Preview: Matthew Mullins | The Sun In Our Bones

Matthew Mullins- The Sun In Our Bones- Oil on Canvas- Form and Concept Gallery- Santa Fe New Mexico

Matthew Mullins is an avid hiker and distance runner, and lately he’s been leaving artwork behind on his adventures through New Mexico’s high desert. He’ll install pinhole cameras in remote areas, note their coordinates, and return for them weeks or months later. The final images reflect the shifting path of the sun and other natural phenomena—that is, if Mullins can retrieve them. Weather and wild animals have destroyed several cameras, and others have vanished without a trace. Despite the occasional lost artwork, Mullins says his far-flung creative process is worth the risk.

“With these pinhole photos, I’m presenting different ways to look at nature and different ways of seeing time,” the Santa Fe artist explains. “The incredibly long exposures require the cameras to be in remote locations, which always involves leaps of faith.” In his solo exhibition The Sun in Our Bones, opening Friday, September 28 from 5 to 7 pm, Mullins presents photographs, paintings and sculptures inspired by the intrinsic links between humans and the natural world. An artist talk follows on October 20, and a closing reception takes place on November 17.

Matthew Mullins- Orphan Mesa- Oil on Canvas- Form and Concept Gallery- Santa Fe New Mexico

When Mullins began working on The Sun in Our Bones last year, he was shooting for the stars. “I thought about making a series of artwork within a spectrum of very earthy and grounded to cosmic. I wanted to paint nature and natural processes from the subatomic world to the stars” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The Santa Fe artist has been working on a series of highly unconventional landscape paintings since moving to New Mexico from Berkeley, California in 2011. The works depict scenes from nature, often in a monochrome palette, with geometric patterns inspired by human-made designs cutting through them. A concurrent series of watercolor paintings features mandala patterns dotted with countless stars.

Branching out even further, the artist started experimenting with several new mediums. He gathered dry, twisted pieces of juniper wood on his outdoor excursions and brought them back to his studio, cleaning them, burnishing them and covering them with shiny graphite to accentuate their lines and textures. Through the pinhole photography series, Mullins found a method for depicting a temporal experience of landscape. “I really wanted to track time in a different way and also show the movement of our planet around the sun.  I didn’t think I could really get that in my paintings,” he says. “I love the idea of having these pinhole cameras out in the world. They’re working right now, so I’m making art 24/7.”

The Sun in Our Bones will span form & concept’s ground floor, the second show in the gallery’s two-year history (after Thais Mather’s Reckless Abandon in November 2017) to devote an entire level to a single artist. The title of the exhibition is a reference to an unconventional material Mullins has incorporated into some of his cosmic paintings: pigment made from burnt animal bones. “The calcium and phosphorous in those bones, and our own, are made in stars,” Mullins says. “It’s truly all connected.”

Matthew Mullins- Obsidian Ridge- Pinhole Photograph- Form and Concept Gallery- Santa Fe New Mexico

For Mullins, the exhibition is a culmination of 15 years of work as a professional artist. Originally from the Bay Area of California, he received his MFA from University of California Berkeley. There, he began his career with his Artifacts & Archives paintings, a series of photo-realistic watercolors that replicate the archival environments and materials he had access to during his graduate studies.

Mullins received the prestigious Eisner Prize for Visual Art in 2010, a year before relocating to New Mexico. Following the move, he was inspired by the desolate, sweeping landscapes of the Desert Southwest to shift from an illustrative style to semi-abstraction. Through his latest work, Mullins has sought to show the connection between human consciousness and the natural world. “Humans are part of the natural world,” says Mullins. “But we often become so focused on our individuality that we lose track of that greater connection. My work is about reintegrating with nature and finding unity in that relationship.”

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Preview: Fearsome Friend Tour Launch

ppoacher ppoacher- Fearsome Friend Tour Launch- Matron Records- Form and Concept Gallery- Santa Fe New Mexico
ppoacher ppoacher.

Caitlin Brothers is going places—specifically, all across the Southeastern United States. “The new tour passes through Oklahoma, Arkansas, Missouri, Kentucky, Louisiana, and Texas,” says the Santa Fe musician, who performs under the moniker ppoacher ppoacher. “I’m trying to split it between familiar territory and places I’ve never explored.” That’s a good way to describe her musical repertoire for an upcoming tour launch event at form & concept. Brothers and her new bandmate Nathan Smerage will perform songs from the band’s 2017 debut album, along with some new material they’ve written together. She’ll also sing traditional Balkan music with Santa Fe’s Sevda Choir, which welcomed her into its ranks a few months ago. ppoacher ppoacher’s Fearsome Friend Tour Launch is on Thursday, September 6 at 7:30 pm. The gallery will ask for a $5-$25 donation in support of the artists at the door.

Brothers released her debut solo album, ppoacher ppoacher & the Concrete Dragonfly (Matron Records), last July. In the year since, she started composing new songs with Santa Fe-based musician Nathan Smerage. Both of them studied music at the Santa Fe University of Art and Design, and play in the band Storming the Beaches with Logos in Hand. “Nate and I were talking, and he said, ‘I think everyone should take a year off of making music and playing shows, and just listen to music,” says Brothers. It got her thinking about her college days. “My whole college career, I was slowly building the ppoacher ppoacher sound,” she says. “But I was also playing and listening to traditional music a lot more. It was really good for me.”

Sevda Choir- Fearsome Friend Tour Launch- Matron Records- Form and Concept Gallery- Santa Fe New Mexico
Sevda Choir.

Earlier this summer, Brothers joined Sevda Choir and began learning ancestral songs of Eastern Europe and the Balkans, the Black Sea region, and the Mediterranean. It gave her a chance to trace the roots of an age-old musical tradition at the same time that she was finessing fresh material with Smerage. “It’s been like coming home,” Brothers says. “I’m sort of examining how I can exist with a foot in both worlds, and Sevda has really given me that.” The Fearsome Friend Tour Launch is a real-world representation of this emerging musical philosophy. Sevda Choir will kick off the concert with Brothers among them, and then she’ll split off for a set of old and new ppoacher ppoacher songs with Smerage. Soon after the event, Brothers and Smerage will hit the road. “I think it’s the best tour I’ve ever done,” says Brothers. “And this is the perfect start.”

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Tangible Blessings.

Dalai Lama signing Murals of Tibet with Thomas Laird- Taschen Books- Form and Concept Gallery- Santa Fe New Mexico

At a special event tonight, photographer Thomas Laird will tell stories of his long-in-the-making archive of Tibetan Buddhist murals. TASCHEN published the completed volume, Murals of Tibet, earlier this year in a SUMO-sized format with gilded pages and a rare signature from His Holiness the 14th Dalai Lama. The free talk is from 5-7 pm at form & concept, but make sure to arrive a bit early if you need a seat (or want an up-close look at the book). Michael Abatemarco of Pasatiempo covered the event in an article called “Tangible Blessings.” Here’s an excerpt:

After spending a solid month editing a photograph of a mural in Tibet — one of more than 200 murals he photographed — Thomas Laird began to see the faces of tantric deities from the mural in his dreams. Then, he saw the faces everywhere. “One day, I saw the face of Tara when I looked at my wife Jann Fenner,” he writes in the introduction to his new book. “ ‘You have now spent more time studying this image,’ I said to myself, ‘than anyone except the artists who painted it 500 years ago.’ ”

Dalai Lama- Murals of Tibet- Taschen Books- Form and Concept Gallery- Santa Fe New Mexico

Read the rest of the piece here, and make sure to check out an accompanying story by Jennifer Levin about Santa Fe’s Tibetan community. This is a tidbit from her report, titled “The Neighborhood Association“:

Monday through Friday, Tashi Gyalkhar is a staff manager in the state of New Mexico’s Human Services Department. The fast-talking thirty-six-year-old spends Saturday mornings as an assistant teacher at the Tibetan Association of Santa Fe, helping children learn the Tibetan alphabet. Gyalkhar immigrated to Santa Fe from Dharamshala, India, when she was sixteen years old, as part of a resettlement project of 1,000 Tibetans that began in the early 1990s. Her mother came first, among the first couple of dozen Tibetans to move to Santa Fe, and Gyalkhar followed with her father and older brother a few years later.

“In each city, there was an American community helping out. Here in Santa Fe, [the sponsor program] was started by Project Tibet,” she said. “People got to choose where they wanted to go. Everyone who came to Santa Fe chose it.”

Read more from Levin here, and we’ll see you tonight at Murals of Tibet with Thomas Laird! This event is free and open to the public, and light refreshments will be served.

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Murals of Tibet- Mural Detail- Taschen Books- Form and Concept Gallery- Santa Fe New Mexico

Video: Murals of Tibet

Thomas Laird, the photographer behind the new TASCHEN book Murals of Tibet, will appear at form & concept this Friday at 5 pm for a special event. He’ll talk about his journey of over ten years to create this stunning archive of Tibetan Buddhist art, and offer visitors an intimate look at the SUMO-sized Collector’s Edition of the book. Murals of Tibet has been on display in the gallery’s atrium since early July, and Laird’s appearance marks its final day here.

Ahead of the event, check out this incredible video series by TASCHEN about the creation of Murals of Tibet. Above, TASCHEN introduces the book in spectacular fashion. Here’s an excerpt from the narration:

For centuries, Tibet has been seen as an island in the sky. A remote land, close to the lights, beyond the mountains. A mysterious land, where monks practiced rituals and yoga that led to wisdom and power. What if, even in our age of increased accessibility, a great treasure still remained—hidden all of these centuries? Visions from another world. Visions created to inspire, as Tibetans say, liberation upon seeing.

Over the course of five expeditions, and using multi-image capture and render technology, Thomas Laird amassed the first catalog of life-size images of more than 200 Buddhist mural masterpieces—including the oldest and most important painted during the past 1,000 years.

In this “making of” video, the editorial team discusses the design process. Managing Editor Florian Kobel says:

The murals can now be appreciated much better than on site. They have never been explored to the extent as they have been now, because the walls are 9 meters high, the lighting is terrible. You never were able to look up and study the faces.

Frank Goerhardt, TASCHEN’s global publishing director, continues:

You cannot get the picture with one photograph. It is a sum of pictures taken digitally and stitched together.

Laird sat down with Richard Gere at the Explorers Club in New York for a conversation about the making of the book. Here’s what he had to say:

I spend the day shooting hundreds of images. That’s a lovely day in Tibet, in a dark room. […] You see the Buddha when you’re done that day, but you also have a headache. Then you bring that home, and you sit down in front of a computer, and your wife puts up with you for a month or six weeks. Then you say to her, ‘It’s very nice, but it’s not proper… so I need to go back to Tibet to recapture this.

Come meet Laird and learn more about Murals of Tibet on Saturday. This event is free and open to the public, but seating is limited so make sure to arrive early.

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Preview: Murals of Tibet

Murals of Tibet- Photographer Thomas Laird- TASCHEN Books- Form and Concept Gallery- Santa Fe New Mexico

For more than a decade, American photographer Thomas Laird traversed snowy mountains, deep valleys, and desolate deserts to capture images of Tibet’s spectacular Buddhist murals. He worked with internationally renowned art book publisher TASCHEN to make Murals of Tibet, a 498-page volume that is the world’s first archive of these sacred artworks.

form & concept hosts Laird at a special event where he’ll share stories of the book’s creation, and offer visitors an up-close look at the Collector’s Edition of the book. The hardcover volume is signed by his Holiness the Dalai Lama and features Laird’s photographs in life-size resolution. The event is part of a national tour of the book by TASCHEN. It takes place at form & concept on Friday, August 31 from 5 to 7 pm. Murals of Tibet is on view at form & concept from July 12 through August 31, as part of a national tour.

Murals of Tibet- Photographer Thomas Laird- TASCHEN Books- Form and Concept Gallery- Santa Fe New Mexico

“I spend the day shooting hundreds of images. That’s a lovely day in Tibet, in a dark room. […] You see the Buddha when you’re done that day, but you also have a headache,” Laird told Richard Gere at a TASCHEN event in New York earlier this year. “Then you bring that home, and you sit down in front of a computer, and your wife puts up with you for a month or six weeks. Then you say to her, ‘It’s very nice, but it’s not proper… so I need to go back to Tibet to recapture this.” Using this innovative multi-image digital photography process, Laird captured murals as wide as 10 meters in exquisite detail.

The publication of this unprecedented record of Tibetan art is so momentous that it caught the attention of His Holiness the 14th Dalai Lama, who signed all 998 copies of the Collector’s Edition. As the Dalai Lama has explained, these murals are not just objects of beauty, but serve as points of reference and guidance for practitioners of Buddhism, yoga, and meditation, as well as for anyone seeking to incorporate mindfulness into their daily life.

Murals of Tibet- Photographer Thomas Laird- TASCHEN Books- Form and Concept Gallery- Santa Fe New MexicoBinding contemporary photographic technology with ancient traditions, this book is at once a majestic art piece, a major milestone in the appreciation of Buddhism, a precious monument to Tibetan culture, and a vital source for the contemplative arts and sciences. The SUMO-sized Collector’s Edition comes with a bookstand designed by Pritzker Prize-winning architect and humanitarian pioneer Shigeru Ban.

As the murals are often massive in scale, Murals of Tibet  measures 19.7 x 27.6 in. In a 528-page scholarly companion book, Buddhist writer and academic Robert Thurman takes us through this transcendent journey with detailed text on the murals’ spiritual significance while captions from experts Heather Stoddard and Jakob Winkler shed light on the storylines and artistic context of each image.

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Murals of Tibet- Photographer Thomas Laird- TASCHEN Books- Form and Concept Gallery- Santa Fe New Mexico

Preview: Soul of Nations

Soul of Nations- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico
Frank Rose and Sandy Zane of form & concept, with Ernest Hill and Soul of Nations artists. 

It’s safe to say that the Brea Foley Art Program is one-of-a-kind. The initiative, by Washington, D.C. and Arizona-based nonprofit Soul of Nations, vaults teens from Southwestern Indigenous communities into the upper echelons of the art world. This year’s program had hundreds of applicants and 15 finalists, all between the ages of 15 and 18. Three winners jetted off to Manhattan for a residency at New York University’s Tisch School of the Arts. Later in the summer, all of the finalists will exhibit together at form & concept gallery in Santa Fe, on the weekend of this year’s SWAIA Santa Fe Indian Market.

The Soul of Nations group exhibition opens with a reception on Friday, August 17, 5 to 7 pm, followed by an artist talk on Saturday, August 18, 1 to 2 pm. Inspired by the theme “Honor the Earth,” the participants offer fresh perspectives on Indigenous identity, contemporary culture and the state of the environment.

Soul of Nations Group Exhibition- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico
Maiyah King, Sanctity, acrylic on canvas, 16 x 20 in.


“Art is its own language,” says Ernest Hill, cofounder of Soul of Nations. “People might not want to hear what you have to say about your own plight, but you could look at a canvas and that could ignite a discussion.” That was the founding philosophy for Soul of Nations, which Hill dreamed up with his childhood friend Brea Foley. Hill and Foley grew up in Denver but had strong connections to Navajo Nation in the Four Corners region: Foley’s heritage was Navajo, and Hill’s family conducted missionary work on Native reservations when he was young. They were both interested in addressing the extreme poverty divide between Indigenous communities and the rest of the Southwest.

“There was this drastic disconnect between on-reservation life and off-reservation life,” Hill says. “I made a promise to myself that I wouldn’t go back unless I could do something about it.” Foley passed away in 2014 from breast cancer, but Hill carried on their mission and officially incorporated Soul of Nations as a 501(c)3 the following year. The organization has a broad charter, seeking to uplift the vast numbers of displaced Indigenous communities throughout the Americas.

Soul of Nations Group Exhibition- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico
Mikhail Ganadonegro, Mother Earth, acrylic on canvas, 23 x 27.5 in.

Hill created the Brea Foley Art Program as a tribute to his late collaborator, with the more targeted mission of providing art world opportunities to Native teens from the Southwest. “At the beginning, we had a focus group and asked students, ‘What are you most interested in doing?’” says Hill. “About 80% of the students said that they were really interested in the arts as a career path. We wanted to show them ways to be successful.”

The Brea Foley Art Program has grown and evolved in the three years since its founding. Hill says awareness of the initiative has grown significantly, with 253 applicants for this year’s program. In addition to the residency at Tisch School of the Arts, this year’s winners—Maiyah King of Albuquerque, Bailey Pete of Gallup, and Christine Garcia of Santa Fe—participated in a special reception at the National Museum of the American Indian in New York City. “Last year we did a series of college tours and museum tours, but we wanted to find a school that was dedicated to investing in youth at a larger level,” says Hill. “NYU really stepped up to the plate.”

Soul of Nations Group Exhibition- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico
Kiara Tom, The Y’ell Night Chants, acrylic on canvas, 24 x 18 in.

Hill also wanted to build a bridge to the commercial art world for the program’s participants. That’s how form & concept came into the picture. “It’s a whole new realm for us in terms of education,” says Hill. “We want to teach them how to work with a marketing team, but also how to market yourself in the commercial art scene. Being an artist is like having a sole proprietorship.” All 15 of this year’s finalists will contribute an artwork to the Soul of Nations group exhibition at form & concept. They hail from 11 different tribal communities throughout the Southwest.

Their work will debut at the gallery on the weekend of the SWAIA Santa Fe Indian Market, which attracts over 100,000 visitors to buy art directly from 1,000 artists who represent more than 200 federally recognized tribes from the U.S. and Canada. The show’s opening reception also features the debut of an art installation by Armond Lara, an internationally renowned artist with Navajo heritage.

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Featured Artists: Mikhail K. Ganadonegro, Quansha J. Abayta, Maiyah King, Bailey Makai Pete, Deanna Lee, Christine Garcia, Naomi Smart, Kyle Begay, Megan Joe, Rikki Begay, Iona Stevens, Naomi Begay, Josiah Whitesinger, Lehlahni Michelle, Kiara Tom

Opening Weekend: Flying Blue Buffalo & Soul of Nations

Armond Lara- Flying Blue Buffalo Project- Installation View- Form and Concept Gallery- Santa Fe New Mexico

Opening Weekend

Armond Lara’s
Flying Blue Buffalo Installation

Preview with Dr. Estevan Rael-Gálvez:
Thursday, August 16, 5:30 pm

Opening: Friday, August 17, 5-7 pm
Artist Talk: Saturday, August 18, 2-3 pm

This weekend, when Santa Fe artist Armond Lara sends 77 winged buffalo sculptures into the stratosphere of form & concept’s atrium, he’ll fulfill a long-held dream. The Flying Blue Buffalo installation tells the centuries-long story of enslaved Native American children—including Lara’s grandmother. The Pueblo people called these abducted youths “Lost Bluebirds.” Lara combined this symbol with the buffalo to create the Flying Blue Buffalo, a new icon of Indigenous resilience. Listen to Armond Lara’s interview with Spencer Beckwith on KUNM, and learn more at the links below.

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Image: Armond Lara, Flying Blue Buffalo installation.

Soul of Nations Group Exhibition- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico

Opening Weekend

Soul of Nations

Opening: Friday, August 17, 5-7 pm
Artist Talk: Saturday, August 18, 1-2 pm

Soul of Nations, a Washington, D.C. and Arizona-based nonprofit that works to uplift Indigenous communities throughout the Americas, presents this juried exhibition of Native teen artists from Southwest reservations. Inspired by the theme “Honor the Earth,” the participants offer fresh perspectives on Indigenous identity, contemporary culture and the state of the environment. The 15 featured artists offer boundary-pushing aesthetic statements from a new generation of Indigenous creatives.

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Image: Kiara Tom, The Y’ell Night Chants, acrylic on canvas, 24 x 18 in.

A Little-Told Story, A Long-Held Dream.

Later this month, when Armond Lara sends 75 winged buffalo sculptures into the stratosphere of form & concept’s atrium, he’ll fulfill a long-held dream. Lara has been depicting buffalo in his artwork for years, but more recently they’ve turned blue and sprouted wings. The Flying Blue Buffalo series is a reference to the Santa Fe artist’s family history: his grandmother, who was Navajo, was kidnapped as a small child and forced into servitude by a Mexican family. Across three centuries of Spanish, Mexican and American rule, thousands of Native children were similarly enslaved as household servants or field hands.

The Pueblo people called these abducted youths “Lost Bluebirds,” a symbol that Lara combined with the buffalo to create a new icon of Indigenous resilience. He dreamed up a massive installation of 75 winged buffalo sculptures, which came to fruition through a Kickstarter campaign and 3D printing technology. We’re hosting a preview of the installation on Thursday, August 16, featuring a talk by Dr. Estevan Rael-Gálvez of Santa Fe. The installation opens with a reception on Friday, August 17, and Lara conducts an artist talk on August 18.

Armond Lara- Flying Blue Buffalo Installation- Form and Concept Gallery- Santa Fe New Mexico

“My grandmother didn’t talk much, but if she did talk, you listened,” says Lara. He’s known the story of his grandmother’s abduction for as long as he can remember, but it wasn’t until recently that he learned how common the practice was. “My sister was doing genealogy research on the family, and she found a list of all the Native American kids who had been ‘adopted’ by Mexican families in the Four Corners area,” says Lara. “It dawned on me, whoa, this is really widespread. That’s when I started asking other people about it.” He learned about the kidnapping and enslavement of an enormous number of Native American children over several centuries—from the 1600’s when the Spanish arrived, through the period of Mexican Independence, until the late 1800’s under the government of the United States. A number of Lara’s close friends revealed that they too had ancestors who were taken.

For Lara, this growing web of stories reminded him of his grandmother’s resilience, which has been an enduring source of inspiration. “I looked to my grandparents for guidance. The strongest voice was my grandmother’s voice,” Lara says. “She didn’t talk about it, she just did it. If she needed something, she’d make it. If she needed a robe, she’d weave one. I really admired that quality.” He dreamed up an art installation and storytelling project that might communicate this ethos, and inspire people to learn more about their heritage. A series of five winged blue buffalo marionettes that Lara carved from wood over a number of years became central conceptual elements.

Armond Lara- Flying Blue Buffalo Installation- Form and Concept Gallery- Santa Fe New Mexico

With the help of his frequent collaborator Joseph Riggs, an artist and retired attorney who lives in Santa Fe, Lara pitched the idea to form & concept. The gallery commissioned a digital model and several mock-ups of the buffalo from Albuquerque technology firm 3D Proven Systems, while Lara and Riggs started gathering stories for the project. “We’ve represented Armond’s work for years, and were so excited to help bring his vision into reality,” says Sandy Zane, Owner of Zane Bennett Contemporary Art and form & concept. “For a project at this scale, we turned to 3D printing technology to capture the original carvings in high fidelity.” The gallery mounted a Kickstarter campaign to fund a round of 3D-printed sculptures, which were used to create molds for a final series of 75 cast resin sculptures.  

Riggs says the scale of the installation is vital to the project, because it communicates the staggering number of children, families and communities affected by the issue. “I’ve lived in the Southwest my whole life, and I was unfamiliar with the story,” says Riggs. “You can’t find it in history books in New Mexico, but as I learned, there were slave markets all across this region. It became a deep part of the culture of the Southwest.” Each of the 75 buffalo sculptures will represent the story of one “Lost Bluebird,” with oral and written accounts of their fight for survival. “People in New Mexico have been searching for a way to explore this part of their family history,” Riggs says. “They can take pride in the fact that they’re Hispanic, and they’re Native American, and they’re American. There’s so much division in our country. We need to find ways to show our unity, to show how much we’re alike rather than how we’re different. And I think we can do it through this story.”

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Armond Lara- Flying Blue Buffalo Installation- Form and Concept Gallery- Santa Fe New Mexico

Preview: Annual Exhibition 2018

Artist Thais Mather- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

“From the beginning, we were interested in reimagining what an art gallery could be,” says Frank Rose, Director of form & concept gallery. “The natural starting point was asking, ‘What’s been exhibited, and what or who has been excluded?’” The gallery, located in Santa Fe’s Railyard Arts District, celebrated its second anniversary in May—but its most definitive curatorial statement emerges each summer. The latest entry in form & concept’s Annual Exhibition series launches in late July, and includes new artwork from all ten of the gallery’s represented artists. Each show brings together local and far-flung creative voices in a conversation about art, craft and design.

“By looking at the cultural lines we’ve drawn between these broad categories, we start to better understand ways that people have been divided,” says Rose. “What we call art, craft or design has a lot to do with gender, race and class.” form & concept Annual Exhibition 2018 opens on Friday, July 27 from 5 to 7 pm, and a number of the featured artists will conduct a gallery talk on Saturday, August 25 from 2 to 3 pm.

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Above: Thais Mather.

Artist Matthew Troy Mullins- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

Matthew Mullins

Artist Rebecca Rutstein- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

Rebecca Rutstein

Artist Elana Schwartz- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

Elana Schwartz

Artist Mark Newport- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

Mark Newport

Artist Matthew Szosz- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

Matthew Szösz

Artist Debra Baxter- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

Debra Baxter

Artist Heidi Brandow- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

Heidi Brandow

Artist Wesley Anderegg- Annual Exhibition 2018- Form and Concept Gallery- Santa Fe New Mexico

Wesley Anderegg

Click here to browse the complete form & concept collection.