Workshop: Lisa Klakulak | Felt Form

PLEASE NOTE: This workshop is registration-only. Click here to save your spot.

Felt Form: Sculpting by way of Shrinkage

February 23-24, 2019

Workshop Hours: 9 am-4 pm, with a one-hour lunch break.

Fees: $300 registration / $15 materials

In conjunction with the exhibition Since Taos, featuring a collection of felt-based work created between 2001 and the present day, Lisa Klakulak will offer a 2-day course focusing on wet felting techniques to develop three-dimensional forms. Participants will explore the use of resists to build hollow forms while the placement of different weights of wool within the layout preparation determine the concave and convex areas of the form, a method Klakulak terms “extreme differential shrinkage.” Working with a limited palette of wool, the emphasis will be on exploring a plethora of small-scale forms, the relationship of pressure and directional agitation to the felting process, and—of course—enjoying the feel of this humble material.

This class is limited to ten participants, so make sure to register early! The $300 registration fee reserves your spot, while the $15 registration fee is due at the start of the workshop.

Click here to register.

Since Taos Events

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | Register Here.

Preview Artist Talk: Lisa Klakulak

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Lisa Klakulak appears at this special preview of Since Taos: Contraction of Mass, Concision of Thought, directly preceding the opening reception of the solo exhibition. The series of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. Klakulak thinks of her life since that moment in distinct phases. “The works are all related to these leaps of faith that I have taken,” she says. “I want to think about, or articulate what I’m thinking about, in a manner that I can translate into a physical form.” Join her for an interactive tour of the show, just before its official debut.

Learn more about this exhibition.

Events

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | Register Here.

Artist Talk: Nika Feldman | Spirits in the Material World

Nika Feldman hosts an artist talk for her solo exhibition Spirits in the Material World on Saturday, January 26 from 2 to 3 pm. Spirits in the Material World is an exploration of the coded language of garments, albeit within Feldman’s native cultural context. The show’s title holds multiple references, one being as Feldman explains, “The belief that the spirits of both the maker and the wearer are held within a garment.” Another reference is to a song with the same name by The Police from the 1981 album Ghost in the Machine, which one could argue describes the unfortunate state of realities today. The underlying message within the song that resonates for Feldman is the description of a material culture which is void of sacredness.

 

Learn more about this exhibition.

 

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook

Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook

Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Opening: Nika Feldman | Spirits in the Material World

Nika Feldman unveils a series of seven garment-like works along with accompanying objects of adornment, made from recycled t-shirt parts and salvaged aluminum can pull-tabs. Representing over 2,000 hours of handwork by the Nova Scotia artist, the intricate pieces are inspired by the coded language of clothing. “It’s an attempt to create a new dialect,” Feldman says. “In today’s world what does contemporary clothing say about North American culture?” 

 

Spirits in the Material World debuts with a special reception on Friday, January 25 from 5 to 7 pm. Feldman will host an artist talk on Saturday, January 26 from 2 to 3 pm and a workshop on Saturday, March 16 from 1 to 5 pm.

 

Learn more about this exhibition.

 

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook

Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook

Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Opening: MICROCOSM Small Works Show

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form & concept presents the second annual MICROCOSM group exhibition. The gallery invited all-star artists from its 2018 shows to make works measuring 8 x 10 inches or smaller. It’s form & concept’s final statement of the year, reflecting the variety of mediums and messages that graced the walls. MICROCOSM will feature far-flung creators who work in clay, glass, fiber, precious metals, and camera film—among many other materials.

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This Friday: Hand/Eye

david samuel stern, nouri, form & concept, form and concept, form and concept gallery, santa fe gallert, craft photography, photography

 

Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most photographs have in common: they’re flat. For a new group exhibition at form & concept, eleven artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere. The artworks in the show incorporate a wide array of materials, including fiber, cast glass, micaceous clay and human hair. Call it super-alternative process photography.

Above: David Samuel Stern, Nouri, photographic prints on translucent vellum physically cut and woven together.

 

 

cathryn amedi, cathryn amedi artist, gut feeling, fiber, emrboidery, needlepoint, santa fe gallery, form & concept, form and concept, form and concept gallery, santa fe gallery, santa fe art

Cathryn Amidei
Gut Feeling
Fiber
25 x 44 in.

 

 

jodi colella, jodi colella artist, sampled lives, embroidery, embroidery art, craft photography, form & concept, form and concept, form and concept gallery

Jodi Colella
Sampled Lives series
embroidered found postcards
4 x 6 in. each

 

 

elizabeth claffey, elizabeth claffey artist, matrilinear, matrilinear #9, archival pigment print, form & concept, form and concept, hand/eye

Elizabeth Claffey
Matrilinear #9
archival pigment print
24 x 18 in.

 

jacquelyn royal, jacquelyn royal artist, needlepoint, needlepoint art, craft photography, embroidery art, hand/eye, form & concept, form and concept gallery, santa fe gallery, santa fe craft gallery, craft gallery

Jacquelyn Royal
Detroit 3
needlepoint, thread on canvas
11 x 16 in.

 

emily margarit mason, emily margarit mason artist, photography, craft photography, form and concept, form & concept, santa fe gallery, form and concept gallery, hand/eye, hand/eye group show

Emily Margarit Mason
Yoga Mat and Glass
photograph
36 x 24 in

 

Preview the show on our website.
RSVP on Facebook.

 

Introductions

kylee aragon, form & concept, form and concept gallery

We’re excited to announce that Kylee Aragon is our new Administrative Coordinator! Kylee was born and raised in Albuquerque, NM. She received a BFA in Art History from the University of New Mexico. Kylee began her gallery experience at Tamarind Institute, where she developed a deep love for works on paper. While Kylee is not a printmaker she is a self-proclaimed print nerd who enjoys speaking in great detail about process, paper, and the print market. She is excited to bring her passion for art to form & concept.

 

Press Roundup: Matthew Mullins | The Sun In Our Bones

Tonight, Santa Fe artist Matthew Mullins presents his solo exhibition The Sun in Our Bones. Mullins’s work is inspired by the intrinsic links between humans and the natural world. He has a lot of ground to cover, which is why we’ve dedicated our entire ground floor to showcase his paintings, photographs, and sculptures.

We visited Matthew’s studio to talk about his process and inspiration for his show. “I want people to look beyond what’s right in front of us,” says Mullins. “And make them aware of our own cosmic origins.” Check out the video above to learn more about his artistic practice.

matthew mullins, santa fe artist, santa fe art, form and concept, form & concept,

Mullins also gave Megan Bennett of the Albuquerque Journal a tour of his studio. Here’s an excerpt:

Mullins thinks of the patterns as a representation of the human experience of being out there nature.

“If you’re in one of these places or in nature just staring off into the trees, I feel the mind kind of wanders a little bit,” he said. “Like you’re looking at the landscape, but other thoughts come in. You lose it, and then you see the landscape.

“So I like the representational qualities with the landscape, as well as the abstract patterns. The brain can go from experiencing the depth and light of the landscape to the flatness and rhythm of the abstraction. The brain toddles back and forth, and it creates a more dynamic experience that’s kind of uncontrollable.”

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Mullins was also the subject of Emily Van Cleve’s article in the Santa Fe Arts Journal. Check out this quote:

An award-winning professional artist who moved to Santa Fe in 2011, Mullins has been working on the pieces in “The Sun in our Bodies” for the past two years.

“My work draws upon my fascination with visual perception and the forces of nature,” he says. “By integrating human-made constructs with natural environments, I’m composing a relationship that is often deconstructed or forgotten in today’s society.

The press doesn’t stop there! The Santa Fe Reporter brought Mullins in for their 3 Questions Column. Here’s what he had to say about The Sun in Our Bone’s overarching theme:

The theme is trying to make art that can connect the viewer with nature and the cosmos. A lot of pieces in the show are about how the materials in our own body are made of the stars, and how the elements that give us life and the ability to have consciousness come from the stars. I’m really trying to drive that point home. The title of the show, The Sun in Our Bones, comes from a poem by poem by Nayyirah Waheed, and really conveys what I’m trying to do with art.

The Sun in Our Bones opens September 28th at 5 PM and runs through November 17th. Mullins will conduct an Artist Talk on the 20th of October.

 

Dr. Estevan Rael-Gálvez | Entre Cíbolos Criados: Creativity, Consciousness and Community

dr. estevan rael-gálvez, santa fe historian, santa fe, santa fe history, santa fe anthropology, santa fe lecutre, form & concept, form and concept, santa fe gallery, santa fe event
Dr. Estevan Rael-Gálvez

In August, Dr. Estevan Rael-Gálvez convened beneath the Flying Blue Buffalo for a special lecture titled Entre Cíbolos Criados: Creativity, Consciousness and Community.

In his moving speech, Dr. Rael-Gálvez discusses the three concepts that have long defined his work and the history of Indigenous slavery.

His lecture is sampled below, and can be read in full at flyingbluebuffalo.com

It is a tremendous honor to be able to participate in this opening by the amazing artist, Armond Lara – whose memorial is… breath-taking, but it gives breath as well. This thoughtful remembering is a project — that through creativity raises consciousness — and in the end, is inspired by the promise of strengthening community.

Here in this sovereign landscape, Pueblo elders have said that,  wherever we go, we leave our breath behind us” — an invocation recognizing those who came before us and how their life force remains with us long after they have gone. In recognizing this life force, we not only illuminate all of the ancestors who lived in this place, but point especially to the life of those living now in the present, as well as to those generations that will follow, inheriting what we leave behind in the future.

In time, drawn to the subject of enslaved Indians as a young scholar, I would immerse myself as a historian in countless archives, reading between the lines of documents, tracing my finger across maps and looking closer at photographs, all complemented by my work as an anthropologist, engaged in many hundreds of conversations set with bread at kitchen tables, revealed upon a walk through alfalfa fields, and shared across miles by telephone and electronic correspondence. 

Taking those experiences, connecting them and eventually centering them, the story grew like a forest, one that eventually became a manuscript defended by me to hold a doctoral credential. However, believing that scholarship is most valuable when grounded and applied in the world, I left academia, and yet through my role as a public historian and anthropologist, indeed, because of it, the story only deepened further, to this day.

So when I talk about consciousness now, I am not only referring to the work I have done as a scholar and public historian for over two decades, but a commitment to raising consciousness on the ground, locally, in the minds of people in our region and nation, particularly in the minds of those who have not yet recognized that this story, however painful, is also one of complex beauty. This is no easy task.

The eyes of all of the descendants of those indigenous ancestors continue to awaken the possibility of remembering with each new birth of a New Mexican. Telling this Story—in whatever form that telling comes— is about how individual and collective lives are remembered, how a community takes the memories, stories and traditions of what has been passed down from one generation to the next, and how it reimagines itself, now in the present and into the future. We are the herd of buffalo that rises.

Dr. Rael-Gálvez holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award-winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery.” Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center, and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°.

 

 

 

 

Preview: Matthew Mullins | The Sun In Our Bones

Matthew Mullins- The Sun In Our Bones- Oil on Canvas- Form and Concept Gallery- Santa Fe New Mexico

Matthew Mullins is an avid hiker and distance runner, and lately he’s been leaving artwork behind on his adventures through New Mexico’s high desert. He’ll install pinhole cameras in remote areas, note their coordinates, and return for them weeks or months later. The final images reflect the shifting path of the sun and other natural phenomena—that is, if Mullins can retrieve them. Weather and wild animals have destroyed several cameras, and others have vanished without a trace. Despite the occasional lost artwork, Mullins says his far-flung creative process is worth the risk.

“With these pinhole photos, I’m presenting different ways to look at nature and different ways of seeing time,” the Santa Fe artist explains. “The incredibly long exposures require the cameras to be in remote locations, which always involves leaps of faith.” In his solo exhibition The Sun in Our Bones, opening Friday, September 28 from 5 to 7 pm, Mullins presents photographs, paintings and sculptures inspired by the intrinsic links between humans and the natural world. An artist talk follows on October 20, and a closing reception takes place on November 17.

Matthew Mullins- Orphan Mesa- Oil on Canvas- Form and Concept Gallery- Santa Fe New Mexico

When Mullins began working on The Sun in Our Bones last year, he was shooting for the stars. “I thought about making a series of artwork within a spectrum of very earthy and grounded to cosmic. I wanted to paint nature and natural processes from the subatomic world to the stars” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The Santa Fe artist has been working on a series of highly unconventional landscape paintings since moving to New Mexico from Berkeley, California in 2011. The works depict scenes from nature, often in a monochrome palette, with geometric patterns inspired by human-made designs cutting through them. A concurrent series of watercolor paintings features mandala patterns dotted with countless stars.

Branching out even further, the artist started experimenting with several new mediums. He gathered dry, twisted pieces of juniper wood on his outdoor excursions and brought them back to his studio, cleaning them, burnishing them and covering them with shiny graphite to accentuate their lines and textures. Through the pinhole photography series, Mullins found a method for depicting a temporal experience of landscape. “I really wanted to track time in a different way and also show the movement of our planet around the sun.  I didn’t think I could really get that in my paintings,” he says. “I love the idea of having these pinhole cameras out in the world. They’re working right now, so I’m making art 24/7.”

The Sun in Our Bones will span form & concept’s ground floor, the second show in the gallery’s two-year history (after Thais Mather’s Reckless Abandon in November 2017) to devote an entire level to a single artist. The title of the exhibition is a reference to an unconventional material Mullins has incorporated into some of his cosmic paintings: pigment made from burnt animal bones. “The calcium and phosphorous in those bones, and our own, are made in stars,” Mullins says. “It’s truly all connected.”

Matthew Mullins- Obsidian Ridge- Pinhole Photograph- Form and Concept Gallery- Santa Fe New Mexico

For Mullins, the exhibition is a culmination of 15 years of work as a professional artist. Originally from the Bay Area of California, he received his MFA from University of California Berkeley. There, he began his career with his Artifacts & Archives paintings, a series of photo-realistic watercolors that replicate the archival environments and materials he had access to during his graduate studies.

Mullins received the prestigious Eisner Prize for Visual Art in 2010, a year before relocating to New Mexico. Following the move, he was inspired by the desolate, sweeping landscapes of the Desert Southwest to shift from an illustrative style to semi-abstraction. Through his latest work, Mullins has sought to show the connection between human consciousness and the natural world. “Humans are part of the natural world,” says Mullins. “But we often become so focused on our individuality that we lose track of that greater connection. My work is about reintegrating with nature and finding unity in that relationship.”

Learn more about this exhibition.
RSVP for the opening on Facebook.

Opening: Soul of Nations

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Soul of Nations, a Washington, D.C. and Arizona-based nonprofit that works to uplift Indigenous communities throughout the Americas, presents this juried exhibition of Native teen artists from Southwest reservations. The 15 featured artists all took part in the organization’s Brea Foley Art Program, which awarded three of them with a special residency at New York University’s Tisch School of the Arts. The exhibition opens on the weekend of SWAIA Santa Fe Indian Market and offers boundary-pushing aesthetic statements from a new generation of Indigenous artists. The theme of the exhibition is “Honor the Earth.”

Learn more about this exhibition.

Artists

Mikhail K. Ganadonegro, Quansha J. Abayta, Maiyah King, Bailey Makai Pete, Deanna Lee, Christine Garcia, Naomi Smart, Kyle Begay, Megan Joe, Rikki Begay, Iona Stevens, Naomi Begay, Josiah Whitesinger, Lehlahni Michelle, Kiara Tom

Events

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, August 18, 1-2 pm | RSVP on Facebook.