Closing Reception: Debra Baxter | Tooth & Nail

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Join Debra Baxter for a last look at her solo exhibition Tooth & Nail at this closing reception on Friday, June 15 from 5 to 7 pm. The show officially closes on June 16, 2018.

Baxter frequently picks up materials she’s never used before, searching for novel ways to engage the histories of sculpture, jewelry, weaponry or drapery. For Tooth & Nail, the events of the #MeToo movement have fed into her continued interest in the strength, vulnerability and the raw power of the female voice. The courage of these women has activated work with a blend of toughness and vulnerability. “These contrasting materials carry a similar spirit,” she explains. “My sculptures sometimes look delicate, but when they’re finished, they are structurally resilient.”

Learn more about this exhibition.

Events

Opening Reception | Friday, April 27, 5-7 pm | RSVP on Facebook
Artist Talk | Saturday, May 19, 2-3 pm | RSVP on Facebook
Closing Reception | Saturday, June 15, 5-7 pm | RSVP on Facebook

Artist Talk: Debra Baxter | Tooth & Nail

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Debra Baxter has exhibited her sculptures and jewelry at form & concept since the gallery’s founding in May 2016. She helped lay the foundations of the gallery’s mission: to challenge preconceived notions about art, craft and design and blur their borders. “Debra is a master of what I call ‘material inversion,’” says Frank Rose, Gallery Director at form & concept. “She might pair soft materials with hard ones, or take it one step further and make a dense medium look like it’s light and flowing. She creates invigorating visual and tactile experiences, but there’s also a boundary-shattering conceptual element to the work.”

Baxter will conduct an artist talk on Saturday, May 19 from 2 to 3 pm. Tooth & Nail opens on Friday, April 27 from 5 to 7 pm, and runs through June 16, 2018.

Learn more about this exhibition.

Events

Opening Reception | Friday, April 27, 5-7 pm | RSVP on Facebook
Artist Talk | Saturday, May 19, 2-3 pm | RSVP on Facebook
Closing Reception | Saturday, June 15, 5-7 pm | RSVP on Facebook

Opening: Debra Baxter | Tooth & Nail

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“This thing could fail, and it could be a nightmare,” says Debra Baxter. “But who cares?” The Santa Fe sculptor makes artworks that combine divergent materials—metal, glass and stone, for example—so there’s always a risk that they’ll split apart during the creative process. Informed by her passion for armor and weaponry, Baxter charges ahead fearlessly to create elegant and sometimes dangerous objects. Her new solo exhibition at form & concept, Tooth & Nail, includes flowing bronze breastplates that hold glittering minerals, and metal throwing stars that are cast from lace. There’s also a wicked bronze-and-quartz sculpture from her Smithsonian-collected brass knuckles series. “I’ll often emerge from these crazy material experiments bruised—but I’m never broken,” says Baxter. 

Baxter’s solo exhibition Tooth & Nail opens on Friday, April 27 from 5 to 7 pm, and runs through June 16, 2018. Baxter will conduct an artist talk on Saturday, May 19 from 2 to 3 pm.

Learn more about this exhibition.

Events

Opening Reception | Friday, April 27, 5-7 pm | RSVP on Facebook
Artist Talk | Saturday, May 19, 2-3 pm | RSVP on Facebook
Closing Reception | Saturday, June 15, 5-7 pm | RSVP on Facebook

Zine Reading: MIRROR BOX

Strangers Collective‘s Mirror Box exhibition at form & concept features zines by emerging artists and writers. A number of the zine creators will read from and discuss their work at this event on Saturday, April 7 from 3-4 pm.

Mirror Box represents a network of early career creatives, starting in Santa Fe and spiraling across the nation. Its curatorial throughline presents a radical method for reflecting on place and identity through art objects.

Learn more about this exhibition.

Events

Opening Reception: Friday, 2/23, 5-8 pm | RSVP on Facebook
Curator & Artist Talk: Saturday, 3/17, 2-3 pm | RSVP on Facebook
Zine Reading: Saturday, 4/7, 3-4 pm | RSVP on Facebook
Closing Performance by Emmaly Wiederholt: Saturday, 4/14, 7 pm | RSVP on Facebook
$5-$25 suggested donation for closing performance.

Writers

Liz Brindley, Caryn Crimmel, Jordan Eddy, Pascal Emmer, Jess Haring, Katie Johnson, Israel Francisco Haros Lopez, Amanda Malloy & David McCarty, Erin Mickelson, Erica Nguyen, Yvette Serrano, Bucket Siler, Emmaly Wiederholt, Rachelle Woods, Michael Wilson

Image: Derek ChanMercury in Retrograde (detail), acrylic, silver leaf and collage on panel, 72 x 48 in., 2013. Photo by Jose Rivera.

Opening: Wesley Anderegg | ARIZONA

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“Everybody that lives in New Mexico goes to Arizona every once in awhile,” says Wesley Anderegg. “That’s the only reason Arizona exists, is to drive through to go to California.” It’s a particularly sacrilegious statement for a born-and-raised Arizonan, but Anderegg hasn’t lived there for decades. He’s also never directly revisited his wild childhood through his figurative ceramics—until now. “As you get older, you kind of get reminiscing,” says the California-based artist. “It’s like, oh man, I’m on the downslope these days. Time to look back.”

In a new series of diminutive ceramic tiles, Anderegg flattens his tragicomic sculptural figures with a playful nod to Pop Art paintings and comic book panels. The painted compositions evoke Anderegg’s experience growing up in the sun-drenched and lawless Sonoran Desert. Wesley Anderegg: ARIZONA debuts at form & concept on Friday, March 30 from 5 to 7 pm. Anderegg recognizes the humor of mounting a show called ARIZONA one state to the east, but it’s a simple matter of personal preference. “I thought about actually having it in Arizona, but I like you guys better,” he says with a grin.

Wesley Anderegg: ARIZONA debuts at form & concept on Friday, March 30 from 5 to 7 pm, with an artist talk on Saturday, March 31 from 2 to 3 pm. The show runs through May 19, 2018.

Learn more about this exhibition.

Events

Opening Reception: Friday, March 30, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, March 31, 2-3 pm | RSVP on Facebook

Opening: MIRROR BOX | Strangers Collective

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Kyle Farrell, Alex Gill and Jordan Eddy, co-directors of Strangers Collective and the No Land art space, curate this exhibition of emerging artists and writers at form & concept. Mirror Box represents a network of early career creatives, starting in Santa Fe and spiraling across the nation. Its curatorial throughline presents a radical method for reflecting on place and identity through art objects. The show opens with a reception on Friday, February 23 from 5-8 pm, and runs through April 14, 2018. 

The term “mirror box” originates in the medical field: Vilayanur S. Ramachandran invented the box with two back-to-back mirrors in the center to help amputees manage phantom limb pain. The patient places the “good” limb into one side, and the “residual” limb into the other, making mirrored movements that can trick the brain into believing that it’s moving the phantom limb. “It’s a tribute to the incredible power of grey matter,” says Eddy. “If our minds are capable of conjuring a nervous system from thin air, can we link up with people, places or things in the same visceral but invisible way?” The curatorial team realized that art, like the mirror box, can act as a conduit for this type of transcendent—but also highly tangible—experience.

“As we turned over the idea of a ‘mirror box’ in conversation, its meaning evolved to represent a sort of theoretical art object,” says Farrell. “If you imagine a cube made from mirrors floating in a landscape, it reflects you and your surroundings across six different planes. By peering into it, you begin view identity and place in novel ways.” The show’s participants interact with the world in a similar fashion, reflecting, filtering and distorting their varied contexts to create visions of the world that are requisitely imbued with their own experiences.

Photographer Emily Mason makes images of her surroundings, collages them onto sculptural props, and photographs the finished assemblages to create images that flicker between dimensionality and abstraction. Painter Nate Masse creates layered figurative compositions that compress visual details from multiple moments into a single, sensuous image. Sculptor Julie Slattery shapes talismanic objects—in this case, enormous bird skulls—that become emotional reliquaries for specific events in her life.

“The artworks and zines are mapping out this ‘complete picture’ of an experience,” says Gill. “We’re asserting that fully realized artistic expression can communicate something truer than, say, a hasty smartphone snapshot of a particular person or place.” In an increasingly polarized world, it’s a radical act of empathy to dive through the looking glass.

Learn more about this exhibition.

Events

Opening Reception: Friday, 2/23, 5-8 pm | RSVP on Facebook
Curator & Artist Talk: Saturday, 3/17, 2-3 pm | RSVP on Facebook
Zine Reading: Saturday, 4/7, 3-4 pm | RSVP on Facebook
Closing Performance by Emmaly Wiederholt: Saturday, 4/14, 7 pm | RSVP on Facebook
$5-$25 suggested donation for closing performance.

Art

Kevin Bond, Derek Chan, Kyle Farrell, Alex Gill, Erin Gould, Julia Haywood, Chaz John, Kat Kinnick, Shannon Latham, Ariana Lombardi, Emily Mason, Nate Massé, Drew MC, David O’Brien, Josh Palmeri, Sarah Palmeri, Alicia Piller, Julie Slattery, Dion Valdez, Emmaly Wiederholt, Ona Yopack

Zines

Liz Brindley, Caryn Crimmel, Jordan Eddy, Pascal Emmer, Jess Haring, Katie Johnson, Israel Francisco Haros Lopez, Amanda Malloy & David McCarty, Erin Mickelson, Erica Nguyen, Yvette Serrano & Ryan Dennison, Bucket Siler, Emmaly Wiederholt, Rachelle Woods, Michael Wilson

Featured Image: Nate Masse, On Polyamory (detail), mixed media, 57.5 x 55″, 2013-2018

This Friday: Strangers Collective & Ford / Forlano

Alicia Piller Sculpture- Mirror Box Exhibition- Strangers Collective- Form and Concept Gallery- Santa Fe New Mexico
Alicia Piller, Celestial Body (detail), leather, mixed media, 50 x 17 x 17 in., 2014.

Opening
Strangers Collective
MIRROR BOX

February 23 – April 14, 2018

Opening Reception: Friday, February 23, 5-8 pm

Kyle Farrell, Alex Gill and Jordan Eddy, co-directors of Strangers Collective and the No Land art space, curate this exhibition of emerging artists and writers. The term “mirror box” originates in the medical field: Vilayanur S. Ramachandran invented the box with two back-to-back mirrors in the center to help amputees manage phantom limb pain. The patient places the “good” limb into one side, and the “residual” limb into the other, making mirrored movements that can trick the brain into believing that it’s moving the phantom limb. “It’s a tribute to the incredible power of grey matter,” says Eddy. “If our minds are capable of conjuring a nervous system from thin air, can we link up with people, places or things in the same visceral but invisible way?” The curatorial team realized that art, like the mirror box, can act as a conduit for this type of transcendent—but also highly tangible—experience.

Learn more about this exhibition.
RSVP on Facebook.

Ford / Forlano Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Ford / Forlano, Hydro Brooch #422, polymer, sterling silver, gold leaf.

Special Reception
Introducing Ford / Forlano

Friday, February 23, 5-8 pm

“The conversation is in every piece,” says David Forlano. “The input is the journey.” He and Steven Ford have collaborated for nearly four decades under the moniker Ford / Forlano, creating wearable artworks from polymer clay, sterling silver, gold leaf and many other materials. Over the years, their designs have undergone a spectacular evolution—as has the nature of their working relationship. Forlano moved to Santa Fe in 2005, putting almost 2,000 miles between the longtime collaborators. “It has actually made the work more dynamic, with an even bigger range,” Ford says. form & concept presents Introducing Ford / Forlano, featuring the artistic duo’s latest work.

Learn more about this event.
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Closing Reception: Thais Mather | Reckless Abandon

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As Thais Mather’s critically acclaimed solo exhibition Reckless Abandon approaches its closing date, join her for a final public engagement on Friday, February 2 from 5 to 7 pm. Light refreshments will be served. Reckless Abandon runs through February 10, 2018.

“I think people are getting these catastrophic feelings, that this is the end,” says Thais Mather. “I don’t believe in that. I think this is a beginning.” The feminist artist’s new exhibition, Reckless Abandon, comes at a time of cultural, political and environmental upheaval. It’s an ideal moment to examine human history from a revolutionary stance—and present urgent questions that can reveal a new path forward. Through a monumental art installation and an interconnected series of performances and events, Mather will challenge viewers to abandon patriarchal structures in favor of a transcendent vision for humanity.

Learn more about this exhibition.

Reckless Abandon Events

Opening Reception | Friday, November 24, 2017 from 5-7 pm — RSVP on Facebook
Reckless Abandon: A Reading | Saturday, November 25, 2-3 pm — RSVP on Facebook
Reckless Abandon: Performance | Friday, December 15, 5-7 pm — RSVP on Facebook
A Day of Ritual Prayer Performance | Saturday, January 20, 7 am-7 pm — RSVP on Facebook
Reckless Abandon: Closing Reception | Friday, February 2, 5-7 pm — RSVP on Facebook

Artist Talk & Preview: Jodi Colella | Unidentified Women

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Jodi Colella leads a preview discussion of her solo exhibition Unidentified Women at form & concept.

It started somewhere among the vast archives of the Historic Northampton Museum in Northampton, Massachusetts. Fiber artist Jodi Colella was working on an art project inspired by the museum’s headwear collection, and she stumbled upon a series of daguerreotype portraits. “They were like little 19th century selfies,” Colella says. “I noticed that all the men in the images had every single detail of their life listed in the catalog. About 80% of the women were labeled ‘unidentified.’”

The artist was fascinated by these forgotten, female faces, and the contrast between the women’s fleeting social visibility and their invisibility to history. After hunting down similar portraits in flea markets and antique shops, Colella stitched intricate embroideries across the images, further obscuring the women’s identities. The body of work, titled Unidentified Women, makes its Santa Fe debut at form & concept on Friday, January 26 from 5-7 pm. Colella will appear at the opening reception, and also conduct an artist talk and preview on Thursday, January 25 from 2-3 pm.

Events 

Artist Talk & Preview: Thursday, January 25, 2-3 pm | RSVP on Facebook.
Opening Reception: Friday, January 26, 5-7 pm | RSVP on Facebook.

Learn more about this exhibition.

Performance: Ekalos Reed, Áine McCarthy & Kara Duval

A DAY OF RITUAL PRAYER PERFORMANCE

In conjunction with Thais Mather’s exhibition Reckless Abandon,
and featuring Ekalos Reed, Áine McCarthy & Kara Duval

Saturday, January 20, 7 am-7 pm

7 am-7 pm: Ekalos Reed & Áine McCarthy, “Tending the Mighty Dead”
4:30-6:30 pm: Kara Duval, “RED”
6-7 pm: Closing Ceremony

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“I find that people are really hungering for ritual and prayer, and not in a traditional, religious way,” says Ekalos Reed. Reed and Áine McCarthy’s performance art group is called Time Beings. This winter, they collaborate with Kara Duval—another local performer who explores themes of ritual, reclamation and healing—for a 12-hour performance among the artworks of form & concept’s exhibition Thais Mather: Reckless Abandon. In the multi-part ritual prayer, they will convene other Santa Fe artists and anyone who wishes to take part as they create moments and spaces that redefine the sacred. The piece represents a dynamic response to the exhibition’s themes and a tribute to women and others who have faced persecution. Reed and McCarthy perform ‘Tending the Mighty Dead’ from 7 am to 7 pm. Kara Duval performs ‘Red’ from 4:30- 6:30 pm. There is a closing ceremony from 6- 7 pm. From 7 to 10 am, the performance will be visible from outside form & concept, but the gallery does not open to the public until 10 am.

A Day of Ritual Prayer Performance- Ekalos Reed- Áine McCarthy- Kara Duval- Form and Concept Gallery- Santa Fe New Mexico
Ekalos Reed & Áine McCarthy, “Tending the Mighty Dead,” durational performance piece, 2018. Photo by Timothy Jason Reed.

Sequence of Events

The public is invited to attend the event at anytime and for any duration from 10 am to 7 pm to watch, write a prayer, ring a bell, offer a flower, meditate or engage in some other respectful way with the ritual. Please Note: From 7am to 10 am the performance will be visible from outside of form & concept, but the gallery does not open to the public until 10 am. Read on for more information on each phase of the performance.

“Tending the Mighty Dead”

Áine McCarthy & Ekalos Reed

7am- 7pm

Áine McCarthy and Ekalos Reed perform “Tending the Mighty Dead” a 12 hour ritual prayer to embody the remembrance of our killed ancestors (women and others) and to invite their wisdom to take root in our individual and collective flesh, bones, and blood. “In ancient times Art was not separate from Healing,” says Reed. “In this spirit we offer ourselves in movement for twelve hours to see clearly the injustice and feel clearly the pain. In doing this we create a space for wisdom and strength to return to us.” The ritual will include a soundscape of present-day field recordings from places here in New Mexico and far away that have historical significance to the project. Bearing witness in ourselves and in places where injustices have occured is part of the healing process and helps tend the ground to grow new creative and healthy lifeways.

“RED”

Kara Duval

4:30 – 6:30pm

Kara Duval performs “RED”, a reintegrating ritual that snakes its way through the exhibit in search of reclamation. The set for ‘Red’ consists of over 300 ft of red fabric that is woven through the art works in the gallery. Duval traverses the fabric, symbolizing the long journey often taken to return home to the body after experiencing trauma. Movement is one of the first expressions restricted when a person or a people have gone through trauma. RED is about the movement to return home to the body and recognizing its inherent wholeness. Duval uses dance and story to reconnect and heal the fabric of her individual and collective histories. She uses an audio tapestry of women’s personal stories revolving around shame, abuse, and trauma as a sound score to her journey.

Closing Ceremony

Various artists

6:00-7:00 pm

Reed, McCarthy and Duval are joined by additional performers to complete the closing ceremony.

Biographies

Áine Pierandi McCarthy holds a B.A. from Wesleyan University in Connecticut where she studied Religion and had the chance to spend four months in Bodh Gaya, India studying meditation and Buddhist traditions. She is also a graduate of the Buddhist Chaplaincy Training at Upaya Zen Center and served as co-director of this program from 2014-2017. In 2016, she completed the 200-hour Yogic Study & Teacher Training Program at YogaSource in Santa Fe accredited by Yoga Alliance. She is currently a student in the Living School at the Center for Contemplation and Action in Albuquerque. At Wesleyan she had the good fortune to study Delicious Movement with Eiko Otake and to serve as her teaching assistant.

Kara Duval received a BFA in Photography and Theater Dance and is a licensed massage therapist. She has been a student of 5 Rhythms, a movement meditation practice created by Gabrielle Roth, since 2013. Her most influential teachers are her clients, who are willing to dive into the mythos of the body with her. She believes alchemy happens in the blood, bones, and breath and that the greatest mystery is happening right now, under our skin. Her childhood was split between running around with Russian Gypsies at the Renaissance Festival in Magnolia, TX and sitting zazen with Soto Zen Buddhists. Elements of these experiences weave their influence into most of her projects. Her curiosity always comes back to the body, nature, and ritual.

Ekalos Ume Reed is a performer, choreographer and teacher. She has performed around the world with the Martha Graham Dance Company, Pearl Lang Dance Theatre, Moving People Dance, Catherine Cabeen and Company, and Robert Wood Dance NY among others. She is a Guild Certified Feldenkrais Practitioner as well as a GYROTONIC® and GYOKINESIS® Master Trainer. In the present Eka creates open system performances that explore dimensions of time and space underneath thought-based movement control. Ideas from dynamic systems approach to development and Moshe Feldenkrais’ work and writings inspire her movement practice and her performance systems. Eka strives to activate her audience and her students into a dialogue of development that elucidates the ‘spells’ we are casting that may deserve some revision. Creating systems that invite everyone into greater awareness and autonomy is her passion.