Tania Larsson: Traditional Meets Contemporary

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Tania Larsson starts with the land. Her materials are harvested from nature, then combined with silver, gold, and precious stones. The combination of traditional craft with a contemporary education results in striking, intricate adornment.

“My heritage is an integral part of who I am and my work,” said Tania Larsson in an interview with UNUM Magazine. “I wanted to present myself as a Gwich’in woman and needed cultural indicators that could be worn anywhere.”

Larsson maintains a studio in Yellowknife, but she hand delivers her jewelry works to our gallery shop. View some of our favorites below.

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Long Muskox Horn and Sterling Silver Earrings
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Long Bison Horn and Sterling Silver Earrings
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Etched Caribou Horn and Sterling Silver Necklace
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Bison Horn and Sterling Silver Necklace
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Triangle Muskox Horn and Sterling Silver Earrings
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Porcupine Claw and Sterling Silver Earrings

 

 

Design Spotlights & Introductions!

Lisa Klakulak

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Lisa Klakulak is an avid traveler, and often draws inspiration from far-flung landscapes to create stunning fiber artworks. In the past, she’s crafted wearables that evoke lava flows and glaciers. This fall, Lisa debuts a series that draws from the vernacular of the human body. The new works reflect the soft textures and hues of hair and skin.

“Attracted by its protective and nurturing qualities, I found wool fiber a relevant material to use in my work that’s related to concepts of human vulnerability and security,” Lisa says. “I attribute the sense of contentment and calm that I feel when I’m working in the studio to the constant touch involved in the process, as well as bringing an idea into fruition. You need that idea, that inspiration.”

 

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Lisa Klakulak, Untitled Bracelet, felt mixed media
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Lisa Klakulak, Tail, merino wool, cotton thread, vintage hot roller pins

Oaxacan Ceramics

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Oaxacan Ceramics, Tall Bartolo Vase, ceramic

Made by hand in Oaxaca, these ceramics are as functional as they are elegant. From spice jars to vases, Oaxacan ceramics adapt to contemporary lifestyles while maintaining Mexican traditions.

Introductions!

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Jordan Eddy is the new Gallery Director of form & concept and Zane Bennett Contemporary Art! Originally from Oregon, Jordan moved to Santa Fe in 2012 and quickly found himself immersed in the gallery community. He performed marketing and public relations work for galleries and museums in every Santa Fe arts district before landing at form & concept as Marketing Director. After two years in that role, he’s excited to take the helm at both galleries. Jordan also writes for a number of arts publications including The MagazineSanta Fe Reporter, and New Mexico Magazine.

 

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Savannah Sakry is our new Sales Manager at form & concept, while our beloved Sales Manager Clara Holiday will continue to spearhead sales for the Zane Bennett Contemporary Art collection! Originally from Evergreen, CO, Savannah moved to New York City where she received a BFA in Photography from the School of Visual Arts. Relocating to Santa Fe in 2015, she began her experience with fine art sales working for the internationally acclaimed photo bookstore and contemporary photography gallery, photo-eye. While photography is Savannah’s first love she is just as enthusiastic about other mediums, and shares form & concept’s mission to challenge traditional distinctions between art, craft, and design.

Design Spotlight: Kat Cole

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Kat Cole, Red Folded Pendant, steel & enamel

When it comes to inspiration, Kat Cole looks to city skylines. Cole studies the constructed environment of her surroundings and replicates the steel structures at an intimate, wearable scale. Her steel and enamel creations are new arrivals to our gallery shop — in dazzling shades of red, yellow, and blue.

 

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Kat Cole, Red Open Oval Earrings, steel, enamel, & sterling silver
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Kat Cole, Red Dangle Hoop Earrings, steel, enamel, & sterling silver

 

Press Roundup: Matthew Mullins | The Sun In Our Bones

Tonight, Santa Fe artist Matthew Mullins presents his solo exhibition The Sun in Our Bones. Mullins’s work is inspired by the intrinsic links between humans and the natural world. He has a lot of ground to cover, which is why we’ve dedicated our entire ground floor to showcase his paintings, photographs, and sculptures.

We visited Matthew’s studio to talk about his process and inspiration for his show. “I want people to look beyond what’s right in front of us,” says Mullins. “And make them aware of our own cosmic origins.” Check out the video above to learn more about his artistic practice.

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Mullins also gave Megan Bennett of the Albuquerque Journal a tour of his studio. Here’s an excerpt:

Mullins thinks of the patterns as a representation of the human experience of being out there nature.

“If you’re in one of these places or in nature just staring off into the trees, I feel the mind kind of wanders a little bit,” he said. “Like you’re looking at the landscape, but other thoughts come in. You lose it, and then you see the landscape.

“So I like the representational qualities with the landscape, as well as the abstract patterns. The brain can go from experiencing the depth and light of the landscape to the flatness and rhythm of the abstraction. The brain toddles back and forth, and it creates a more dynamic experience that’s kind of uncontrollable.”

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Mullins was also the subject of Emily Van Cleve’s article in the Santa Fe Arts Journal. Check out this quote:

An award-winning professional artist who moved to Santa Fe in 2011, Mullins has been working on the pieces in “The Sun in our Bodies” for the past two years.

“My work draws upon my fascination with visual perception and the forces of nature,” he says. “By integrating human-made constructs with natural environments, I’m composing a relationship that is often deconstructed or forgotten in today’s society.

The press doesn’t stop there! The Santa Fe Reporter brought Mullins in for their 3 Questions Column. Here’s what he had to say about The Sun in Our Bone’s overarching theme:

The theme is trying to make art that can connect the viewer with nature and the cosmos. A lot of pieces in the show are about how the materials in our own body are made of the stars, and how the elements that give us life and the ability to have consciousness come from the stars. I’m really trying to drive that point home. The title of the show, The Sun in Our Bones, comes from a poem by poem by Nayyirah Waheed, and really conveys what I’m trying to do with art.

The Sun in Our Bones opens September 28th at 5 PM and runs through November 17th. Mullins will conduct an Artist Talk on the 20th of October.

 

Opening: Matthew Mullins | The Sun In Our Bones

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Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.

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It’s World Rhino Day!

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Elana Schwartz, Meditation on Impermanence, bronze, 12 x 10.5 x 8.5 in. Available in two patinas.

September 22 is World Rhino Day! Just in time for the holiday, Elana Schwartz has completed a fantastical rhino sculpture in bronze. We’re donating 10% of the proceeds from the artwork’s sale to the International Rhino Foundation. Help save the rhinos, and add this stunning artwork to your collection.

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“The Earth is on the verge of a mass extinction event,” said Schwartz. “Today, plants and animals on earth’s surface are becoming extinct at a faster rate than ever before. The corruption of earth’s shared natural resources informs us that humanity is inseparable from the rest the natural world and leads us the confront and thus act on the untimely impermanence of all existence.”

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At the start of the 20th century, 500,000 rhinos roamed the earth. Today, only 29,500 rhinos survive in the wild. Learn more about the rhino crisis and how you can help here.

 

TONIGHT: Ppoacher Ppoacher, Sevda Choir & NMSA

Ppoacher Ppoacher- Fearsome Friend Tour Launch- Matron Records- Form and Concept Gallery- Santa Fe New Mexico

Performance
ppoacher ppoacher & Sevda Choir

Thursday, September 6, 7:30-9 pm

The gallery will ask for a $5-$25 donation in support of the artists at the door.

Caitlin Brothers is going places—specifically, all across the Southeastern United States. “The new tour passes through Oklahoma, Arkansas, Missouri, Kentucky, Louisiana, and Texas,” says the Santa Fe musician, who performs under the moniker ppoacher ppoacher. “I’m trying to split it between familiar territory and places I’ve never explored.” That’s a good way to describe her musical repertoire for an upcoming Matron Records tour launch event at form & concept. Brothers and her new bandmate Nathan Smerage will perform songs from the band’s 2017 debut album, along with some new material they’ve written together. She’ll also sing traditional Balkan music with Santa Fe’s Sevda Choir, which welcomed her into its ranks a few months ago.

Learn more on our blog.
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New Mexico School for the Arts- First Thursdays Performance Series- Form and Concept Gallery- Santa Fe New Mexico

Performance
NMSA First Thursdays / September

Thursday, September 6, 6 pm

New Mexico School for the Arts is in the midst of renovating and repurposing their new Railyard location, and they’re wasting no time injecting fresh creative energy into the district. The arts high school presents a special performance series at form & concept, hosted by faculty members and showcasing student musicians, fiction writers and poets. This month’s event includes readings by three young writers, and a music program of small-set jazz duos curated by Jazz Studies teacher Orlando Madrid. Make sure to mark your calendar for NMSA performances on the first Thursday of each month.

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Video: Murals of Tibet

Thomas Laird, the photographer behind the new TASCHEN book Murals of Tibet, will appear at form & concept this Friday at 5 pm for a special event. He’ll talk about his journey of over ten years to create this stunning archive of Tibetan Buddhist art, and offer visitors an intimate look at the SUMO-sized Collector’s Edition of the book. Murals of Tibet has been on display in the gallery’s atrium since early July, and Laird’s appearance marks its final day here.

Ahead of the event, check out this incredible video series by TASCHEN about the creation of Murals of Tibet. Above, TASCHEN introduces the book in spectacular fashion. Here’s an excerpt from the narration:

For centuries, Tibet has been seen as an island in the sky. A remote land, close to the lights, beyond the mountains. A mysterious land, where monks practiced rituals and yoga that led to wisdom and power. What if, even in our age of increased accessibility, a great treasure still remained—hidden all of these centuries? Visions from another world. Visions created to inspire, as Tibetans say, liberation upon seeing.

Over the course of five expeditions, and using multi-image capture and render technology, Thomas Laird amassed the first catalog of life-size images of more than 200 Buddhist mural masterpieces—including the oldest and most important painted during the past 1,000 years.

In this “making of” video, the editorial team discusses the design process. Managing Editor Florian Kobel says:

The murals can now be appreciated much better than on site. They have never been explored to the extent as they have been now, because the walls are 9 meters high, the lighting is terrible. You never were able to look up and study the faces.

Frank Goerhardt, TASCHEN’s global publishing director, continues:

You cannot get the picture with one photograph. It is a sum of pictures taken digitally and stitched together.

Laird sat down with Richard Gere at the Explorers Club in New York for a conversation about the making of the book. Here’s what he had to say:

I spend the day shooting hundreds of images. That’s a lovely day in Tibet, in a dark room. […] You see the Buddha when you’re done that day, but you also have a headache. Then you bring that home, and you sit down in front of a computer, and your wife puts up with you for a month or six weeks. Then you say to her, ‘It’s very nice, but it’s not proper… so I need to go back to Tibet to recapture this.

Come meet Laird and learn more about Murals of Tibet on Saturday. This event is free and open to the public, but seating is limited so make sure to arrive early.

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TONIGHT: Annual Exhibition 2018

Fiber Artist Mark Newport- Sweatermen- Form and Concept Gallery- Santa Fe New Mexico

form & concept’s Annual Exhibition 2018 opens tonight from 5-7 pm! The show features work by all ten of our represented artists, including two new pieces from Mark Newport‘s Sweatermen series (above). “The Sweatermen are heroes of my own invention,” he says. “In each of these works I forge a link between childhood experience and my adult exploration of protection, masculinity, and heroism.” Michael Abatemarco of Pasatiempo covered the Annual Exhibition in this week’s Exhibitionism section. Here’s an excerpt:

Each summer in July, Form & Concept presents its Annual Exhibition featuring works by its represented artists including Heidi Brandow, Debra Baxter, and Wesley Anderegg. “From the beginning, we were interested in reimagining what an art gallery could be,” gallery director Frank Rose said. “The natural starting point was asking, ‘What’s been exhibited, and what or who has been excluded?’ ” The gallery’s roster includes artists whose works explore the diaphanous borders between art, craft, and design.

Click here to read more, and we’ll see you at the opening tonight!

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