Armond Lara hosts a closing reception for his Flying Blue Buffalo installation on Saturday, November 17 from 5 to 7 pm. The Santa Fe artist collaborated with form & concept on this monumental art installation that tells the centuries-long story of enslaved Native American children. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.
Santa Fe artist Armond Lara and his collaborator Joseph Riggs discuss the story behind the Flying Blue Buffalo installation on Saturday, August 18, 2-3 pm. The monumental art installation, comprising 77 winged buffalo sculptures, tells the centuries-long story of enslaved Native American children. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.
Armond Lara collaborates with form & concept on this monumental art installation that tells the centuries-long story of enslaved Native American children. The Santa Fe artist sends 77 hand-painted, cast resin Flying Blue Buffalo sculptures soaring through the gallery’s atrium. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience. Each sculpture in the suspended flock is labeled with the name of an abducted child. The installation debuts at a special reception on Friday, August 17, 5-7 pm, on the weekend of Santa Fe Indian Market.
“Somehow in my mind, in my being, I felt I needed permission.”
Before carving the original Flying Blue Buffalo, Armond journeyed to Colorado to find a herd in the wild. His encounter with the buffalo gave him the inspiration to begin the ambitious installation and storytelling project.
The Flying Blue Buffalo Project will feature 75 cast resin sculptures crafted under Armond’s supervision. The Installation will debut this August. Support our Kickstarter campaign to learn more about the project and collect exclusive Flying Blue Buffalo artwork.
On Saturday, February 17 at 3 pm, Lara will conduct a panel discussion with Moises Gonzales, Estevan Rael-Gálvez, Sunny Dooley, Kim Trujillo, Joseph Riggs, and Weston Brownlee.
“A herd of anything has much more impact than one.” -Armond Lara
The fundraiser will go towards the creation of a monumental installation of cast resin Flying Blue Buffalo sculptures in the gallery’s atrium, based on a series of wood carvings by Lara. Inspired by the Santa Fe artist’s family history, this project tells the centuries-long story of enslaved Native American children. It’s a topic that hit the front page of the New York Times this weekend, in an article by Simon Romero. Here’s an excerpt:
Lenny Trujillo made a startling discovery when he began researching his descent from one of New Mexico’s pioneering Hispanic families: One of his ancestors was a slave.
“I didn’t know about New Mexico’s slave trade, so I was just stunned,” said Mr. Trujillo, 66, a retired postal worker who lives in Los Angeles. “Then I discovered how slavery was a defining feature of my family’s history.”
Mr. Trujillo is one of many Latinos who are finding ancestral connections to a flourishing slave trade on the blood-soaked frontier now known as the American Southwest. Their captive forebears were Native Americans — slaves frequently known as Genízaros (pronounced heh-NEE-sah-ros) who were sold to Hispanic families when the region was under Spanish control from the 16th to 19th centuries. Many Indian slaves remained in bondage when Mexico and later the United States governed New Mexico.
The revelations have prompted some painful personal reckonings over identity and heritage. But they have also fueled a larger, politically charged debate on what it means to be Hispanic and Native American.
Lara’s studies of this little-told history lead to the conception of the Flying Blue Buffalo, a new symbol of Indigenous survival and resilience. The Flying Blue Buffalo Project Kickstarter campaign launched on January 26 and runs through February 28. Mock-ups of the buffalo sculptures will appear at a February 17 open house event, and Lara will convene a panel of history experts to discuss the project and its themes. The installation will debut in form & concept’s atrium on August 17, 2018, and run through November 2018.
Click here to browse Armond Lara’s artwork.