Join Debra Baxter for a last look at her solo exhibition Tooth & Nailat this closing reception on Friday, June 15 from 5 to 7 pm. The show officially closes on June 16, 2018.
Baxter frequently picks up materials she’s never used before, searching for novel ways to engage the histories of sculpture, jewelry, weaponry or drapery. For Tooth & Nail, the events of the #MeToo movement have fed into her continued interest in the strength, vulnerability and the raw power of the female voice. The courage of these women has activated work with a blend of toughness and vulnerability. “These contrasting materials carry a similar spirit,” she explains. “My sculptures sometimes look delicate, but when they’re finished, they are structurally resilient.”
Debra Baxter has exhibited her sculptures and jewelry at form & concept since the gallery’s founding in May 2016. She helped lay the foundations of the gallery’s mission: to challenge preconceived notions about art, craft and design and blur their borders. “Debra is a master of what I call ‘material inversion,’” says Frank Rose, Gallery Director at form & concept. “She might pair soft materials with hard ones, or take it one step further and make a dense medium look like it’s light and flowing. She creates invigorating visual and tactile experiences, but there’s also a boundary-shattering conceptual element to the work.”
Baxter will conduct an artist talk on Saturday, May 19 from 2 to 3 pm. Tooth & Nail opens on Friday, April 27 from 5 to 7 pm, and runs through June 16, 2018.
“This thing could fail, and it could be a nightmare,” says Debra Baxter. “But who cares?” The Santa Fe sculptor makes artworks that combine divergent materials—metal, glass and stone, for example—so there’s always a risk that they’ll split apart during the creative process. Informed by her passion for armor and weaponry, Baxter charges ahead fearlessly to create elegant and sometimes dangerous objects. Her new solo exhibition at form & concept, Tooth & Nail, includes flowing bronze breastplates that hold glittering minerals, and metal throwing stars that are cast from lace. There’s also a wicked bronze-and-quartz sculpture from her Smithsonian-collected brass knuckles series. “I’ll often emerge from these crazy material experiments bruised—but I’m never broken,” says Baxter.
Baxter’s solo exhibition Tooth & Nail opens on Friday, April 27 from 5 to 7 pm, and runs through June 16, 2018. Baxter will conduct an artist talk on Saturday, May 19 from 2 to 3 pm.
Strangers Collective‘s Mirror Box exhibition at form & concept features zines by emerging artists and writers. A number of the zine creators will read from and discuss their work at this event on Saturday, April 7 from 3-4 pm.
Mirror Box represents a network of early career creatives, starting in Santa Fe and spiraling across the nation. Its curatorial throughline presents a radical method for reflecting on place and identity through art objects.
Strangers Collective‘s Mirror Box exhibition at form & concept features 35 artists and writers. Curators Kyle Farrell, Alex Gill and Jordan Eddy convene a number of the show’s contributors for an interactive walkthrough of the exhibition at this event on Saturday, March 17 from 2 to 3 pm.
I was born and raised in New Mexico, the Land of Enchantment. Spending my childhood in Santa Fe cultivated my passion for creative processes and design. I later studied Architecture at the University of New Mexico, which allowed my appreciation for design to manifest into a functional practice. Drawing inspiration from the colorful landscape of my home state, my Father’s influence in woodwork, my Mom’s inherent craftiness and my architectural background I have consolidated these influences in contemporary lifestyle accessories.
Tania Larsson is of Gwich’in and Swedish descent and she was born and raised in France. At the age of fifteen, she moved to Canada with her family with the goal of reconnecting to her culture and her land. She is currently pursuing her Bachelor of Fine Arts with a focus in digital arts and jewelry at the Institute of American Indian Arts. Tania is a founding member of Dene Nahjo, a non-profit organization that focuses on cultural revitalization projects. She constantly seeks out opportunities to learn traditional practices such as tanning hides on the land, making tools and sewing. To create her intricate jewelry works, she combines her traditional skills and contemporary arts education.
Click here to browse the complete form & concept shop collection.
New Mexico School for the Arts will soon break ground on renovations for their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. It starts with a special performance series at form & concept, showcasing outstanding student musicians, creative writers and poets of NMSA. Attend the first performance on Thursday, March 1 at 5 pm, and mark your calendar for Young Masters performances the first Thursday of each month. Stay tuned for the line-up of the first performance, hosted by NMSA faculty members Kurt Isaacson and Hakim Bellamy.
Special Event Armond Lara: Flying Blue Buffalo Project
Wednesday, February 17 Open House: 2-5 pm Panel Discussion: 3 pm
Our Kickstarter campaign for Armond Lara’s Flying Blue Buffalo Project is in full swing! So far, we have 22 backers and have raised over 10% of our goal. We’re celebrating the campaign’s midpoint next Saturday, Feb. 17 with an open house and panel discussion event from 2-5 pm. The panel starts at 3 pm, and features professional and amateur historians who’ve extensively studied Native slavery in the Southwest. Like Armond, a number of the panelists have Indigenous ancestors who were enslaved. They’ll shed light on this under-examined history through conversation and storytelling. Here’s the lineup:
The creative dynamo behind the Flying Blue Buffalo Project! The Santa Fe artist is Hispanic and Navajo. A dark chapter of his family history helped inspire the project. Since starting this endeavor, he has studied the larger phenomenon of Native child slavery in the West.
Moises Gonzales is an Assistant Professor in the Community and Regional Planning Program at UNM, he also serves as the Director of the Resource Center for Raza Planning and is the Director of the Bachelor of Arts in Environmental Planning and Design Degree Program. Gonzales holds a Master’s Degree in Urban Design from the University of Colorado, Denver as well as a Professional Planning Degree in the Master of Community and Regional Planning Program from UNM. He was the co-instructor for the summer urban studio that worked with students on the Ysleta del Sur Pueblo cultural corridor and he is still currently involved with this project. Moises will also be advising on the historic restoration plaza project for Nambe Pueblo and has also advised iD+Pi on the potential housing assessment project with the Santa Clara Housing Authority.
With ancestral connections to both Hispanic and indigenous communities, Dr. Rael-Gálvez was raised working on a farm and ranch stewarded by his family for generations in Costilla, New Mexico. He holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery. ” He is currently working on the manuscript, The Silence of Slavery. Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°, a consulting firm which supports transformative work within communities and organizations, including his present project, an initiative on “Truth, Racial Healing and Transformation.”
When I started storytelling, it was the first time these stories were told by a Navajo person. That was thirty years ago. Since then, I’ve worked – as a storyteller, folklorist and cultural consultant – collecting, learning and retelling the oral tradition of the Diné Hozhojii Hané (Navajo Blessingway stories). These stories present the world view of the Diné people and details their relationship with their surroundings. I have retold these stories by oral tradition in Navajo and in English for a variety of organizations, universities, elementary schools and conferences throughout the US, Canada, Africa, Europe and Mexico including the Smithsonian Museum of the American Indian, the Denver Arts Museum, Museum of Indian Arts and Culture, the Rhode Island School of Design (RISDI) and programs sponsored by the PEW Charitable Trust.
I was the Olive B. O’Connor Distinguished Visiting Professor of Literature and Storyteller-in-Residence at Colgate University and one of nine women, and the only Native storyteller to be included in the Women’s Chautauqua Institute. In 2006, I received the Navajos Making a Difference Award at the annual Navajo Studies conference. I am on the roster of the NMHC Chautauqua Speakers Program, which features specialists on New Mexico history and culture. I have done storytelling workshops with students and teachers (in New York schools) and seniors (at the northern Navajo Medical Center. A few years ago, I founded the Hané Storytelling Festival for indigenous storytellers. I was featured in Jack Hanna’s Zoo Life, the German documentary, Niedergang der Najavos and Miss Navajo, a PBS Independent Lens documentary, in which I spoke about winning the 1982 Miss Navajo Nation pageant that celebrates women and tradition.
Kim Trujillo is from Belen, NM. She received a BA degree in journalism from NMSU. She is a former news anchor in Albuquerque at KRQE-TV. She is currently working in NM film as a costume designer. She is featured on Ancestry.com commercial that has aired more than 12,000 times over the last two years nationally and in Canada.
Joseph Riggs is an artist from Northern New Mexico, currently residing in Tesuque, NM. He is a retired criminal defense attorney, having practiced law for 40 years and Albuquerque and Northern New Mexico. In addition to his art, he is collaborating with Armond Lara on Lara’s Flying Blue Buffalo Project. His other interests include community activism as Project Manager of the Santa Fe Artists Medical Fund, and as President of the Tesuque Water Association Board.
Weston Brownlee is the Director of Operations at 3D Proven Systems, and a professional sculptor. His current work in the realms of digital art, 3D Modeling, 3D Scanning, and 3D Printing, when paired with his background in lost wax casting, foundry, and traditional cast arts all have come into play to help realize Armand Lara’s Flying Blue Buffalo Project.
“Somehow in my mind, in my being, I felt I needed permission.”
Before carving the original Flying Blue Buffalo, Armond journeyed to Colorado to find a herd in the wild. His encounter with the buffalo gave him the inspiration to begin the ambitious installation and storytelling project.
The Flying Blue Buffalo Project will feature 75 cast resin sculptures crafted under Armond’s supervision. The Installation will debut this August. Support our Kickstarter campaign to learn more about the project and collect exclusive Flying Blue Buffalo artwork.
On Saturday, February 17 at 3 pm, Lara will conduct a panel discussion with Moises Gonzales, Estevan Rael-Gálvez, Sunny Dooley, Kim Trujillo, Joseph Riggs, and Weston Brownlee.
As Thais Mather’s critically acclaimed solo exhibition Reckless Abandon approaches its closing date, join her for a final public engagement on Friday, February 2 from 5 to 7 pm. The Magazine just published a fantastic review of the show by Diane Armitage in their February/March relaunch issue. Here’s an excerpt:
There are many threads to follow in Reckless Abandon: from images of Stone Age fertility goddesses; to the Walpurgisnacht, or Witches’ Sabbath, a performance of hellish and deafening heavy metal music played in a cave-like room and accompanying a video of fire projected on a large bowl of water; to the life-size wooden figure of a woman burnt from head to toe. This latter sculpture, Mine and Thine, along with the charred bust Thaumaturge, (a miracle worker or a magician), are the two most powerful works in Mather’s exhibition. The presence of the blackened figure, laid out as if on a burial slab, sucks all the energy out of the room it was installed in, just as it was intended to do. It’s a timeless reminder that women, along with men, are due for a ritual funeral pyre whereby the darkest aspects of our collective history are dematerialized and transformed into a more enlightened chapter of human behavior in the evolution of consciousness. How else can the phoenix rise from the oppressive ashes of history and say, “I can just leave you… Now I can just fly away”?
Read the rest of the review here, and come see Reckless Abandon at the closing reception tonight. The exhibition officially ends on February 10.