Lisa Klakulak presents Since Taos: Contraction of Mass, Concision of Thought. The solo exhibition of 13 felt-based sculptureswascreated over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. The collection simultaneously acts as a vivid portrait of Klakulak’s emotional journey and manifestation of her unique way of processing the world through fiber creations. “Like any piece of art you make, you are releasing an idea into the object,” Klakulak says. “It’s a completion of a certain cycle, and it’s interesting when someone on the other side spins it into their own emotive universe.” Klakulak’s work voices ideas about growth, human connection, mental stability, and the formation of personhood, as well as social commentary on issues of gender, income inequality, and culture.
Klakulak appears at a preview artist talk of Since Taos on Friday, February 22 from 4 to 5 pm. The opening reception directly follows, from 5 to 7 pm. The artist presents a registration-only felting workshop on February 23 and 24, 2019.
Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most all photographs have in common: they’re flat. For a new group exhibition at form & concept, ten artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere.
Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.
Opening weekend for Armond Lara‘s Flying Blue Buffalo installation has arrived! On Thursday, August 16 at 5:30 pm, we’re hosting a preview of the installation. Dr. Estevan Rael-Gálvez, a Santa Fe-based scholar who is writing a book on the topic of Native slavery, will speak in our atrium under the installation. This Friday, August 17 from 5 to 7 pm, Lara will appear at form & concept for the official opening reception of the piece. In addition to the installation, a number of Lara’s artworks are on view in the gallery, along with an exhibition of Native teen artists. The final event of the weekend is an artist talk on Saturday, August 18 from 2 to 3 pm, which will take the form of a conversation between Lara and his collaborator Joseph Riggs.
It’s safe to say that the Brea Foley Art Program is one-of-a-kind. The initiative, by Washington, D.C. and Arizona-based nonprofit Soul of Nations, vaults teens from Southwestern Indigenous communities into the upper echelons of the art world. This year’s program had hundreds of applicants and 15 finalists, all between the ages of 15 and 18. Three winners jetted off to Manhattan for a residency at New York University’s Tisch School of the Arts. Later in the summer, all of the finalists will exhibit together at form & concept gallery in Santa Fe, on the weekend of this year’s SWAIA Santa Fe Indian Market.
The Soul of Nations group exhibition opens with a reception on Friday, August 17, 5 to 7 pm, followed by an artist talk on Saturday, August 18, 1 to 2 pm. Inspired by the theme “Honor the Earth,” the participants offer fresh perspectives on Indigenous identity, contemporary culture and the state of the environment.
“Art is its own language,” says Ernest Hill, cofounder of Soul of Nations. “People might not want to hear what you have to say about your own plight, but you could look at a canvas and that could ignite a discussion.” That was the founding philosophy for Soul of Nations, which Hill dreamed up with his childhood friend Brea Foley. Hill and Foley grew up in Denver but had strong connections to Navajo Nation in the Four Corners region: Foley’s heritage was Navajo, and Hill’s family conducted missionary work on Native reservations when he was young. They were both interested in addressing the extreme poverty divide between Indigenous communities and the rest of the Southwest.
“There was this drastic disconnect between on-reservation life and off-reservation life,” Hill says. “I made a promise to myself that I wouldn’t go back unless I could do something about it.” Foley passed away in 2014 from breast cancer, but Hill carried on their mission and officially incorporated Soul of Nations as a 501(c)3 the following year. The organization has a broad charter, seeking to uplift the vast numbers of displaced Indigenous communities throughout the Americas.
Hill created the Brea Foley Art Program as a tribute to his late collaborator, with the more targeted mission of providing art world opportunities to Native teens from the Southwest. “At the beginning, we had a focus group and asked students, ‘What are you most interested in doing?’” says Hill. “About 80% of the students said that they were really interested in the arts as a career path. We wanted to show them ways to be successful.”
The Brea Foley Art Program has grown and evolved in the three years since its founding. Hill says awareness of the initiative has grown significantly, with 253 applicants for this year’s program. In addition to the residency at Tisch School of the Arts, this year’s winners—Maiyah King of Albuquerque, Bailey Pete of Gallup, and Christine Garcia of Santa Fe—participated in a special reception at the National Museum of the American Indian in New York City. “Last year we did a series of college tours and museum tours, but we wanted to find a school that was dedicated to investing in youth at a larger level,” says Hill. “NYU really stepped up to the plate.”
Hill also wanted to build a bridge to the commercial art world for the program’s participants. That’s how form & concept came into the picture. “It’s a whole new realm for us in terms of education,” says Hill. “We want to teach them how to work with a marketing team, but also how to market yourself in the commercial art scene. Being an artist is like having a sole proprietorship.” All 15 of this year’s finalists will contribute an artwork to the Soul of Nations group exhibition at form & concept. They hail from 11 different tribal communities throughout the Southwest.
Their work will debut at the gallery on the weekend of the SWAIA Santa Fe Indian Market, which attracts over 100,000 visitors to buy art directly from 1,000 artists who represent more than 200 federally recognized tribes from the U.S. and Canada. The show’s opening reception also features the debut of an art installation by Armond Lara, an internationally renowned artist with Navajo heritage.
form & concept’s Annual Exhibition 2018 opens tonight from 5-7 pm! The show features work by all ten of our represented artists, including two new pieces from Mark Newport‘s Sweatermen series (above). “The Sweatermen are heroes of my own invention,” he says. “In each of these works I forge a link between childhood experience and my adult exploration of protection, masculinity, and heroism.” Michael Abatemarco of Pasatiempo covered the Annual Exhibition in this week’s Exhibitionism section. Here’s an excerpt:
Each summer in July, Form & Concept presents its Annual Exhibition featuring works by its represented artists including Heidi Brandow, Debra Baxter, and Wesley Anderegg. “From the beginning, we were interested in reimagining what an art gallery could be,” gallery director Frank Rose said. “The natural starting point was asking, ‘What’s been exhibited, and what or who has been excluded?’ ” The gallery’s roster includes artists whose works explore the diaphanous borders between art, craft, and design.
Click here to read more, and we’ll see you at the opening tonight!
form & concept’s represented artists come together for this dynamic group exhibition. form & concept Annual Exhibition 2018 is a showcase for each artist’s latest work, and a collective expression of the gallery’s overarching mission. Since its founding in May 2016, form & concept has added ten artists to its official roster. They maintain cross-disciplinary practices that contribute to the gallery’s creative conversation about the intersections between art, craft and design. form & concept Annual Exhibition 2018 opens Friday, July 27, 5-7 pm, and runs through September 15, 2018. A number of the featured artists will conduct a gallery talk on Saturday, August 25 from 2 to 3 pm.
Virginia artist Jaydan Moore is known for his sculptures made from found, silver-plated tableware. After six years of manipulating these lost heirlooms to reflect on memory and commemoration, he’s accumulated thousands of scrap metal fragments. In his solo exhibition Dust, Moore incorporates the shards into a new series of sculptures. Through these palimpsests and an array of intaglio prints, the artist explores the slow deterioration of memory. Dust opens on Friday, June 29 from 5 to 7 pm, with an artist talk on Saturday, June 30 from 2 to 3 pm.
We’re honored to announce that internationally renowned jewelry designers Robin Waynee and Ryan Roberts are form & concept’s newest represented artists. The couple has worked side-by-side since 1997, and though they strongly influence each other, they maintain separate practices and bodies of work. They’ll present new designs at the special event Introducing Robin Waynee & Ryan Roberts on Friday, June 29 from 5 to 7 pm.
Robin Waynee learned at an early age how creativity and hard work can lead to fulfillment. A member of the Saginaw Chippewa Tribe, Robin was born and raised in Mio, Michigan along with six siblings. Following her family to Santa Fe, New Mexico in 1991, and continuing to work in the family business of custom furniture making, Robin began designing her own pieces and pursued woodworking for several years.
After meeting local jeweler Ryan Roberts in 1997, Robin became inspired by his work and discovered a burning desire to create jewelry. Her wide range of jewelry styles, creative choices of precious stone and metal combinations and anodizing schemes, along with her careful selection of quality materials and attention to detail make Robin’s jewelry highly sought after by the discriminating collector and devotee of exclusive fine jewelry.
Born in the small village of Chimayo in Northern New Mexico, Ryan was raised in a family in which almost everyone is an artist. When he was a young teen, Ryan lived in Hawaii for a year, where he spent time with his aunt Gayle Bright, a talented sculptor and jewelry designer. Seeing the skill and care with which she made her art inspired him, and he began to cultivate a love and appreciation of jewelry making which would lead him to his life work.
Upon returning home to New Mexico, just after his 16th birthday, Ryan secured an apprenticeship at a local jeweler’s studio. By the age of 19, Ryan was hired by one of Santa Fe’s most talented local jewelers, Mario Chavez. In this environment, the young artist was exposed to an expanded array of complex tools and techniques. Ryan’s reputation grew as one of the finest jewelers in Santa Fe. Later, Ryan met the only person he had ever taken as an apprentice: his future wife, Robin Waynee. The two would both go on to become interationally celebrated jewelers.
form & concept presents Inner Orbit, an exhibition of contemporary artists from across the United States with deeply personal or cultural visions of outer space. The show appears in conjunction with Santa Fe Futurition, the Currents New Media Festival, and the Santa Fe Institute’s Interplanetary Festival. Inner Orbit opens on Friday, May 25, 5-7 pm, and a number of the participating artists will appear at a gallery talk on Saturday, June 9, 2-3 pm.
From a human perspective, the night sky is a densely layered cultural landscape. Long before they were subjects of scientific study, stars were laden with countless overlapping mythologies. Fortune tellers, sailors, writers, architects and artists have all projected profound meaning into the cosmos—tying earthly events to the movements of heavenly bodies. Inner Orbit spotlights contemporary artists who meld fine art and craft mediums with technology for a fresh look at the firmament.
Katie Dorame, Nina Elder, Stephan Hillerbrand, Case Jernigan, Drew Lenihan, Mary Magsamen, Matthew Mullins, Eric William Carroll, Andrew Yang, Marcus Zúñiga