It’s the final week of Rebecca Rutstein: Fault Lines and Jared Weiss: He’s Either Dead Or It Was His Birthday, two painting exhibitions that fill adjoining galleries on form & concept’s second floor. The shows are markedly different at first glance—Rutstein’s work is abstract, Weiss paints figures—but their conceptual frameworks have started to enmesh over the past 6 weeks. Michael Abatemarco discovered compelling links between them in his July 7th Pasatiempo article on both shows:
Two exhibits now on view at form & concept — Rebecca Rutstein: Fault Lines and Jared Weiss: He’s Either Dead or It Was His Birthday — explore internal and external worlds through a lens of abstraction. Basing her work on scientific data and observances, Rutstein takes elements of her research and recontextualizes them in paintings that explore motion, line, color, and form. Jared Weiss works from memory, or rather the lack thereof, exploring the phenomena of screen memories in a vibrant exhibition of paintings of scenes of daily life, much of it autobiographical, where not everything that’s happening is as it seems.
Abatemarco’s headline, “In the Abstract,” makes for an excellent bridge between the shows. Rutstein observes the landscape and paints abstract representations of the often invisible forces that shape it, while Weiss intentionally abstracts his figures and landscapes to drum up tension between the familiar and the alien. Both artists use scholarly research to guide their voyages through these ambiguous worlds, surfacing with imagery that’s striking in its originality.
Come see Weiss and Rutstein’s shows before they close on August 12, and click here to read Abatemarco’s piece. Our special exhibition Stefani Courtois: A Retrospective also closes this week, on August 11. Mark your calendar for the opening weekend of our next exhibition, Broken Boxes, starting Friday, August 18.