Opening: Ryan Singer | Childhood Mythologies

Albuquerque artist Ryan Singer unveils a solo exhibition of acrylic paintings of Navajo Nation landscapes populated by cultural icons. The artist’s vivid imagery showcases original narratives inspired by dreams and childhood memories while interweaving subtle socio-political commentary.

“My older sister was really into sci-fi. If she wanted to see a movie, she had to drag me along,” says Albuquerque painter Ryan Singer. “I remember watching Star Wars, Godzilla, and old black-and-white movies like Frankenstein or The Mummy.” Pretty soon, the iconic beasts had traveled from the silver screen into the artist’s psyche—plaguing Singer with vivid nightmares of monsters standing outside his bedroom window or chasing him through his neighborhood. Years later, the artist still has intense dreams, but they’re a welcomed occurrence. “It keeps my mind focused,” Singer explains. “It feels like there’s a spirit or muse guiding me and influencing me.” In his solo exhibition Childhood Mythologies, opening Friday, March 29 from 5 to 7 pm, Singer presents vibrant acrylic paintings imbued with his own youthful legends: Navajo landscapes populated by characters from comic books and popular culture.

 

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Artist Talk: Nika Feldman | Spirits in the Material World

Nika Feldman hosts an artist talk for her solo exhibition Spirits in the Material World on Saturday, January 26 from 2 to 3 pm. Spirits in the Material World is an exploration of the coded language of garments, within Feldman’s native cultural context. The show’s title holds multiple references, one being as Feldman explains, “The belief that the spirits of both the maker and the wearer are held within a garment.” Another reference is to a song with the same name by The Police from the 1981 album Ghost in the Machine, which one could argue describes the unfortunate state of realities today. The underlying message within the song that resonates for Feldman is the description of a material culture, which is void of sacredness.

Learn more about this exhibition.

 

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook
Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Opening: Nika Feldman | Spirits in the Material World

Nika Feldman unveils a series of seven garment-like works along with accompanying objects of adornment, made from recycled t-shirt parts and salvaged aluminum can pull-tabs. Representing over 2,000 hours of handwork by the Nova Scotia artist, the intricate pieces are inspired by the coded language of clothing. “It’s an attempt to create a new dialect,” Feldman says. “In today’s world what does contemporary clothing say about North American culture?” 

Spirits in the Material World debuts with a special reception on Friday, January 25 from 5 to 7 pm. Feldman will host an artist talk on Saturday, January 26 from 2 to 3 pm and a workshop on Saturday, March 16 from 1 to 5 pm.

Learn more about this exhibition.

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook
Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Press Roundup: Nika Feldman | Spirits in the Material World

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Nika Feldman’s solo exhibition Spirits in the Material World opens Saturday, January 25 from 5-7 pm, coinciding with our sister gallery Zane Bennett Contemporary Art’s Stitched Ink. Both exhibitions deal with textiles, but with largely different implications.

“A culture’s clothing has its own language,” begins Megan Bennett of Albuquerque Journal’s write-up of Nika. “What that language is, or how cultural identities and values are reflected in garments, is what drives Nika Feldman’s work.” Bennett interviewed Feldman early this winter, excerpted here:

The pieces are intentionally made to be “garment-like” rather than actual clothing items, said Feldman, with the exception of an XXL black T-shirt she didn’t want to cut apart, and instead decorated with tabs and fringe tassles made from other shirts.

“When it’s artwork, people have to investigative, people have to go deeper into those narratives,” she said. “If it’s a wearable garment, it doesn’t go any farther than that. People see it as fashion, they want to know if it comes in their size, they want to know how much it is.”

 

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Emily Van Cleve covered Spirits in the Material World in a feature on the Santa Fe Arts Journal. Here’s an excerpt:

 

“All around the world, people wear t-shirts,” says Feldman, a Santa Fe artist who moved to town from Nova Scotia at the end of 2017. “T-shirts were originally an undergarment. But now, through their logos, they inform others about the specific groups, companies, rock bands and organizations we like.” Feldman liked the idea of putting pull-tabs in her work for the same reasons she was drawn to t-shirts. They’re readily available. There’s an abundant supply of them. They’re also an integral part of Western culture.

 

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The Santa Fean also covered Spirits in the Material World for their Holiday Issue. Here’s an excerpt:

Nika Feldman describes herself as a textile artist, rag picker, and costume stenographer, and her job history includes stints in fashion design, social work, and sorting through clothing in a thrift store. Feldman weaves these disparate threads into a whole in the eight pieces displayed in Spirits in the Material World.

 

Spirits in the Material World opens January 25 and runs through March 23. Nika Feldman will conduct an Artist Talk on January 26 at 2 pm.

The Play Issue | Print Release Party & Fashion Show

Good Mood Studio, formerly known as 1905 Magazine, hosts a release party and fashion show for their winter release, The Play Issue. Directed by Keynan Johnson, the fashion show will echo the varied aesthetics and collaborative energy that has become synonymous with Good Mood Studio.

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Debra Baxter | Elegant Experimentation

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Debra Baxter photographed in her studio by Suzanna Finley.

 

“Even though I am interested in very traditional materials within the history of sculpture, I don’t want to be boring and stuck in that history.” Debra Baxter said in an interview with One 2 Three’s Practice Practice. “I want to mix them in a way that no one has.”

 

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Breastplate (Reveal), bronze and quartz crystal, 18 x 11 x 3 in

 

As a master of material inversion, Debra transforms dense materials into light and flowing sculptures, or fragile mediums into resilient structures.

 

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The end result is elegant – but dangerous – as seen in her Lace Throwing Star, which gives the delicate textile an edge.

 

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Unapologetic Glory 

Debra received her MFA in Sculpture from Bard College. Her wearable sculpture Devil Horns Crystal Brass Knuckles (Lefty) is featured in the permanent collection of the Smithsonian’s Renwick Gallery. She debuted her solo show, Tooth & Nail, at form & concept this past spring.

Click here to view more of Debra’s work in our collection. To view pieces from Debra’s jewelry line, db/cb, click here.

To learn more about Debra, please inquire or contact us at 505-216-1256

Performance: NMSA First Thursdays / December

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New Mexico School for the Arts is in the midst of renovating and repurposing their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. The arts high school collaborates with form & concept on NMSA First Thursdays, a monthly performance series featuring new, experimental, and collaborative work by NMSA students and faculty. The series was co-founded by Kurt Isaacson, Hakim Bellamy, and Sandy Zane in spring of 2018, and has featured student performances from all five arts departments at NMSA: visual art, theater, dance, music, and creative writing.

Program

The Art of Text Painting

NMSA  students share both poetry and music inspired by their work on “text painting,” the technique of evoking the emotions present in musical composition. The evening will feature student readings and performances curated by Denise Hinson, Coordinator of Creative Writing, and supported by Darci Balkcom, Voice Instructor & Vocal Division Coordinator.

Opening: Hand / Eye

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Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most all photographs have in common: they’re flat. For a new group exhibition at form & concept, ten artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere.

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This Friday: Hand/Eye

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Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most photographs have in common: they’re flat. For a new group exhibition at form & concept, eleven artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere. The artworks in the show incorporate a wide array of materials, including fiber, cast glass, micaceous clay and human hair. Call it super-alternative process photography.

Above: David Samuel Stern, Nouri, photographic prints on translucent vellum physically cut and woven together.

 

 

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Cathryn Amidei
Gut Feeling
Fiber
25 x 44 in.

 

 

jodi colella, jodi colella artist, sampled lives, embroidery, embroidery art, craft photography, form & concept, form and concept, form and concept gallery

Jodi Colella
Sampled Lives series
embroidered found postcards
4 x 6 in. each

 

 

elizabeth claffey, elizabeth claffey artist, matrilinear, matrilinear #9, archival pigment print, form & concept, form and concept, hand/eye

Elizabeth Claffey
Matrilinear #9
archival pigment print
24 x 18 in.

 

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Jacquelyn Royal
Detroit 3
needlepoint, thread on canvas
11 x 16 in.

 

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Emily Margarit Mason
Yoga Mat and Glass
photograph
36 x 24 in

 

Preview the show on our website.
RSVP on Facebook.

 

Introductions

kylee aragon, form & concept, form and concept gallery

We’re excited to announce that Kylee Aragon is our new Administrative Coordinator! Kylee was born and raised in Albuquerque, NM. She received a BFA in Art History from the University of New Mexico. Kylee began her gallery experience at Tamarind Institute, where she developed a deep love for works on paper. While Kylee is not a printmaker she is a self-proclaimed print nerd who enjoys speaking in great detail about process, paper, and the print market. She is excited to bring her passion for art to form & concept.