Broken Boxes features the art and ideas of over 40 visual artists, filmmakers, sound artists, activists, performance artists and community organizers from around the world who are effecting change through their work. The show is co-curated by Ginger Dunnill and Cannupa Hanska Luger, and all invited artists have participated in an interview on Dunnill’s Broken Boxes Podcast over the past 2 years. Now the project is taking another turn, as Dunnill works with form & concept to turn Broken Boxes into a catalog featuring artwork, installation views and writings from the show. The book will debut at a release party on Friday, September 29 from 5-7 pm.
The Broken Boxes catalog release event will feature public engagement by participating artists Demian DinéYazhi’ and JESS X SNOW, a film screening of AFTER EARTH directed by JESS X SNOW and a performance of 1000 Tiny Mirrors, a collaborative experimental trans*/queer rock project presented by Frexy.
“Indigenous people are artists. We look at the world in a different way and we see beauty in everything. We’re tied to the mediums that we’re using. We’re putting our hands in clay and we’re stripping willows to make things. We’re sewing regalia. We’re touching these objects of our ancestors and we’re talking to our ancestors.”
– Cara Romero
Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Douglas Miles and 40 other creators from around the world who are affecting change in their work. All of the participants have appeared on Dunnill’s Broken Boxes Podcast.
There will be a catalog realease event at form & concept on Friday, September 29 from 5-7 pm. Click here to learn more, and make sure to RSVP on Facebook.
In August 2016, NMPGV launched a gun buyback program that invited gun owners to anonymously turn in unwanted firearms to New Mexico law enforcement. SFCC’s Art Department offered to turn part of the stockpile into art, and a collaboration with the Colorado-based RAWTools project called “Guns to Gardens” transformed some of the guns into gardening tools. Creations from both programs will appear in live and silent auctions at the Guns to Art Benefit Show reception on Friday, November 17.
We’re also inviting artists from around the world to submit up to three pieces of art or jewelry for potential inclusion in the show. The deadline for submissions is October 9, after which a jury will select works and notify the artists by October 20. The works will be on view in the Guns to Art Benefit Show from November 7 to 17. Proceeds from sales will go to the participating artists, NMPGV, SFCC’s art and welding scholarship program and form & concept. Learn more at the links below, and make sure to submit!
“As an artist, it’s just you and the work, you and your own ability to express what’s flowing through you at that moment. At that time […] you don’t know, but you might help someone.”
Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Douglas Miles and 40 other creators from around the world who are affecting change in their work. All of the participants have appeared on Dunnill’s Broken Boxes Podcast. The show opens at form & concept on Friday, August 18 from 5-7 pm. Click here to learn more, and make sure to RSVP on Facebook.
Two exhibits now on view at form & concept — Rebecca Rutstein: Fault Lines and Jared Weiss: He’s Either Dead or It Was His Birthday — explore internal and external worlds through a lens of abstraction. Basing her work on scientific data and observances, Rutstein takes elements of her research and recontextualizes them in paintings that explore motion, line, color, and form. Jared Weiss works from memory, or rather the lack thereof, exploring the phenomena of screen memories in a vibrant exhibition of paintings of scenes of daily life, much of it autobiographical, where not everything that’s happening is as it seems.
Abatemarco’s headline, “In the Abstract,” makes for an excellent bridge between the shows. Rutstein observes the landscape and paints abstract representations of the often invisible forces that shape it, while Weiss intentionally abstracts his figures and landscapes to drum up tension between the familiar and the alien. Both artists use scholarly research to guide their voyages through these ambiguous worlds, surfacing with imagery that’s striking in its originality.
Come see Weiss and Rutstein’s shows before they close on August 12, and click here to read Abatemarco’s piece. Our special exhibition Stefani Courtois: A Retrospective also closes this week, on August 11. Mark your calendar for the opening weekend of our next exhibition, Broken Boxes, starting Friday, August 18.
“If this is breaking our hearts, if this cultural erosion has come so far, that this is what we’re doing for a living, and this is the story that we’re telling, and this is the part of our culture that we have to exploit in order to put food on our table […] what would our ancestors be thinking?”
-Rose B. Simpson
Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Rose B. Simpson and 40 other creators from around the world who are affecting change in their work. All of the participants have appeared on Dunnill’s Broken Boxes Podcast. The show opens at form & concept on Friday, August 18 from 5-7 pm. Click here to learn more, and make sure to RSVP on Facebook.
Santa Fe artist and jeweler Stefani Courtois always had a sketchbook nearby. Inspired by her own imagination and the New Mexico landscape, she incessantly sketched images that would make their way into her powerful artworks. Courtois passed away in April 2017, and left behind a diverse body of work—including jewelry, paintings, drawings and prints—that will appear in a special exhibition at form & concept. Stefani Courtois: A Retrospective opens on Friday, July 28 from 5-7 pm and runs through August 11, 2017.
“As an artist, your best responsibility is to stay true to yourself and your voice and your work. […] There’s real reasons to create, and it’s nice to find those reasons.”
Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Nicholas Galanin and 40 other creators from around the world who are affecting change in their work. All of the participants have appeared on Dunnill’s Broken Boxes Podcast. The show opens at form & concept on Friday, August 18 from 5-7 pm. Click here to learn more, and make sure to RSVP on Facebook.
When your painting studio is set adrift on the open sea, things can get a little messy. Philadelphia-based painter Rebecca Rutstein spent her last three artist residencies in close quarters with oceanographic cartographers, examining never-before-seen images of the ocean floor and translating what she learned into undulating, semi-abstract paintings. She grew accustomed to the constant motion of the boat and its unpredictable effect on her brushstrokes.
In Fault Lines, her first-ever solo exhibition in New Mexico, Rutstein returns to dry land. Using the sunburnt palette of the high desert, the artist turns her attention to seismic events that occur deep in the Earth’s crust—and employs some tricks she learned at sea to imbue her compositions with dynamic motion.
Rutstein will conduct an artist talk at form & concept on Saturday, July 1 from 2-3 pm. Fault Lines opens at form & concept on Friday, June 30, 5-7 pm, and runs through August 12, 2017.
A Philadelphia-based artist whose work spans painting, installation and sculpture, Rebecca Rutstein explores geometric abstraction with a vision inspired by science and scientific data. Rutstein has been an Artist-in-Residence in Iceland, Hawaii, the Canadian Rockies and Vermont. Most recently, she was an Artist at Sea aboard Exploration Vessel Nautilus where she collaborated with scientists mapping out never-before-seen ocean floor topography from the Galápagos Islands to California, and on the Research Vessel Falkor where she created art alongside scientists exploring uncharted territory from Vietnam to Guam. Rutstein has exhibited widely in galleries, museums, and institutions, and has received numerous awards.
In its first year, form & concept has emphasized powerful and diverse storytelling through its exhibition schedule and programs. The gallery’s roster of represented artists has been steadily growing, making for a dynamic One-Year Anniversary Exhibition (May 26-October 22, 2017). The majority of form & concept’s represented artists will speak, along with several guest artists.
Join us tonight for the debut of two painting exhibitions, Rebecca Rutstein: Fault Lines and Jared Weiss: He’s Either Dead Or It Was His Birthday. Weiss is a Santa Fe artist who draws from Freudian theory and his own memory to create compositions infused with a sense of déjà vu. Rutstein, who lives in Philadelphia, explores geometric abstraction with a vision inspired by scientific data. Both artists will appear at the opening reception on Friday, June 30 from 5-7 pm.
Kathryn Davis of ArtBeat Santa Fe interviewed each painter about their work. Scroll down for links to the interviews, and to read excerpts from other recent press.
“There’s an oppeness to this work that reminds me of being here in this part of the world, where the sky goes on forever and it feels like you can see forever,” said Kathryn Davis of ArtBeat to Rebecca Rutstein. “[There’s] a lot of play with shadow, surface and dimensionality.” Listen to the full interview here.
A write-up on Rebecca’s work appeared in Albuquerque Journal North‘s “Top Picks for the Week” feature by Megan Bennett. Here’s an excerpt:
While spending time learning and creating among geologists and oceanographic cartographers, [Rutstein] was able to study the terrain and the ocean floor, and began painting based on what she saw. For this show, she will show work depicting “seismic events that occur deep in the Earth’s crust.”
Emily Van Cleve of Santa Fe Arts Journal interviewed Rebecca for a feature story. Here’s a teaser:
“I took a geology class as an undergraduate that had a huge impact on me,” Rutstein says. “Recently, I looked back at the geology textbooks I used in college. The collision of the Earth’s plates, which has inspired the work in my Santa Fe show, seems like a metaphor for what has happened in my life and other people’s lives.”
Make sure to read both stories, and stop by tonight’s opening from 5-7 pm to meet Rebecca and see Fault Lines. She will appear at an artist talk on Saturday, July 1 from 2-3 pm.
“You are a painter’s painter,” Kathryn Davis of ArtBeat told Jared Weiss. “I think you’re going to get a lot of painters showing up to see this show. I encourage that, because of the use of color, the brushwork. The immediacy, and then the denial—you step back and realize, ‘I don’t know what this is about.'” Listen to the full interview here, and make sure to check out Jared’s takeover of Santa Fe Reporter‘s Instagram for sneak peeks at the show.
Elizabeth Miller of SFR did a great story on Jared’s work last year, for his Adobe Rose Theater show You Can’t Have Your Horse In Here. Here’s an excerpt:
Like those candy-colored memories from childhood, Jared Weiss’ paintings can’t really be trusted to tell you the whole story, or to relay the details that could cue an accurate interpretation of what happened. But the effect of that obfuscation—of dark canvases in which the faces are lost in shadow or blurred into the background, of gestures only half finished and unclear in their direction, of the strange juxtapositions and those random objects that do come oddly and sharply into focus—is to render visible some pieces of what was, but what has been largely buried by what might also have been.
Come meet Jared and see He’s Either Dead Or It Was His Birthday tonight from 5-7 pm. He will appear at an artist talk on Saturday, July 22 from 2-3 pm.