Join Matthew Mullins at a closing reception for his solo exhibition The Sun In Our Bones on Saturday, November 17 from 5-7 pm. His work will span form & concept’s ground floor, the second exhibition in the gallery’s two-year history to devote an entire level to a single artist. The title of the exhibition is a reference to an unconventional material Mullins has incorporated into some of his cosmic paintings: pigment made from burnt animal bones. “The calcium and phosphorous in those bones, and our own, are made in stars,” Mullins says. “It’s truly all connected.”
form & concept presents Hand/Eye, an exhibition of ten artists from across the United States who merge photography and craft mediums. The artworks in the show incorporate a wide array of materials—fiber, cast glass, micaceous clay, human hair—that shatter the picture plane and push photographic imagery into the real world. Hand/Eye debuts Friday, October 26 from 5 to 7 pm and runs through December 31, 2018. The opening reception coincides with the Last Friday Art Walk in the Santa Fe Railyard Arts District.
Matthew Mullins hosts an artist talk for his solo exhibition The Sun In Our Boneson Saturday, October 20 from 2 to 3 pm. When Mullins began working on the showlast year, he was shooting for the stars. “I thought about this spectrum of very earthy and grounded to the cosmos,” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The exhibition opens with a reception on Friday, September 28 from 5 to 7 pm.
Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.
The monumental body of work, which will fill form & concept’s ground floor, is united by patterns that repeat throughout the universe at infinite scales. The Sun in our Bones debuts on Friday, September 28 from 5 to 7 pm. Mullins will host an artist talk on Saturday, October 20 from 2 to 3 pm and closing reception on Saturday, November 17 from 5 to 7 pm.
Please Note: The gallery will ask for a $5-$25 donation in support of the artists at the door.
Caitlin Brothers is going places—specifically, all across the Southeastern United States. “The new tour passes through Oklahoma, Arkansas, Missouri, Kentucky, Louisiana, and Texas,” says the Santa Fe musician, who performs under the moniker ppoacher ppoacher. “I’m trying to split it between familiar territory and places I’ve never explored.” That’s a good way to describe her musical repertoire for an upcoming Matron Records tour launch event at form & concept. Brothers and her new bandmate Nathan Smerage will perform songs from the band’s 2017 debut album, along with some new material they’ve written together. She’ll also sing traditional Balkan music with Santa Fe’s Sevda Choir, which welcomed her into its ranks a few months ago.
American photographer Thomas Laird appears at form & concept to tell stories of his new TASCHEN book Murals of Tibet, a first-of-its-kind photographic archive of Buddhist murals that took more than a decade to create. Visitors will get a chance to interact with the Collector’s Edition of the book. Light refreshments inspired by the cuisine of Tibet will be served.
Using an innovative multi-image digital photography process, Laird captured murals as wide as 10 meters in life-size resolution. The publication of this unprecedented record of Tibetan art is so momentous that it caught the attention of His Holiness the 14th Dalai Lama, who signed all 998 copies of the Collector’s Edition. As the Dalai Lama has explained, these murals are not just objects of beauty, but serve as points of reference and guidance for practitioners of Buddhism, yoga, and meditation, as well as for anyone seeking to incorporate mindfulness into their daily life.
A display copy of Murals of Tibet appears at form & concept from July 12 through August 31, as part of a national tour. Come experience these hidden treasures of Tibet in all their sublime vastness and intricacy.
Armond Lara collaborates with form & concept on this monumental art installation that tells the centuries-long story of enslaved Native American children. The Santa Fe artist sends 77 hand-painted, cast resin Flying Blue Buffalo sculptures soaring through the gallery’s atrium. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience. Each sculpture in the suspended flock is labeled with the name of an abducted child. The installation debuts at a special reception on Friday, August 17, 5-7 pm, on the weekend of Santa Fe Indian Market.
Soul of Nations, a Washington, D.C. and Arizona-based nonprofit that works to uplift Indigenous communities throughout the Americas, presents this juried exhibition of Native teen artists from Southwest reservations. The 15 featured artists all took part in the organization’s Brea Foley Art Program, which awarded three of them with a special residency at New York University’s Tisch School of the Arts. The exhibition opens on the weekend of SWAIA Santa Fe Indian Market and offers boundary-pushing aesthetic statements from a new generation of Indigenous artists. The theme of the exhibition is “Honor the Earth.”
Opening weekend for Armond Lara‘s Flying Blue Buffalo installation has arrived! On Thursday, August 16 at 5:30 pm, we’re hosting a preview of the installation. Dr. Estevan Rael-Gálvez, a Santa Fe-based scholar who is writing a book on the topic of Native slavery, will speak in our atrium under the installation. This Friday, August 17 from 5 to 7 pm, Lara will appear at form & concept for the official opening reception of the piece. In addition to the installation, a number of Lara’s artworks are on view in the gallery, along with an exhibition of Native teen artists. The final event of the weekend is an artist talk on Saturday, August 18 from 2 to 3 pm, which will take the form of a conversation between Lara and his collaborator Joseph Riggs.
Later this month, when Armond Lara sends 75 winged buffalo sculptures into the stratosphere of form & concept’s atrium, he’ll fulfill a long-held dream. Lara has been depicting buffalo in his artwork for years, but more recently they’ve turned blue and sprouted wings. The Flying Blue Buffalo series is a reference to the Santa Fe artist’s family history: his grandmother, who was Navajo, was kidnapped as a small child and forced into servitude by a Mexican family. Across three centuries of Spanish, Mexican and American rule, thousands of Native children were similarly enslaved as household servants or field hands.
The Pueblo people called these abducted youths “Lost Bluebirds,” a symbol that Lara combined with the buffalo to create a new icon of Indigenous resilience. He dreamed up a massive installation of 75 winged buffalo sculptures, which came to fruition through a Kickstarter campaign and 3D printing technology. We’re hosting a preview of the installation on Thursday, August 16, featuring a talk by Dr. Estevan Rael-Gálvez of Santa Fe. The installation opens with a reception on Friday, August 17, and Lara conducts an artist talk on August 18.
“My grandmother didn’t talk much, but if she did talk, you listened,” says Lara. He’s known the story of his grandmother’s abduction for as long as he can remember, but it wasn’t until recently that he learned how common the practice was. “My sister was doing genealogy research on the family, and she found a list of all the Native American kids who had been ‘adopted’ by Mexican families in the Four Corners area,” says Lara. “It dawned on me, whoa, this is really widespread. That’s when I started asking other people about it.” He learned about the kidnapping and enslavement of an enormous number of Native American children over several centuries—from the 1600’s when the Spanish arrived, through the period of Mexican Independence, until the late 1800’s under the government of the United States. A number of Lara’s close friends revealed that they too had ancestors who were taken.
For Lara, this growing web of stories reminded him of his grandmother’s resilience, which has been an enduring source of inspiration. “I looked to my grandparents for guidance. The strongest voice was my grandmother’s voice,” Lara says. “She didn’t talk about it, she just did it. If she needed something, she’d make it. If she needed a robe, she’d weave one. I really admired that quality.” He dreamed up an art installation and storytelling project that might communicate this ethos, and inspire people to learn more about their heritage. A series of five winged blue buffalo marionettes that Lara carved from wood over a number of years became central conceptual elements.
With the help of his frequent collaborator Joseph Riggs, an artist and retired attorney who lives in Santa Fe, Lara pitched the idea to form & concept. The gallery commissioned a digital model and several mock-ups of the buffalo from Albuquerque technology firm 3D Proven Systems, while Lara and Riggs started gathering stories for the project. “We’ve represented Armond’s work for years, and were so excited to help bring his vision into reality,” says Sandy Zane, Owner of Zane Bennett Contemporary Art and form & concept. “For a project at this scale, we turned to 3D printing technology to capture the original carvings in high fidelity.” The gallery mounted a Kickstarter campaign to fund a round of 3D-printed sculptures, which were used to create molds for a final series of 75 cast resin sculptures.
Riggs says the scale of the installation is vital to the project, because it communicates the staggering number of children, families and communities affected by the issue. “I’ve lived in the Southwest my whole life, and I was unfamiliar with the story,” says Riggs. “You can’t find it in history books in New Mexico, but as I learned, there were slave markets all across this region. It became a deep part of the culture of the Southwest.” Each of the 75 buffalo sculptures will represent the story of one “Lost Bluebird,” with oral and written accounts of their fight for survival. “People in New Mexico have been searching for a way to explore this part of their family history,” Riggs says. “They can take pride in the fact that they’re Hispanic, and they’re Native American, and they’re American. There’s so much division in our country. We need to find ways to show our unity, to show how much we’re alike rather than how we’re different. And I think we can do it through this story.”