Workshop: Nika Feldman | Tees & Tabs

PLEASE NOTE: This workshop is registration-only. Click here to save your spot.

Tees & Tabs Workshop

Saturday, March 16

Workshop Hours: 1-5 pm

Fee: $40 registration

In conjunction with the exhibition Spirits in the Material World, featuring a series of seven garment-like works made from recycled t-shirt fabric and aluminum can pull-tabs, Nika Feldman offers this special workshop. Participants will learn how to let these idiosyncratic materials direct their creative process. Feldman will teach basic embroidery techniques. All supplies included.

This class is limited to 20 participants, so make sure to register early! The $40 registration fee reserves your spot.

Click here to register.

Spirits in the Material World Events

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook
Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register`

Workshop: Lisa Klakulak | Felt Form

PLEASE NOTE: This workshop is sold out. Please email us at info [at] formandconcept.center to be added to the waiting list.

Felt Form: Sculpting by way of Shrinkage

February 23-24, 2019

Workshop Hours: 9 am-4 pm, with a one-hour lunch break.

Fees: $300 registration / $15 materials

In conjunction with the exhibition Since Taos, featuring a collection of felt-based work created between 2001 and the present day, Lisa Klakulak will offer a 2-day course focusing on wet felting techniques to develop three-dimensional forms. Participants will explore the use of resists to build hollow forms while the placement of different weights of wool within the layout preparation determine the concave and convex areas of the form, a method Klakulak terms “extreme differential shrinkage.” Working with a limited palette of wool, the emphasis will be on exploring a plethora of small-scale forms, the relationship of pressure and directional agitation to the felting process, and—of course—enjoying the feel of this humble material.

This class is limited to ten participants, so make sure to register early! The $300 registration fee reserves your spot, while the $15 registration fee is due at the start of the workshop.

Since Taos Events

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | SOLD OUT.

Opening: Lisa Klakulak | Since Taos

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Lisa Klakulak presents Since Taos: Contraction of Mass, Concision of Thought. The solo exhibition of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. The collection simultaneously acts as a vivid portrait of Klakulak’s emotional journey and manifestation of her unique way of processing the world through fiber creations. “Like any piece of art you make, you are releasing an idea into the object,” Klakulak says. “It’s a completion of a certain cycle, and it’s interesting when someone on the other side spins it into their own emotive universe.” Klakulak’s work voices ideas about growth, human connection, mental stability, and the formation of personhood, as well as social commentary on issues of gender, income inequality, and culture.

Klakulak appears at a preview artist talk of Since Taos on Friday, February 22 from 4 to 5 pm. The opening reception directly follows, from 5 to 7 pm. The artist presents a registration-only felting workshop on February 23 and 24, 2019.

Learn more about this exhibition.

EVENTS

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | Register Here.

Preview Artist Talk: Lisa Klakulak

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Lisa Klakulak appears at this special preview of Since Taos: Contraction of Mass, Concision of Thought, directly preceding the opening reception of the solo exhibition. The series of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. Klakulak thinks of her life since that moment in distinct phases. “The works are all related to these leaps of faith that I have taken,” she says. “I want to think about, or articulate what I’m thinking about, in a manner that I can translate into a physical form.” Join her for an interactive tour of the show, just before its official debut.

Learn more about this exhibition.

EVENTS

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | SOLD OUT.

Call for Artists: Beyond Punch Cards

Click here to learn more & submit.

Show dates: May 31-July 13, 2019
Submission deadline: March 5, 2019

EXHIBITION

The group exhibition Beyond Punch Cards offers an unexpected perspective on the relationship between textiles and technology. Curated by Francesca Rodriguez Sawaya and Renata de Carvalho Gaui of the ‘Weaving to Code, Coding to Weave’ project, the show unites an international group of artists to challenge common perceptions of both weaving and coding practices. Hosted by form & concept gallery in Santa Fe, New Mexico, the show is an official satellite exhibition of this year’s CURRENTS New Media Festival, an international showcase for new media artists that occupies El Museo Cultural de Santa Fe for two weeks each June.

Beyond Punch Cards appears at form & concept from May 31 to July 13, 2019. Rodriguez Sawaya and Carvalho Gaui will select a number of artists through an invitational process, but are also searching beyond their networks with this call for artists. Entries may be submitted through this Google form from February 5 through March 5, 2019.

ABSTRACT

“The analytical engine will weave algebraic patterns like jacquard looms weave flowers and leaves.”
– Ada Lovelace, mathematician & creator of the first computational algorithm

The first-ever computational algorithm was inspired by the Jacquard loom’s punch card system for weaving patterns. Since that pivotal “under/over” moment, artists, designers and technologists from across the globe have awed us by creatively exploring the links between weaving and coding. As a home of age-old weaving traditions and a more recent haven for new media artists, the Desert Southwest is fertile ground for an exhibition that conceptually interlaces these practices.

The ‘Weaving to Code, Coding to Weave’ project traveled to Santa Fe in 2018 to facilitate a workshop for the CURRENTS New Media Festival. The class reinforced their awareness of the established intersection between weaving and coding, as many of the weavers that attended were already familiar with the links between the practices. Partway through the workshop, the facilitators pivoted their lesson plan to radical case studies, exposing attendees to projects that re-imagine the relationship between textiles and technology.

This experience informed the development of Beyond Punch Cards. The curators ask, how can weaving and coding present new paradigms for viewing the world around us? How can they illustrate different identities, or keep cultures and history alive? Can these practices converge and evolve to resist obsolescence?

Through this exhibition, Rodriguez Sawaya and Renata de Carvalho Gaui hope to inspire audiences, showcasing projects that use technology to explore the contemporary significance of weaving.

ELIGIBILITY

This submission process is open to any and all artists who explore weaving and coding through their work. There is no entry fee. You may enter up to three pieces. 2D, 3D and video works are eligible. Work must have been completed prior to application submission. Work that is available for sale is preferred, but if your project fits the theme and is not commercially available, please submit!

IMPORTANT DATES

  • February 5-March 5, 2019: Submission period.
  • March 17, 2019: Notification of acceptance
  • May 20, 2019: Selected artwork due to form & concept
  • May 31, 2019: Opening reception, 5-7 pm
  • July 13, 2019: Exhibition closes
  • July 31, 2019: All work received by artists (unless otherwise arranged)

CURATORS

Renata de Carvalho Gaui is an artist, designer and creative technologist from Rio de Janeiro. In recent years, she has worked on projects involving wearable technology research and design, educational and experiential exhibit design, and female empowerment.

Francesca Rodriguez Sawaya is a Peruvian designer and educator. She uses her skills as a technologist and storyteller to craft compelling narratives about sociocultural realities. Her work revolves around connecting the digital and physical spaces around us, as a way of bringing a more human approach to our digital world.

They both graduated from the Interactive Telecommunications Program at NYU, where they collaborated on artistic projects regarding female empowerment and identity, building bridges between craft and technology disciplines, and educational partnerships between ITP and public schools around New York. They were both organizers and facilitators for these projects.

CONTACT

Jordan Eddy
formandconcept [at] gmail [dot] com
505.982.8111

Click here to learn more & submit.

Curious Creations: Susan Aaron-Taylor

susan aaron taylor, fetch
Fetch, handmade felt, shell, beads, wood, 15 x 13 x 6 in

Fantastical creatures appear to Susan Aaron-Taylor in her dreams. In the waking hours, the Michigan artist brings them to life, stitching together a hide of handmade felt and an array of natural materials.

 

susan aaron taylor, pug, susan aaron taylor sculpture, susan aaron taylor form & concept
Pug, handmade felt, agate, wood, 9 x 11 x 15 in

 

Unified by Jungian philosophy,  Aaron-Taylor’s curious creations metamorphose animal forms with archetypal meaning.

The mixed-media sculptures simultaneously evoke universal and deeply personal themes, which Aaron-Taylor states, “chronicles the retrieval of these broken pieces of the Soul.”

 

susan aaron taylor, susan aaron taylor cat
Cat, handmade felt, porcupine quills, wood, 7 x 14 x 14 in

 

susan aaron taylor, susan aaron taylor tiger teapot
Tiger Teapot, felt, wood, geodes, porcupine quills, 12 x 19 x 10 in

Press Roundup: Nika Feldman | Spirits in the Material World

nika feldman crop top, nika feldman artist, nika feldman spirits in the material world, nika feldman art, nika feldman textiles, nika feldman t-shirts and pull tabls, form & concept nika feldman, form and concept nika feldman, form and concept spirits in the material world, santa fe gallery, santa fe form & concept, santa fe gallery nika feldmanCrop Top, recycled t-shirts & aluminum pull-tabs, embroidery, 32 x 50 in

 

Nika Feldman’s solo exhibition Spirits in the Material World opens Saturday, January 25 from 5-7 pm, coinciding with our sister gallery Zane Bennett Contemporary Art’s Stitched Ink. Both exhibitions deal with textiles, but with largely different implications.

“A culture’s clothing has its own language,” begins Megan Bennett of Albuquerque Journal’s write-up of Nika. “What that language is, or how cultural identities and values are reflected in garments, is what drives Nika Feldman’s work.” Bennett interviewed Feldman early this winter, excerpted here:

The pieces are intentionally made to be “garment-like” rather than actual clothing items, said Feldman, with the exception of an XXL black T-shirt she didn’t want to cut apart, and instead decorated with tabs and fringe tassles made from other shirts.

“When it’s artwork, people have to investigative, people have to go deeper into those narratives,” she said. “If it’s a wearable garment, it doesn’t go any farther than that. People see it as fashion, they want to know if it comes in their size, they want to know how much it is.”

 

nika feldman hooded cape, hooded cape nika feldman, nika feldman artist, nika feldman art, nika feldman form & concept, form & concept nika feldman, form and concept textils, form and concept gallery, santa fe galleries, santa fe gallery, new mexico galleryHooded Cape, recycled t-shirts & aluminum pull-tabs,embroidery, 50 x 40 in

 

Emily Van Cleve covered Spirits in the Material World in a feature on the Santa Fe Arts Journal. Here’s an excerpt:

 

“All around the world, people wear t-shirts,” says Feldman, a Santa Fe artist who moved to town from Nova Scotia at the end of 2017. “T-shirts were originally an undergarment. But now, through their logos, they inform others about the specific groups, companies, rock bands and organizations we like.” Feldman liked the idea of putting pull-tabs in her work for the same reasons she was drawn to t-shirts. They’re readily available. There’s an abundant supply of them. They’re also an integral part of Western culture.

 

nika feldman camo dress, nika feldman artist, nika feldman spirits in the material world, nika feldman art, nika feldman textiles, nika feldman t-shirts and pull tabs, form & concept nika feldman, form and concept nika feldman, form and concept spirits in the material world, santa fe gallery, santa fe form & concept, santa fe gallery nika feldmanCamo Dress, recycled t-shirts & aluminum pull-tabs,embroidery, 50 x 45 in

The Santa Fean also covered Spirits in the Material World for their Holiday Issue. Here’s an excerpt:

Nika Feldman describes herself as a textile artist, rag picker, and costume stenographer, and her job history includes stints in fashion design, social work, and sorting through clothing in a thrift store. Feldman weaves these disparate threads into a whole in the eight pieces displayed in Spirits in the Material World.

 

Spirits in the Material World opens January 25 and runs through March 23. Nika Feldman will conduct an Artist Talk on January 26 at 2 pm.

TONIGHT: Annual Exhibition 2018

Fiber Artist Mark Newport- Sweatermen- Form and Concept Gallery- Santa Fe New Mexico

form & concept’s Annual Exhibition 2018 opens tonight from 5-7 pm! The show features work by all ten of our represented artists, including two new pieces from Mark Newport‘s Sweatermen series (above). “The Sweatermen are heroes of my own invention,” he says. “In each of these works I forge a link between childhood experience and my adult exploration of protection, masculinity, and heroism.” Michael Abatemarco of Pasatiempo covered the Annual Exhibition in this week’s Exhibitionism section. Here’s an excerpt:

Each summer in July, Form & Concept presents its Annual Exhibition featuring works by its represented artists including Heidi Brandow, Debra Baxter, and Wesley Anderegg. “From the beginning, we were interested in reimagining what an art gallery could be,” gallery director Frank Rose said. “The natural starting point was asking, ‘What’s been exhibited, and what or who has been excluded?’ ” The gallery’s roster includes artists whose works explore the diaphanous borders between art, craft, and design.

Click here to read more, and we’ll see you at the opening tonight!

Learn more about the exhibition.
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Artist Talk: Erika Lynne Hanson

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Join Arizona artist Erika Lynne Hanson for an artist talk on Saturday, May 26 from 2 to 3 pm. She discusses her solo exhibition Movement Choir: Landscape Scores, featuring fiber and new media artworks. Using a coded language, Hanson charts the paths of Cold War missile tests from Green River, Utah to White Sands, New Mexico. The rusty remnants, scattered over more than 600 miles of desert, represent open questions about the nature of humanity and our relationship to nature.

Learn more about this exhibition.

Opening: Erika Lynne Hanson

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Arizona artist Erika Lynne Hanson weaves a hidden history of the Southwest into her solo exhibition Movement Choir: Landscape Scores. Using a coded language in her fiber and new media artworks, Hanson charts the paths of Cold War missile tests from Green River, Utah to White Sands, New Mexico. The rusty remnants, scattered over more than 600 miles of desert, represent open questions about the nature of humanity and our relationship to nature. Movement Choir: Landscape Scores debuts on Friday, May 25 from 5 to 7 pm, with an artist talk on Saturday, May 26, 2-3 pm.

Learn more about this exhibition.