Raising Arizona.

Wesley Anderegg- Ceramic Art- Form and Concept Gallery- Santa Fe New Mexico
Wesley Anderegg, 2 Headed Man (Rob-Bob), ceramic 11.25 x 11.25 x 1.5 in.

Wesley Anderegg: ARIZONA opens tonight (Friday, 3/30) from 5 to 7 pm at form & concept, followed by an artist talk on Saturday (3/31) from 2 to 3 pm. For a first look at the show, make sure to pick up a copy of this week’s Pasatiempo. Michael Abatemarco interviewed Wes for a lively piece called Raising Arizona, excerpted here:

For ceramic artist Wesley Anderegg, Arizona is  a state of mind, and he might picture you there  with a can of Coors sooner than with luna moths. But who knows? You shouldn’t put anything past him. After all, Anderegg would gladly trade in stereotypical cowboys roping steers for quirky characters on hobby horses, or for dreamers floating in the sky, high above the saguaro. About two dozen ceramic tiles depicting life in Arizona, as filtered through the wry and surreal mind of the artist, are on exhibit at Form & Concept, each one measuring about 12 by 12 inches and about an inch and a half thick.

Emily Van Cleve of Santa Fe Arts Journal penned a preview of the show, with some fantastic quotes from Wes. Here’s a tidbit:

It’s fair to say that California-based ceramic artist Wesley Anderegg has somewhat of a love/hate relationship with the state of Arizona.

He was born in Phoenix, graduated from Arizona State University and lived in the area for more than 30 years. His show “Arizona” at form & concept, which opens on March 30, pokes fun at life in his birthplace.

“I love the desert,” he explains. “From January through March, there’s no better place to be. When I grew up there in the 1950s, we lived at the edge of town. The desert was a great place to raise hell.”

Learn more about the show at the links below, and make sure to stop by tonight & tomorrow to meet the artist!

Visit the ARIZONA exhibition page.
RSVP for the opening reception on Facebook.
RSVP for the artist talk on Facebook.

Wesley Anderegg- Ceramic Art- Form and Concept Gallery- Santa Fe New Mexico
Wesley Anderegg, Couple Riding Through Desert, ceramic, 14.25 x 20 x 1.5 in.
Wesley Anderegg- Ceramic Art- Form and Concept Gallery- Santa Fe New Mexico
Wesley Anderegg, Quail, ceramic, 11.25 x 11.25 x 1.5 in.
Wesley Anderegg- Ceramic Art- Form and Concept Gallery- Santa Fe New Mexico
Wesley Anderegg, Pretty Arizona Girls Drink Coors, ceramic, 11.25 x 11.25 x 1.5 in.

Click here to preview more artwork from Wesley Anderegg: ARIZONA.

Artist News | March 2018

Heidi Brandow- Artwork- Form and Concept Gallery- Santa Fe New Mexico
Heidi Brandow, Low Tide, mixed media painting, 5.5 x 5.5 x 1.5 in.

Heidi Brandow has received two fellowships in the past few months. Story Maps is an initiative by Santa Fe Art Institute that mentors young, local, creative leaders of color in community engagement. Heidi also received an Artist in Business Leadership fellowship from the First Peoples Fund. Read a snippet from their mission statement below:

“When an individual artist is uplifted and supported, they impact their families, communities and the benefits can ripple out regionally and nationally. This inspires artists to fully honor their cultural creativity and frees them to embrace their Native identity and voice.”

Debra Baxter- Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Debra Baxter, Breastplate (Reveal), bronze, quartz crystal, 18 x 11 x 3 in.

“Baxter is an artist for one refreshingly honest reason. ‘If I didn’t make art, I would lose my mind.'” That’s the first line of Elysian’s recent profile on Debra Baxter. The article, much like Debra’s work, is a vulnerable and powerful examination of what it means to be a female artist. Read the full interview here. Debra’s Aqua Aura Knuckles appear on the cover of The Magazine’s February/March relaunch issue. Here’s an excerpt from Jenn Shapland’s cover story about Debra and her work:

Debra Baxter has just chucked something across her studio. A five-pointed throwing star sticks firmly into the opposite wall. She’s about to throw another, but first she shows it to me. It’s elegant lace made of metal. The tips have been sharpened.

Matthew Mullins- Painting- Form and Concept Gallery- Santa Fe New Mexico
Matthew Mullins, Chicoma, acrylic ink and watercolor on paper, 58 x 38 in.

Matthew Mullins will appear in the New American Paintings Special Alumni Issue this March. Pick up a copy to see his painting Chicoma in print. Matthew’s Ursa Major graced the cover of Pasatiempo in December, for their 2017 Writing Competition issue.

Rebecca Rutstein- Painting- Form and Concept Gallery- Santa Fe New Mexico
Rebecca Rutstein, Slanted and Enchanted, acrylic on canvas, 90 x 60 in.

Rebecca Rutstein is taking Pennsylvania museums by storm! The Philadelphia Museum of Art recently acquired a 2017 painting by Rutstein for their public collection. The Pennsylvania Academy of Fine Arts Museum, which is the nation’s oldest art museum and art school, added two of her artworks to their collection.

Wesley Anderegg- Painting on Ceramic Tile- Form and Concept Gallery- Santa Fe New Mexico
Wesley Anderegg, Big Strawberry, ceramic, 11.25 x 11.25 x 1.5 in.

Wesley Anderegg‘s solo exhibition ARIZONA is coming up at form & concept. The opening reception is Friday, March 30 from 5 to 7 pm, and Wes will conduct an artist talk on Saturday, March 31 from 2 to 3 pm. Wes also appears with Ryan Meyers in the two-man exhibition About Face, opening in Bakersville, NC this April.

Click here to browse the complete form & concept collection.

Matthew Mullins covers Pasatiempo.

Artist Matthew Mullins- Ursa Major Painting- Pasatiempo Cover- Form and Concept Gallery- Santa Fe New Mexico
Ursa Major by Matthew Mullins is this week’s Pasatiempo cover.

This week’s issue of Pasatiempo features the winners of the publication’s annual writing contest. Images of works by local artists appear in the cover story, and a painting by our own Matthew Mullins graces the cover! The piece is a watercolor and gouache on paper titled Ursa Major. Make sure to grab a copy while it’s on the stands (December 22-28, 2017), and read more about Matt in his recently updated biography. Here’s an excerpt:

The interconnection of human consciousness and the natural world is what inspires the work of Santa Fe artist Matthew Mullins. Mullins’ watercolor and acrylic ink paintings merge human made patterns derived from social constructs with the visual perception of nature, creating a harmonious relationship that the artist feels is often lost in today’s culture.

“Humans are part of the natural world,” says Mullins. “But we often become so focused on our individuality that we lose track of that connection. My work is about reintegrating with nature and finding unity in that relationship.”

Click here to read more, and stop by the gallery to see Ursa Major in person! You can browse all of Matt’s artwork on his artist page.

Matthew Mullins- Ursa Major- Painting- Form and Concept Gallery- Santa Fe New Mexico
Matthew Mullins, Ursa Major, watercolor and gouache on paper, 21.25 x 16 in.

Press | Thais Mather: Reckless Abandon

Thais Mather’s Reckless Abandon opens TONIGHT from 5-7 pm—with a reading from 2-3 pm on Saturday—and the artist has been hard at work installing the show and engaging the press in a conversation about art, history and feminism. Watch the latest clip from our video preview series above, and check out links to press about Reckless Abandon below.

Thais Mather Artist- Reckless Abandon- Form and Concept Gallery- Santa Fe New Mexico
Thais Mather, Mine and Thine (detail), 2017, 5′ 3″ x 20″ x 10″, Shou Sugi Ban.

Alex De Vore of Santa Fe Reporter talked to Thais for this week’s Three Questions feature. From his intro:

It’s not every day that a gallery as spacious as the Railyard’s form & concept opens up an entire floor to just one artist, but Santa Fe’s Thais Mather has a massive body of multi-disciplinary work and a whole hell of a lot to say. With Reckless Abandon, Mather examines the ideas of humanity, feminism, activism, the end of days and so much more through visual works, collaborative performance pieces and readings.

Thais Mather Artist- Reckless Abandon- Form and Concept Gallery- Santa Fe New Mexico
Thais Mather, 200,000, 2017, ceramic, ~ 3 x 3 in. each.

Megan Bennett of Albuquerque Journal North wrote an awesome preview of the exhibition. A little excerpt:

[Mather’s] mixed-media work, inspired by mankind’s evolution over time, with its art and symbols, ranges from resembling something that could have been made by cave people to more modern conceptual pieces. All of it, she says, is meant to encourage the audience to reflect on what’s worth holding on to and what’s not.

“There’s a point we’re coming to as Americans that our privileges are going to run out,” said Mather. “It just doesn’t matter any more. It’s a globalized world, and there’s going to have to be some complete reimagining with how the culture functions and how the global culture functions if we really plan to survive.”

Kathryn Davis interviewed Thais among the artworks of Reckless Abandon for her media platform ArtBeat Santa Fe:

Emily Van Cleve of Santa Fe Arts Journal wrote up the show earlier this week in an article aptly title A Vision for Humanity. Here’s a blurb:

Mather describes the process of making art as her product. “The show was birthed as an exploration of material and self, with the self as material and the material as self,” she adds. “I pushed the limits of what I knew but tried not to manipulate any material beyond what it was teaching me. So I worked with clay and let the clay converse with me. I worked in watercolor and we talked and didn’t fight. I just spent time and got lost and found in the process.”

Click here to learn more about Reckless Abandon, and make sure to RSVP on Facebook for updates. We’ll see you tonight from 5-7 pm! Our shows Smitten Forum and MICROCOSM Small Works Invitational also debut this evening.

Thais Mather Artist- Reckless Abandon- Form and Concept Gallery- Santa Fe New Mexico
Thais Mather, Mine and Thine, watercolor and pen and ink, 33 x 53 in.

TONIGHT | Guns to Art Benefit Show

Decommissioned firearms aren’t the most pliable artistic medium, but that hasn’t stopped faculty and students at Santa Fe Community College from reshaping them into stunning artworks. They’ve been hard at work bending, slicing, shredding and melting old guns into sculptures, jewelry and even apparel. Tonight, the art will appear at a special reception, live auction and silent auction, along with juried works by artists from across the world that reflect on gun violence prevention. Part of the proceeds from the Guns to Art Benefit Show go to the artists, art and welding scholarships at SFCC, and the 501(c)3 non-partisan organization New Mexicans to Prevent Gun Violence. Come to the event tonight (Friday, 11/17) from 4-7 pm. The live auction starts at 5:30 pm sharp!

Sara Yingling of KRQE News 13 drove up from Albuquerque to report on the exhibition in a segment that debuted today (embedded above), and we’ve appeared on the Richard Eeds Show and The Big Show with Honey Harris to talk it up. Santa Fe Reporter featured the show in their calendar last week, and Megan Bennett of Albuquerque Journal North penned a preview of the show. Here’s a tidbit from her piece:

Martin Helldorfer Artwork- Guns to Art Benefit Show- Form and Concept Gallery- Santa Fe New Mexico
Martin Helldorfer, Six Shooter, steel, ceramic, aloe vera, dirt, 14 x 14 x 11 in

When told that his art class at Santa Fe Community College would be using guns as work material, Marty Helldorfer said it at first felt “overwhelming and threatening.”

“My initial reaction was what could you possibly do … What in God’s name can you do to turn this into art?” Helldorfer said.

A retired hospital administrator who now spends most of his time making ceramics and steelwork, Helldorfer said the gun material is very different from the mild steel most artists work with. It’s difficult to forge and takes more time to change its original form. But in his “Forging for the Artist” course this spring, he manipulated three gun barrels to resemble aloe leaves and placed them alongside an actual potted plant.

[…]

Helldorfer, his classmates and dozens of other students at the community college over the last year were given decommissioned guns to turn into art as part of the New Mexicans to Prevent Gun Violence’s gun buyback program. Selected student works, along with a juried show of art commenting on gun violence, will be shown and auctioned off at form & concept gallery starting Tuesday.

To top it all off, Jennifer Levin of Pasatiempo wrote a beautiful report on the show in this week’s issue. Here’s an excerpt:

Corey Pickett Artwork- Guns to Art Benefit Show- Form and Concept Gallery- Santa Fe New Mexico
Corey Pickett, Rimfire 2, wood, foam, fabric, 45 x 20 x 7 in.

NMPGV obtained the guns that got turned into art at SFCC by holding gun buyback events around the state, at which they gave food and gas cards to members of the public who turned in unwanted guns. Each gun was checked by law enforcement to make sure that it wasn’t loaded or stolen, and hadn’t been used in a crime. “We’ve never actually gotten a crime gun,” said Miranda Viscoli, co-president of NMPGV, which was founded in 2013 in response to the Sandy Hook Elementary School shooting. “Once the guns go through that process, we hand them off to be cut in half, according to ATF standards, so that they can never be used again.”

Jeremy Thomas, a sculptor and SFCC faculty member, started working with NMPGV a year ago when his students began using the decommissioned gun parts as raw materials. As one of the show’s juried artists, he used stainless-steel gun parts to make inflated and deflated forms that fit in with his larger body of work. Thomas, himself a gun owner, now privately volunteers to decommission guns that NMPGV buys from the public.

“There is a big difference between owning a firearm and being responsible for it, and allowing an excess of firearms into society,” he said. “There’s been a real shift of focus over the past 30 years — from guns being a tool used in ranching and hunting or things like that, to a tool that is used in self-defense, or claimed to be used in self-defense. I own guns personally because of my family, my history — and that also brings about the idea that gun culture is passed down generation to generation. It’s not like it’s a brand-new thing. Culturally, I’m involved in that, whether I like it or not.”

Learn more about the exhibition here, and check out this preview of the artwork. Make sure to RSVP on Facebook for more updates!

Don Redman Artwork- Guns to Art Benefit Show- Form and Concept Gallery- Santa Fe New Mexico
Don Redman, October One, steel, 9 x 7 x 15 in.

Jaque Fragua in Neon.

Jacques Fragua Neon Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Jacques Fragua, Sold Out, neon, 29 x 48.25 x 3 in.

Neon has been in use an artistic medium for decades, but there’s something about it that seems perpetually of the “now.” Its glow makes it feel like a living thing, and the low hum it gives off could be friendly or threatening. The blue-green quality of neon light conjures a feeling of Americana and a gritty futurist sensation at the same time. Jaque Fragua bends this culturally loaded medium to his will in a series of provocative sculptures that illuminate the walls and windows of form & concept. Fragua’s neon creations parody the kitsch of curio shops and critique the appropriation of Native American aesthetics with biting wit. Crave reported on Fragua’s early influences in a profile last year:

Jaque Fragua Neon Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Jaque Fragua, Ceci N’est Pas Une Pipe, neon, 16.5 x 48.25 x 2.5 in.

From humble beginnings and a large family, Fragua grew up in an adobe house on Jemez Pueblo, about an hour northwest of Albuquerque. He began painting ceremonial objects for dances and cultural rituals in his youth. As an adolescent, he attended high school in Denver, and got into graffiti (along with some trouble). Formal training at the Institute of the American Indian Arts in Santa Fe followed.

Pre-Internet, the mainstream public didn’t know what was happening on reservations or in contemporary Native culture; Fragua saw an opportunity to use his experiences as the basis for his body of work. “I felt like the art I was interested in making could be a conduit for dialogue and to spread that awareness,” he says.

Jaque Fragua Neon Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Jaque Fragua, Drive Through Liquor, neon, 24 x 23.75 x 3.75 in.

Fragua discussed the experience of moving through the world as a Native artist with Santa Fe Reporter in 2015:

The reality is that it is twice as oppressive as being just a Native person. I feel like there’s so much pressure on young Native people to rise to a certain occasion or level of being or just adulthood…I don’t know what it is, but there’s all this pressure to be something that I don’t feel like we’re necessarily meant to be. It might be capturing the American Dream, or go to college and get your master’s in oil engineering, and there’s these things that our parents or the generation before have been trained or conditioned to do for so many years. Now, I feel like because we’re in a current state of society [where] people are having difficulty deciding what exactly they want to do, with that comes more pressure.

VICE‘s Creators Project touched on Fragua’s recent activist work in an article late last year:

The artistic abilities Fragua honed with graffiti eventually pushed him toward activist endeavors. “I came into the social justice sector by accident. A friend of mine asked me to help him make a banner for a specific Native organization fighting for water rights in Northern Arizona. This was 2007. Since then, I have been creating art every year for different indigenous campaigns and struggles, separate from the art I create for myself.” This past summer, Fragua traveled to North Dakota to help fight the Dakota Access Pipeline. “Part of my role there was to educate about art as a visual communication through non-violent direct action. The banner was created for an action that was deployed the morning after I arrived,” says Fragua.

Visit Jaque Fragua’s artist page to learn more about his work.

City Lights

Sandy Zane with George RR Martin, N Scott Momaday and Max Manzanares- 2017 Mayors Arts Awards- Santa Fe New Mexico

Our own Sandy Zane accepted a Santa Fe Mayor’s Award for Excellence in the Arts this weekend! Here she is with fellow honorees George R.R. Martin, N. Scott Momaday and Max Manzanares. Here’s what Michael Abatemarco of Santa Fe New Mexican had to say about the evening and Sandy’s involvement in the local arts community:

Since 1991, Santa Fe’s mayor has been honoring members of the arts community with annual awards for excellence in the visual arts, literature, performing arts, philanthropy, and more. The awards celebrate Santa Fe as an arts destination that plays a crucial role in preserving and expanding local and regional culture and history and in supporting the city’s economy. The awards, presented this year by Mayor Javier M. Gonzales and the City of Santa Fe Arts Commission, are given out at a dinner and ceremony. […]

Sandy Zane, co-owner with her husband, Ned Bennett, of Zane Bennett Contemporary Art and Form & Concept, her more recent contemporary art space, gets an award as a major supporter of the arts. Zane has represented established and emerging artists with a commitment to showcasing works by younger generations and local and international talent working in a variety of media. Zane’s philanthropic activities include support of New Mexico School for the Arts, the New Mexico Museum Foundation, and other organizations, and she has served on the boards of the New Mexico State University Foundation and Creative Santa Fe, and more.

Click here to read the full piece.

* Photo by David Jaffee

Press: Wookjae Maeng

Wookjae Maeng Ceramic Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Wookjae Maeng, Balance- Lion B, stoneware, 14.5 x 9.8 x 10.6 in.

A menagerie of golden-eyed, ceramic creatures has arrived at form & concept for Wookjae Maeng’s solo exhibition BALANCE this Friday. The animals were accompanied by a small media circus this week. BALANCE was prominently featured in Santa Fe Reporter‘s calendar section, and Emily Van Cleve covered the show in Santa Fe Arts Journal. Here’s an excerpt from her write-up:

“The theme of my work is to represent the complex, ambiguous and uncomfortable relationship between man and animal,” says Wookjae Maeng, a South Korean artist whose porcelain wall hangings and pedestal pieces of deer, rhinos, lions, bighorn sheep and other creatures are on display in form & concept’s show “Balance” that opens on October 27.

Some animals are presented like hunting trophies, while other sculptures highlight the invisibility of the animal world to the human eye. All of Maeng’s animals have golden eyes that confront the viewer.

Click here to read the full piece, which includes a quote from our director Frank. This Friday, Pasatiempo covered the show in its Exhibitionism section. Here’s a snippet of Michael Abatemarco’s write-up:

Maeng’s wall-mounted portraits of deer, rhinos, lions, and bighorn sheep, beautifully rendered in porcelain, call our attention to animals brought to the brink of extinction and crises in biodiversity. Hung in a trophy-like manner, they also underscore the separation between humankind and the rest of the animal kingdom.

Read the rest of the blurb here, and make sure to swing by the opening reception on Friday, October 27 from 5-7 pm. Make sure to RSVP on Facebook to show your support!

Wookjae Maeng Ceramic Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Wookjae Maeng, Balance- Deer A, porcelain, 12 x 7.9 x 7 in.
Wookjae Maeng Ceramic Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Wookjae Maeng, Happy Pigs- A, porcelain, wood, felt, 7.7 x 7.7 x 4 in.
Wookjae Maeng Porcelain Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Wookjae Maeng, Adaptation #03- Big Horn Sheep, porcelain, wood, 18.87 x 11.62 x 8.37 in.

Last Look: Broken Boxes

Broken Boxes Exhibition- Form and Concept Gallery- Santa Fe New Mexico

Our Broken Boxes group exhibition has had quite a few returning visitors, and there’s a good reason for that. Curator Ginger Dunnill worked with 40 activist artists who’ve appeared on her podcast to fill our upstairs galleries with over 50 artworks. A number of the pieces are interactive, and all of them feature intricate storytelling that takes time to fully absorb. One visitor spent a solid two hours poring over each and every piece, while others have worked their way through at events over the course of show’s run.

Broken Boxes comes to a close on Sunday, but there’s one last chance to take it all in. Stop by form & concept this Saturday, October 21 from 1-3 pm for an interactive walk-through with Dunnill. She’ll talk about the process of putting the show together, and answer questions about the artists and their work. The Broken Boxes catalog, launched at an event last month, will be available for sale.

Among the show’s recurring guests was Alicia Inez Guzmán, who wrote a great review of Broken Boxes in this month’s issue of THE Magazine. Here’s an excerpt:

I felt as if the space had been successfully engaged; there were intimate works that pulled me in but also art that cascaded from the ceiling, attached itself to walls like barnacles, settled into the corners, brought the outside in, and celebrated the booty in grand scale. It was as if the envelope of the gallery (another kind of box) was slowly being pulled apart, at least stretched to bear the voices of those compelled to break the box.

Guzmán’s piece inspired the form & concept staff to sound off on some of our favorite artworks from the exhibition. Scroll down for meditations on several pieces that you need to see before the show closes on Sunday.

Valentina Gonzalez Artwork- Broken Boxes Exhibition- Form and Concept Gallery- Santa Fe New Mexico

Valentina Gonzalez, Free Time – 10 Years of Paint, acrylic, latex and spray paint epoxy, aluminum screws, brass cabinet pull, 10 x 2.5 x 2.5 in. (right) 

Frank Rose, our director, writes:

It’s hard to choose, but I love Valentina Gonzalez’ Free Time – 10 Years of Paint. I’m a big fan of what I call “material inversions”: using materials in a way that masks their true nature creating a moment of surprise for the viewer. The way Gonzalez has taken a wall slathered with 10 years of paint and turned it into a spray can is delightful.

Nani Chacon Artwork- Broken Boxes Exhibition- Form and Concept Gallery- Santa Fe New Mexico

Nanibah ‘Nani’ Chacon, Between a Black Cloud and a White Cloud He Found Her, broken boxes, black and white charcoal, paint. (center)

Clara Holiday, our sales manager, writes:

Nanibah ‘Nani’ Chacon’s work really resonates with me. The expression is at the same time fierce and strong and yet it is also joyous and irreverent. There is a beautiful resilience to the piece.

Chip Thomas Artwork- Broken Boxes Exhibition- Form and Concept Gallery- Santa Fe New Mexico

Chip Thomas, Meditation on a Cloth Signifier, inkjet print/regular bond paper with wallpaper paste, inkjet print on cotton/silk voil. (center)

Jonathan Meade, our sales associate, writes:

There’s a sweet and sinister element to this work. It’s the innocent expression of the child on the side of the bead shack, the tattered American flag the child gazes upon, and the dust-filled and desolate canyon landscape where the shop sits. The way these elements express a hope-filled aspiration amidst deprivation, feelings all too common to indigenous populations across the country – under-served and oftentimes overlooked by the colonial patriotic government that perpetrated these impoverished conditions upon the native people, and yet has been apathetic to respond to their needs or to come to a resolution for the injustices endured in their survival. We’re left contemplating what the future of this country means staring in the eyes of the little child who searches for meaning in that tattered American flag, where we to find ourselves wondering what end it serves…

Kate Martin, our sales & marketing assistant, writes:

My favorite work in Broken Boxes is Meditation on a Cloth Signifier by Chip Thomas. Every time I look at Meditation I feel like I’m seeing it for the first time. There are so many details to stop and consider. I could spend hours looking at it.

Maria Hupfield Artwork- Broken Boxes Exhibition- Form and Concept Gallery- Santa Fe New Mexico

Maria Hupfield, In Case of Emergency, found objects and industrial felt, 11.75 x 18.5 x 3.25 in. (left)

Jordan Eddy, our marketing manager, writes:

Maria Hupfield compiles a survival kit for the modern protester, complete with a Sharpie paint pen, a silver emergency blanket and bandages made from grey felt. It’s a neatly organized reminder of a messy, never-ending struggle for justice. This is one of just a few intact boxes in the show, but it was made to be broken. Brilliant!

Click here to learn more about Broken Boxes, and make sure to RSVP on Facebook for Ginger Dunnill’s final walk-through on Saturday.

Mayor’s Arts Awards 2017

Sandy Zane- Form & Concept Gallery- Mayor's Arts Awards 2017- Javier Gonzales- Santa Fe New Mexico

Our very own Sandy Zane is a recipient of the 2017 Mayor’s Arts Awards. She will be honored by Mayor Javier Gonzales at a ceremony next month. Here’s an excerpt from Megan Bennett’s write-up on this year’s award recipients in Albuquerque Journal North:

Along with being a gallery owner, Sandy Zane is serving on boards at Creative Santa Fe, Creative Startups and the Santa Fe Community College Foundation, where she heads the Art on Campus Committee. She has also sponsored Currents New Media nearly every year. She also supports the New Mexico School for the Arts.

“I’ve always been passionate about whatever it is I’m doing,” said Zane about why she enjoys giving back to the Santa Fe arts scene. “I don’t like to do anything halfway.”‘

Read the full article here.