June is Emerging Media Month in Santa Fe, as declared by this rebellious crew of new media pioneers! We’re proud to be part of the Emerging Media Alliance, along with local legends such as Meow Wolf, Simply Social Media, Descartes Labs and SITE Santa Fe. This launch party for EMA offers an inside look at the Currents New Media Festival exhibition—and an opportunity to mingle with our new mayor, Alan Webber. This is a free, registration-only event. Sign up at the link below.
Join Debra Baxter for a last look at her solo exhibition Tooth & Nailat this closing reception on Friday, June 15 from 5 to 7 pm. The show officially closes on June 16, 2018.
Baxter frequently picks up materials she’s never used before, searching for novel ways to engage the histories of sculpture, jewelry, weaponry or drapery. For Tooth & Nail, the events of the #MeToo movement have fed into her continued interest in the strength, vulnerability and the raw power of the female voice. The courage of these women has activated work with a blend of toughness and vulnerability. “These contrasting materials carry a similar spirit,” she explains. “My sculptures sometimes look delicate, but when they’re finished, they are structurally resilient.”
Image: Debra Baxter, Basta, alabaster, cedar, quartz crystal, 9 x 10 x 13 in.
Saturday, June 16th, 7-8:30 PM
The gallery will ask for a $5-$25 donation at the door in support of the artist.
Composer and multidisciplinary artist Nathan Wheeler ensnares form & concept in a web of “ghost detection circuits”—also known as EMF meters—for this improvisational music and dance performance. The psychic energy of Wheeler and his spectators will trigger the sensors and influence swirling visuals and soundscapes. Wheeler is a New York-based artist who works at the intersection of sound design, dance, clothing design, video, and interactive programming. He has shown work at the Metropolitan Museum of Art, the Museum of the Moving Image, the Denver Art Museum, and at festivals around the globe.
The Santa Fe Railyard is the place to be this weekend! The CURRENTS New Media Festival celebrates its 10th anniversary with a massive exhibition at El Museo Cultural de Santa Fe, and Santa Fe Institute hosts the inaugural Interplanetary Festival at the Railyard Plaza and other venues. Both festivals have partnered with numerous organizations around Santa Fe to present exhibitions and events that bring together art, science and technology. Check out Iris McLister’s article in this week’s Santa Fe Reporter to get it all straight, and make sure to stop by form & concept for two events on Thursday & Saturday. More details below!
Young Masters | NMSA
Thursday, June 7th, 6 – 7:30 pm
New Mexico School for the Arts will soon break ground on renovations for their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. The arts high school presents a special performance series at form & concept, hosted by faculty members and showcasing outstanding student musicians, creative writers and poets. Featured artists include Keenan McDonald, Myriah Duda, Adam Griffo, Acacia Burnham, Jada Baca and Lila Baca.
Join Inner Orbit artists Matthew Mullins and Drew Lenihan for this interactive tour. They’ll engage with Frank Rose and Jordan Eddy of form & concept in a conversation about the show’s themes. Inner Orbit spotlights contemporary artists from across the United States who meld fine art and craft mediums with technology for deeply personal looks at the firmament. The show appears in conjunction with Santa Fe Futurition, the Currents New Media Festival, and the Santa Fe Institute’s Interplanetary Festival.
We’re in the final stretch of voting for Best of Santa Fe 2018! form & concept was nominated by Santa Fe Reporter‘s readers in the Best Gallery category. We were in the running last year, and won second place. This year we’re going for the gold! If you like what we’ve been up to, make sure to cast your vote before the contest closes at midnight on May 31. You can vote in one click below.
Opening Reception: Friday, May 25, 5-7 pm Artist Talk: Saturday, June 9, 2-3 pm
From a human perspective, the night sky is a densely layered cultural landscape. Long before they were subjects of scientific study, stars were laden with countless overlapping mythologies. Fortune tellers, sailors, writers, architects and artists have all projected profound meaning into the cosmos—tying earthly events to the movements of heavenly bodies.Inner Orbitspotlights contemporary artists with personal or cultural visions of outer space. Many of the featured artists meld fine art and craft mediums with technology for a fresh look at the firmament.
Opening Reception: Friday, May 25, 5-7 pm Artist Talk: Saturday, May 26, 2-3 pm
Arizona artist Erika Lynne Hanson weaves a hidden history of the Southwest into her solo exhibition Movement Choir: Landscape Scores. Using a coded language in her fiber and new media artworks, Hanson charts the paths of Cold War missile tests from Green River, Utah to White Sands, New Mexico. The rusty remnants, scattered over more than 600 miles of desert, represent open questions about the nature of humanity and our relationship to nature.
One evening last spring, members of the Las Tejedoras Fiber Arts Guild descended upon Colette Hosmer’s beloved trout sculpture installation at the Santa Fe Community Convention Center. They stitched colorful outfits onto the enormous granite fish as a guerrilla marketing campaign for the first annual New Mexico Fiber Crawl. “We called it ‘sculpture couture,’” says Virginia Lee, president of the guild. The City of Santa Fe swiftly dismantled the unsanctioned installation, but the community response was so great that the Santa Fe Arts Commission officially invited Las Tejedoras to revive the project for the second New Mexico Fiber Crawl (May 18-20).
They’ll painstakingly add patchwork fiber installations to large-scale sculptures around town—including Guy Dill’s 10-foot-tall bronze artwork Boon that stands outside form & concept. The “fiber bombed” sculpture debuts at the Second Anniversary Celebration. “We loved the idea of this rebellious crew of fiber artists stitching their way across town,” says Frank Rose, Director of form & concept. “You’ll see countless fiber art techniques in their crazy quilted installation, which is a perfect visual mission statement for our gallery.”
We’re excited to announce a new addition to our gallery shop! Brian Giniewski is a Philadelphia-based ceramicist with a knack for creating delightful earthenware vessels. The oozing, colorful drips of glaze have us craving all sorts of summer treats.
Bard College in Upstate New York is known as an enclave for edgy and offbeat thought leaders—as is Santa Fe, New Mexico. Creative luminaries from both communities gather for a one-of-a-kind forum in the City Different this spring, thanks to Bard alumnus and Santa Fe gallery owner Sandy Zane. She hosts a weekend retreat for Bardians at form & concept, culminating in a round table discussion with Bard College President Leon Botstein, PhD, and leaders of New Mexico’s creative community. Participants will discuss innovative education models and their potential to change the world.
The conversation is moderated by Hakim Bellamy, Deputy Director of Cultural Affairs for the City of Albuquerque. It features Mary Kershaw of New Mexico Museum of Art, John Flax of Theater Grottesco, and Cindy Montoya of New Mexico School for the Arts. Round Table with Dr. Leon Botstein takes place on Sunday, April 22 from 2 to 3 pm. The event is free and open to the public, and tea and other light refreshments will be served.
“The round table discussion will pose a powerful question: how can we rethink educational models to address complex contemporary challenges?” says Zane. “The participants have tackled this query time and again throughout their remarkable careers—and their diverse answers are sure to amaze you.” Bellamy, who is the Deputy Director of Cultural Affairs for the City of Albuquerque and has a background in arts education, will guide the discussion. The other participants occupy distinct niches in the universe of arts education.
Botstein will speak to his experience as a world-class conductor and liberal arts educator, while Montoya will discuss the nationally ranked high school program at New Mexico School for the Arts. Kershaw has a strong background in museum education, and Flax runs experimental, performance-based educational programming through Theater Grottesco. “I can’t wait to bring all of these colorful, passionate leaders to the same table,” says Zane. “There’s no telling what will happen.”
Join us at form & concept on Saturday, April 7 from 3-4 pm (that’s today!) for the Mirror Box zine reading. The event is hosted by Strangers Collective, the local alliance of early career creatives that curated the group exhibition Mirror Box in our second-floor galleries. About half of the Strangers are writers, and they produce zines of all shapes and sizes that appear alongside the visual art in the group’s shows. The zines in Mirror Box feature poetry, short fiction, illustrations, documentary photography and much more. Check out the list of participants below, and make sure to RSVP for the zine reading on Facebook to show your support. We’ll see you in a bit!
Israel Francisco Haros Lopez
New Mexico School for the Arts will soon break ground on renovations for their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. It starts with a special performance series at form & concept, showcasing outstanding student musicians, creative writers and poets of NMSA. Attend the inaugural performance on Thursday, March 1 at 5 pm, and mark your calendar for Young Masters performances the first Thursday of each month.
The first performance is hosted by NMSA faculty members Kurt Isaacson and Hakim Bellamy. “We would be irresponsible not to build connections with our new neighbors,” says Isaacson, the chair of NMSA’s Music Department. “Galleries and art institutions are the bedrock of the arts and culture economy in the Railyard. They’ll serve as strong foundations and anchors for the new school, and NMSA will in turn fertilize the creative environment in this district.”
Isaacson and Bellamy, NMSA’s Creative Writing Director, were on the hunt for a new venue for readings and performances—somewhere they could showcase contemporary and student-made work. They struck up a conversation with Sandy Zane, an avid supporter of NMSA who owns the Railyard’s form & concept gallery, and she offered up the space for a new event series.
The first performance features a 25-30 minute music program, with configurations including a string quartet, solo cello performance, and vocal performance with string duo accompaniment. Isaacson says the events will have a strong focus on interdisciplinary collaboration, a mission that he hopes will leave its mark on the Railyard. “I want the new campus and the Railyard to be a hub for interdisciplinary work,” he says. “If the vision of the neighborhood is new and contemporary art, then the injection of NMSA into that community is essential. It’s a crossroads for so many art forms.”
Special Event Armond Lara: Flying Blue Buffalo Project
Wednesday, February 17 Open House: 2-5 pm Panel Discussion: 3 pm
Our Kickstarter campaign for Armond Lara’s Flying Blue Buffalo Project is in full swing! So far, we have 22 backers and have raised over 10% of our goal. We’re celebrating the campaign’s midpoint next Saturday, Feb. 17 with an open house and panel discussion event from 2-5 pm. The panel starts at 3 pm, and features professional and amateur historians who’ve extensively studied Native slavery in the Southwest. Like Armond, a number of the panelists have Indigenous ancestors who were enslaved. They’ll shed light on this under-examined history through conversation and storytelling. Here’s the lineup:
The creative dynamo behind the Flying Blue Buffalo Project! The Santa Fe artist is Hispanic and Navajo. A dark chapter of his family history helped inspire the project. Since starting this endeavor, he has studied the larger phenomenon of Native child slavery in the West.
Moises Gonzales is an Assistant Professor in the Community and Regional Planning Program at UNM, he also serves as the Director of the Resource Center for Raza Planning and is the Director of the Bachelor of Arts in Environmental Planning and Design Degree Program. Gonzales holds a Master’s Degree in Urban Design from the University of Colorado, Denver as well as a Professional Planning Degree in the Master of Community and Regional Planning Program from UNM. He was the co-instructor for the summer urban studio that worked with students on the Ysleta del Sur Pueblo cultural corridor and he is still currently involved with this project. Moises will also be advising on the historic restoration plaza project for Nambe Pueblo and has also advised iD+Pi on the potential housing assessment project with the Santa Clara Housing Authority.
With ancestral connections to both Hispanic and indigenous communities, Dr. Rael-Gálvez was raised working on a farm and ranch stewarded by his family for generations in Costilla, New Mexico. He holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery. ” He is currently working on the manuscript, The Silence of Slavery. Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°, a consulting firm which supports transformative work within communities and organizations, including his present project, an initiative on “Truth, Racial Healing and Transformation.”
When I started storytelling, it was the first time these stories were told by a Navajo person. That was thirty years ago. Since then, I’ve worked – as a storyteller, folklorist and cultural consultant – collecting, learning and retelling the oral tradition of the Diné Hozhojii Hané (Navajo Blessingway stories). These stories present the world view of the Diné people and details their relationship with their surroundings. I have retold these stories by oral tradition in Navajo and in English for a variety of organizations, universities, elementary schools and conferences throughout the US, Canada, Africa, Europe and Mexico including the Smithsonian Museum of the American Indian, the Denver Arts Museum, Museum of Indian Arts and Culture, the Rhode Island School of Design (RISDI) and programs sponsored by the PEW Charitable Trust.
I was the Olive B. O’Connor Distinguished Visiting Professor of Literature and Storyteller-in-Residence at Colgate University and one of nine women, and the only Native storyteller to be included in the Women’s Chautauqua Institute. In 2006, I received the Navajos Making a Difference Award at the annual Navajo Studies conference. I am on the roster of the NMHC Chautauqua Speakers Program, which features specialists on New Mexico history and culture. I have done storytelling workshops with students and teachers (in New York schools) and seniors (at the northern Navajo Medical Center. A few years ago, I founded the Hané Storytelling Festival for indigenous storytellers. I was featured in Jack Hanna’s Zoo Life, the German documentary, Niedergang der Najavos and Miss Navajo, a PBS Independent Lens documentary, in which I spoke about winning the 1982 Miss Navajo Nation pageant that celebrates women and tradition.
Kim Trujillo is from Belen, NM. She received a BA degree in journalism from NMSU. She is a former news anchor in Albuquerque at KRQE-TV. She is currently working in NM film as a costume designer. She is featured on Ancestry.com commercial that has aired more than 12,000 times over the last two years nationally and in Canada.
Joseph Riggs is an artist from Northern New Mexico, currently residing in Tesuque, NM. He is a retired criminal defense attorney, having practiced law for 40 years and Albuquerque and Northern New Mexico. In addition to his art, he is collaborating with Armond Lara on Lara’s Flying Blue Buffalo Project. His other interests include community activism as Project Manager of the Santa Fe Artists Medical Fund, and as President of the Tesuque Water Association Board.
Weston Brownlee is the Director of Operations at 3D Proven Systems, and a professional sculptor. His current work in the realms of digital art, 3D Modeling, 3D Scanning, and 3D Printing, when paired with his background in lost wax casting, foundry, and traditional cast arts all have come into play to help realize Armand Lara’s Flying Blue Buffalo Project.