordable housing crisis with the Siler Yard Arts + Creativity Center, a low income, 60 unit, live-work space for artists, we are launching a new initiative called the Disruptive Futures Dialogues Series.

This series will be a year-long community engagement in partnership with organizations throughout the city and the region to envision the future of Santa Fe. We will focus on the key question: What do we want Santa Fe, and the world, to look like for Future Generations, and how do we get there from here?

Each dialogue will address a critical issue our city faces which also reflects global issues, including: affordable housing, job creation, the upcoming mayoral election, the environment, film & technology, nuclear weapons, and cyber connectivity. We recognize that progress can only be made by breaking down silos, bringing diverse voices to the conversation, and finding what connects rather than separates us. It is our goal that at the end of this year of engagements and dialogues that we will have a clear action plan to continue working on key initiatives and building ongoing partnerships to strengthen our economy and help build a sustainable future for our city.

Your interest and support is vital for Creative Santa Fe to become a leader in connecting our community, creating city-wide conversations, and effecting positive change throughout the city. We hope you will support Creative Santa Fe with a year-end gift to help us continue on our path to ensure that Santa Fe is a healthy, vibrant, and thriving city for generations to come.

To donate and/or to be on our mailing list, click here, mail a check to PO Box 2388 Santa Fe, New Mexico, 87504, or call Executive Director, Cyndi Conn at 505-288-3538.

Thank you in advance for your support and belief in Creative Santa Fe.

Wishing you the very best for the holidays and the new year,

Sandy Zane, Owner

Zane Bennett Contemporary Art | form & concept

Reckless Abandon: Performance

“I heard her. She was omnipresent, like a shadow drifting over my landscape. My landscape. My body. Our body. Evolution from one microorganism. That we all came from. That we never heard in the beginning.”

Reckless Abandon: Performance is Friday, December 15th from 5-7 pm. Todd Ryan White, David McMaster, Tim Reed, Ekalos Reed and Niomi Fawn will join Thais Mather to present a series of performance vignettes among the artworks of Reckless Abandon. Learn more about the event here, and make sure to RSVP on Facebook.

The Tara and Rhonda Show!


When it comes to musical genres, Tara Khozein and Rhonda Taylor hold nothing sacred. “When you start getting into nitty gritty definitions, it just gets so messy,” says Khozein. “I’m a big fan of the metal solution to this problem, which is just thousands of subgenres. Every band has their own genre.” That could certainly be true of Khozein and Taylor’s latest collaboration. Their improvisational performance alchemically melds instrumentals, vocals and gestures. Until a new genre is born, it can only be described as daringly contemporary. Khozein and Taylor present THE TARA AND RHONDA SHOW! Fully Clothed and Highly Introverted at form & concept this Saturday from 7 to 8:30 pm.

Khozein is a soprano, actor, director and theatre-maker living in Santa Fe. Taylor is a renowned saxophonist, and the College Associate Professor of Saxophone and Music Theory at New Mexico State University (NMSU) in Las Cruces. They met in 2006 when Taylor was Khozein’s professor at NMSU, and quickly found a creative connection. In 2015, they appeared together for the first time as part of the Lyric Concrete performance series at Radical Abacus in Santa Fe. They conceived of THE TARA AND RHONDA SHOW! as kitschy and approachable, but also a serious extension of their individual work with improvisational performance.

Tara Khozein performs at Meow Wolf- Form and Concept Gallery- Santa Fe New Mexico

“Rhonda is thinking a lot about storytelling, and weaving overlapping storylines into a work,” says Khozein. “I’m working with physical gesture, and how gesture can lead sound.” Each artist will write a score for the performance, taking cues from the innovative work of American composer Pauline Oliveros (1932-2016). “Oliveros would write descriptions and rules, and sometimes make graphic representations for the piece. The performers then improvise within those parameters,” Khozein explains. “We’re taking that as a cue for writing these different pieces, but the content will of course be ours.”

Khozein and Taylor will present versions of THE TARA AND RHONDA SHOW! in both of their home cities. Each performance will be based on the same scores, but will inevitably be different due to their improvisational nature. “We’re excited to help bridge the creative communities of Las Cruces and Santa Fe by hosting this performance,” says Frank Rose, gallery director at form & concept. “It will also be interesting to see how the events differ, based on Tara and Rhonda’s organic reactions to the two settings.”

For the show at form & concept, Khozein and Taylor will perform among the artworks of Thais Mather’s solo exhibition Reckless Abandon in the gallery’s atrium. “We’ll be reacting to each other, but also to the space and art,” says Khozein. “I don’t see how we couldn’t.”

The venues will accept a sliding scale donation of $5-$25 in support of the artists.

RSVP on Facebook.
Learn more about this event.

Teaser: Broken Boxes | Cara Romero

“Indigenous people are artists. We look at the world in a different way and we see beauty in everything. We’re tied to the mediums that we’re using. We’re putting our hands in clay and we’re stripping willows to make things. We’re sewing regalia. We’re touching these objects of our ancestors and we’re talking to our ancestors.”

– Cara Romero

Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Cara Romero and 40 other creators from around the world who are effecting change in their work. All of the participants have appeared on Dunnill’s Broken Boxes Podcast.

There will be a catalog realease event at form & concept on Friday, September 29 from 5-7 pm. Click here to learn more, and make sure to RSVP on Facebook.