Artist Talk: Nika Feldman | Spirits in the Material World

Nika Feldman hosts an artist talk for her solo exhibition Spirits in the Material World on Saturday, January 26 from 2 to 3 pm. Spirits in the Material World is an exploration of the coded language of garments, albeit within Feldman’s native cultural context. The show’s title holds multiple references, one being as Feldman explains, “The belief that the spirits of both the maker and the wearer are held within a garment.” Another reference is to a song with the same name by The Police from the 1981 album Ghost in the Machine, which one could argue describes the unfortunate state of realities today. The underlying message within the song that resonates for Feldman is the description of a material culture which is void of sacredness.

 

Learn more about this exhibition.

 

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook

Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook

Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Opening: Nika Feldman | Spirits in the Material World

Nika Feldman unveils a series of seven garment-like works along with accompanying objects of adornment, made from recycled t-shirt parts and salvaged aluminum can pull-tabs. Representing over 2,000 hours of handwork by the Nova Scotia artist, the intricate pieces are inspired by the coded language of clothing. “It’s an attempt to create a new dialect,” Feldman says. “In today’s world what does contemporary clothing say about North American culture?” 

 

Spirits in the Material World debuts with a special reception on Friday, January 25 from 5 to 7 pm. Feldman will host an artist talk on Saturday, January 26 from 2 to 3 pm and a workshop on Saturday, March 16 from 1 to 5 pm.

 

Learn more about this exhibition.

 

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook

Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook

Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Performance: NMSA First Thursdays / December

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New Mexico School for the Arts is in the midst of renovating and repurposing their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. The arts high school collaborates with form & concept on NMSA First Thursdays, a monthly performance series featuring new, experimental, and collaborative work by NMSA students and faculty. The series was co-founded by Kurt Isaacson, Hakim Bellamy, and Sandy Zane in spring of 2018, and has featured student performances from all five arts departments at NMSA: visual art, theater, dance, music, and creative writing.

Program

The Art of Text Painting

NMSA  students share both poetry and music inspired by their work on “text painting,” the technique of evoking the emotions present in musical composition. The evening will feature student readings and performances curated by Denise Hinson, Coordinator of Creative Writing, and supported by Darci Balkcom, Voice Instructor & Vocal Division Coordinator.

Opening: Hand / Eye

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Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most all photographs have in common: they’re flat. For a new group exhibition at form & concept, ten artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere.

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This Friday: Hand/Eye

david samuel stern, nouri, form & concept, form and concept, form and concept gallery, santa fe gallert, craft photography, photography

 

Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most photographs have in common: they’re flat. For a new group exhibition at form & concept, eleven artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere. The artworks in the show incorporate a wide array of materials, including fiber, cast glass, micaceous clay and human hair. Call it super-alternative process photography.

Above: David Samuel Stern, Nouri, photographic prints on translucent vellum physically cut and woven together.

 

 

cathryn amedi, cathryn amedi artist, gut feeling, fiber, emrboidery, needlepoint, santa fe gallery, form & concept, form and concept, form and concept gallery, santa fe gallery, santa fe art

Cathryn Amidei
Gut Feeling
Fiber
25 x 44 in.

 

 

jodi colella, jodi colella artist, sampled lives, embroidery, embroidery art, craft photography, form & concept, form and concept, form and concept gallery

Jodi Colella
Sampled Lives series
embroidered found postcards
4 x 6 in. each

 

 

elizabeth claffey, elizabeth claffey artist, matrilinear, matrilinear #9, archival pigment print, form & concept, form and concept, hand/eye

Elizabeth Claffey
Matrilinear #9
archival pigment print
24 x 18 in.

 

jacquelyn royal, jacquelyn royal artist, needlepoint, needlepoint art, craft photography, embroidery art, hand/eye, form & concept, form and concept gallery, santa fe gallery, santa fe craft gallery, craft gallery

Jacquelyn Royal
Detroit 3
needlepoint, thread on canvas
11 x 16 in.

 

emily margarit mason, emily margarit mason artist, photography, craft photography, form and concept, form & concept, santa fe gallery, form and concept gallery, hand/eye, hand/eye group show

Emily Margarit Mason
Yoga Mat and Glass
photograph
36 x 24 in

 

Preview the show on our website.
RSVP on Facebook.

 

Introductions

kylee aragon, form & concept, form and concept gallery

We’re excited to announce that Kylee Aragon is our new Administrative Coordinator! Kylee was born and raised in Albuquerque, NM. She received a BFA in Art History from the University of New Mexico. Kylee began her gallery experience at Tamarind Institute, where she developed a deep love for works on paper. While Kylee is not a printmaker she is a self-proclaimed print nerd who enjoys speaking in great detail about process, paper, and the print market. She is excited to bring her passion for art to form & concept.

 

Press Roundup: Matthew Mullins | The Sun In Our Bones

Tonight, Santa Fe artist Matthew Mullins presents his solo exhibition The Sun in Our Bones. Mullins’s work is inspired by the intrinsic links between humans and the natural world. He has a lot of ground to cover, which is why we’ve dedicated our entire ground floor to showcase his paintings, photographs, and sculptures.

We visited Matthew’s studio to talk about his process and inspiration for his show. “I want people to look beyond what’s right in front of us,” says Mullins. “And make them aware of our own cosmic origins.” Check out the video above to learn more about his artistic practice.

matthew mullins, santa fe artist, santa fe art, form and concept, form & concept,

Mullins also gave Megan Bennett of the Albuquerque Journal a tour of his studio. Here’s an excerpt:

Mullins thinks of the patterns as a representation of the human experience of being out there nature.

“If you’re in one of these places or in nature just staring off into the trees, I feel the mind kind of wanders a little bit,” he said. “Like you’re looking at the landscape, but other thoughts come in. You lose it, and then you see the landscape.

“So I like the representational qualities with the landscape, as well as the abstract patterns. The brain can go from experiencing the depth and light of the landscape to the flatness and rhythm of the abstraction. The brain toddles back and forth, and it creates a more dynamic experience that’s kind of uncontrollable.”

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Mullins was also the subject of Emily Van Cleve’s article in the Santa Fe Arts Journal. Check out this quote:

An award-winning professional artist who moved to Santa Fe in 2011, Mullins has been working on the pieces in “The Sun in our Bodies” for the past two years.

“My work draws upon my fascination with visual perception and the forces of nature,” he says. “By integrating human-made constructs with natural environments, I’m composing a relationship that is often deconstructed or forgotten in today’s society.

The press doesn’t stop there! The Santa Fe Reporter brought Mullins in for their 3 Questions Column. Here’s what he had to say about The Sun in Our Bone’s overarching theme:

The theme is trying to make art that can connect the viewer with nature and the cosmos. A lot of pieces in the show are about how the materials in our own body are made of the stars, and how the elements that give us life and the ability to have consciousness come from the stars. I’m really trying to drive that point home. The title of the show, The Sun in Our Bones, comes from a poem by poem by Nayyirah Waheed, and really conveys what I’m trying to do with art.

The Sun in Our Bones opens September 28th at 5 PM and runs through November 17th. Mullins will conduct an Artist Talk on the 20th of October.

 

Opening: Matthew Mullins | The Sun In Our Bones

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Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.

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Dr. Estevan Rael-Gálvez | Entre Cíbolos Criados: Creativity, Consciousness and Community

dr. estevan rael-gálvez, santa fe historian, santa fe, santa fe history, santa fe anthropology, santa fe lecutre, form & concept, form and concept, santa fe gallery, santa fe event
Dr. Estevan Rael-Gálvez

In August, Dr. Estevan Rael-Gálvez convened beneath the Flying Blue Buffalo for a special lecture titled Entre Cíbolos Criados: Creativity, Consciousness and Community.

In his moving speech, Dr. Rael-Gálvez discusses the three concepts that have long defined his work and the history of Indigenous slavery.

His lecture is sampled below, and can be read in full at flyingbluebuffalo.com

It is a tremendous honor to be able to participate in this opening by the amazing artist, Armond Lara – whose memorial is… breath-taking, but it gives breath as well. This thoughtful remembering is a project — that through creativity raises consciousness — and in the end, is inspired by the promise of strengthening community.

Here in this sovereign landscape, Pueblo elders have said that,  wherever we go, we leave our breath behind us” — an invocation recognizing those who came before us and how their life force remains with us long after they have gone. In recognizing this life force, we not only illuminate all of the ancestors who lived in this place, but point especially to the life of those living now in the present, as well as to those generations that will follow, inheriting what we leave behind in the future.

In time, drawn to the subject of enslaved Indians as a young scholar, I would immerse myself as a historian in countless archives, reading between the lines of documents, tracing my finger across maps and looking closer at photographs, all complemented by my work as an anthropologist, engaged in many hundreds of conversations set with bread at kitchen tables, revealed upon a walk through alfalfa fields, and shared across miles by telephone and electronic correspondence. 

Taking those experiences, connecting them and eventually centering them, the story grew like a forest, one that eventually became a manuscript defended by me to hold a doctoral credential. However, believing that scholarship is most valuable when grounded and applied in the world, I left academia, and yet through my role as a public historian and anthropologist, indeed, because of it, the story only deepened further, to this day.

So when I talk about consciousness now, I am not only referring to the work I have done as a scholar and public historian for over two decades, but a commitment to raising consciousness on the ground, locally, in the minds of people in our region and nation, particularly in the minds of those who have not yet recognized that this story, however painful, is also one of complex beauty. This is no easy task.

The eyes of all of the descendants of those indigenous ancestors continue to awaken the possibility of remembering with each new birth of a New Mexican. Telling this Story—in whatever form that telling comes— is about how individual and collective lives are remembered, how a community takes the memories, stories and traditions of what has been passed down from one generation to the next, and how it reimagines itself, now in the present and into the future. We are the herd of buffalo that rises.

Dr. Rael-Gálvez holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award-winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery.” Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center, and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°.

 

 

 

 

NMSA First Thursdays / August

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New Mexico School for the Arts is in the midst of renovating their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. The arts high school presents a special performance series at form & concept, hosted by faculty members and showcasing outstanding student musicians, fiction writers and poets.

PROGRAM

This month’s program is curated by NMSA faculty members Kurt Isaacson (Music) and Denise Hinson (Creative Writing).

Theme: Spoken & Sung
Music: Shondalee Perez & Molly Rosenshein
Words: Rachel Pearson & Kara McGee-Russell

Make sure to mark your calendar for Young Masters performances the first Thursday of each month.

TONIGHT: Annual Exhibition 2018

Fiber Artist Mark Newport- Sweatermen- Form and Concept Gallery- Santa Fe New Mexico

form & concept’s Annual Exhibition 2018 opens tonight from 5-7 pm! The show features work by all ten of our represented artists, including two new pieces from Mark Newport‘s Sweatermen series (above). “The Sweatermen are heroes of my own invention,” he says. “In each of these works I forge a link between childhood experience and my adult exploration of protection, masculinity, and heroism.” Michael Abatemarco of Pasatiempo covered the Annual Exhibition in this week’s Exhibitionism section. Here’s an excerpt:

Each summer in July, Form & Concept presents its Annual Exhibition featuring works by its represented artists including Heidi Brandow, Debra Baxter, and Wesley Anderegg. “From the beginning, we were interested in reimagining what an art gallery could be,” gallery director Frank Rose said. “The natural starting point was asking, ‘What’s been exhibited, and what or who has been excluded?’ ” The gallery’s roster includes artists whose works explore the diaphanous borders between art, craft, and design.

Click here to read more, and we’ll see you at the opening tonight!

Learn more about the exhibition.
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