PLEASE NOTE: This workshop is registration-only. Click here to save your spot.
Felt Form: Sculpting by way of Shrinkage
February 23-24, 2019
Workshop Hours: 9 am-4 pm, with a one-hour lunch break.
Fees: $300 registration / $15 materials
In conjunction with the exhibition Since Taos, featuring a collection of felt-based work created between 2001 and the present day, Lisa Klakulak will offer a 2-day course focusing on wet felting techniques to develop three-dimensional forms. Participants will explore the use of resists to build hollow forms while the placement of different weights of wool within the layout preparation determine the concave and convex areas of the form, a method Klakulak terms “extreme differential shrinkage.” Working with a limited palette of wool, the emphasis will be on exploring a plethora of small-scale forms, the relationship of pressure and directional agitation to the felting process, and—of course—enjoying the feel of this humble material.
This class is limited to ten participants, so make sure to register early! The $300 registration fee reserves your spot, while the $15 registration fee is due at the start of the workshop.
Lisa Klakulak appears at this special preview of Since Taos: Contraction of Mass, Concision of Thought, directly preceding the opening reception of the solo exhibition. The series of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. Klakulak thinks of her life since that moment in distinct phases. “The works are all related to these leaps of faith that I have taken,” she says. “I want to think about, or articulate what I’m thinking about, in a manner that I can translate into a physical form.” Join her for an interactive tour of the show, just before its official debut.
Nika Feldman hosts an artist talk for her solo exhibition Spirits in the Material World on Saturday, January 26 from 2 to 3 pm. Spirits in the Material World is an exploration of the coded language of garments, albeit within Feldman’s native cultural context. The show’s title holds multiple references, one being as Feldman explains, “The belief that the spirits of both the maker and the wearer are held within a garment.” Another reference is to a song with the same name by The Police from the 1981 album Ghost in the Machine, which one could argue describes the unfortunate state of realities today. The underlying message within the song that resonates for Feldman is the description of a material culture which is void of sacredness.
Nika Feldman unveils a series of seven garment-like works along with accompanying objects of adornment, made from recycled t-shirt parts and salvaged aluminum can pull-tabs. Representing over 2,000 hours of handwork by the Nova Scotia artist, the intricate pieces are inspired by the coded language of clothing. “It’s an attempt to create a new dialect,” Feldman says. “In today’s world what does contemporary clothing say about North American culture?”
Spirits in the Material World debuts with a special reception on Friday, January 25 from 5 to 7 pm. Feldman will host an artist talk on Saturday, January 26 from 2 to 3 pm and a workshop on Saturday, March 16 from 1 to 5 pm.
“I must be fearless in improvisation, fully committed and fully present,” says Las Cruces saxophonist Rhonda Taylor. “Otherwise the quality of the moment is diminished.” For a leap of faith like this, it helps to have a buddy. Enter Santa Fe soprano and theatre-maker Tara Khozein, who collaborates with Taylor on this evening of performance at form & concept. They will debut improvisational scores that incorporate instrumentals, vocals, and gestures.
“Tara and I have a sort of Venn diagram of skill sets,” Taylor says. “What I love about working and performing with her is how we both are able to push and pull the other one beyond her comfort zone, in what I believe is a very beautiful and unpredictable way.” The Tara + Rhonda Show 2018 is the duo’s second performance at form & concept, following last December’s The Tara + Rhonda Show: Fully Clothed and Highly Introverted. The gallery will ask for a sliding scale donation of $5-$25 at the door in support of the artists. Doors open at 6:30 pm, and the performance begins at 7:00 pm.
form & concept presents the second annual MICROCOSM group exhibition. The gallery invited all-star artists from its 2018 shows to make works measuring 8 x 10 inches or smaller. It’s form & concept’s final statement of the year, reflecting the variety of mediums and messages that graced the walls. MICROCOSM will feature far-flung creators who work in clay, glass, fiber, precious metals, and camera film—among many other materials.
Tania Larsson starts with the land. Her materials are harvested from nature, then combined with silver, gold, and precious stones. The combination of traditional craft with a contemporary education results in striking, intricate adornment.
“My heritage is an integral part of who I am and my work,” said Tania Larsson in an interview with UNUM Magazine. “I wanted to present myself as a Gwich’in woman and needed cultural indicators that could be worn anywhere.”
Larsson maintains a studio in Yellowknife, but she hand delivers her jewelry works to our gallery shop. View some of our favorites below.
Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most all photographs have in common: they’re flat. For a new group exhibition at form & concept, ten artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere.
Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most photographs have in common: they’re flat. For a new group exhibition at form & concept, eleven artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere. The artworks in the show incorporate a wide array of materials, including fiber, cast glass, micaceous clay and human hair. Call it super-alternative process photography.
Above: David Samuel Stern, Nouri, photographic prints on translucent vellum physically cut and woven together.
We’re excited to announce that Kylee Aragon is our new Administrative Coordinator! Kylee was born and raised in Albuquerque, NM. She received a BFA in Art History from the University of New Mexico. Kylee began her gallery experience at Tamarind Institute, where she developed a deep love for works on paper. While Kylee is not a printmaker she is a self-proclaimed print nerd who enjoys speaking in great detail about process, paper, and the print market. She is excited to bring her passion for art to form & concept.
Lisa Klakulak is an avid traveler, and often draws inspiration from far-flung landscapes to create stunning fiber artworks. In the past, she’s crafted wearables that evoke lava flows and glaciers. This fall, Lisa debuts a series that draws from the vernacular of the human body. The new works reflect the soft textures and hues of hair and skin.
“Attracted by its protective and nurturing qualities, I found wool fiber a relevant material to use in my work that’s related to concepts of human vulnerability and security,” Lisa says. “I attribute the sense of contentment and calm that I feel when I’m working in the studio to the constant touch involved in the process, as well as bringing an idea into fruition. You need that idea, that inspiration.”
Made by hand in Oaxaca, these ceramics are as functional as they are elegant. From spice jars to vases, Oaxacan ceramics adapt to contemporary lifestyles while maintaining Mexican traditions.
Jordan Eddy is the new Gallery Director of form & concept and Zane Bennett Contemporary Art! Originally from Oregon, Jordan moved to Santa Fe in 2012 and quickly found himself immersed in the gallery community. He performed marketing and public relations work for galleries and museums in every Santa Fe arts district before landing at form & concept as Marketing Director. After two years in that role, he’s excited to take the helm at both galleries. Jordan also writes for a number of arts publications including The Magazine, Santa Fe Reporter, and New Mexico Magazine.
Savannah Sakry is our new Sales Manager at form & concept, while our beloved Sales Manager Clara Holiday will continue to spearhead sales for the Zane Bennett Contemporary Art collection! Originally from Evergreen, CO, Savannah moved to New York City where she received a BFA in Photography from the School of Visual Arts. Relocating to Santa Fe in 2015, she began her experience with fine art sales working for the internationally acclaimed photo bookstore and contemporary photography gallery, photo-eye. While photography is Savannah’s first love she is just as enthusiastic about other mediums, and shares form & concept’s mission to challenge traditional distinctions between art, craft, and design.