Inner Orbit spotlights contemporary artists from across the United States who meld fine art and craft mediums with technology for deeply personal looks at the firmament. The show appears in conjunction with Santa Fe Futurition, the Currents New Media Festival, and the Santa Fe Institute’s Interplanetary Festival. Inner Orbit opens on Friday, May 25, 5-7 pm.
The Santa Fe Railyard is the place to be this weekend! The CURRENTS New Media Festival celebrates its 10th anniversary with a massive exhibition at El Museo Cultural de Santa Fe, and Santa Fe Institute hosts the inaugural Interplanetary Festival at the Railyard Plaza and other venues. Both festivals have partnered with numerous organizations around Santa Fe to present exhibitions and events that bring together art, science and technology. Check out Iris McLister’s article in this week’s Santa Fe Reporter to get it all straight, and make sure to stop by form & concept for two events on Thursday & Saturday. More details below!
Young Masters | NMSA
Thursday, June 7th, 6 – 7:30 pm
New Mexico School for the Arts will soon break ground on renovations for their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. The arts high school presents a special performance series at form & concept, hosted by faculty members and showcasing outstanding student musicians, creative writers and poets. Featured artists include Keenan McDonald, Myriah Duda, Adam Griffo, Acacia Burnham, Jada Baca and Lila Baca.
Saturday, June 9th, 2 PM
Join Inner Orbit artists Matthew Mullins and Drew Lenihan for this interactive tour. They’ll engage with Frank Rose and Jordan Eddy of form & concept in a conversation about the show’s themes. Inner Orbit spotlights contemporary artists from across the United States who meld fine art and craft mediums with technology for deeply personal looks at the firmament. The show appears in conjunction with Santa Fe Futurition, the Currents New Media Festival, and the Santa Fe Institute’s Interplanetary Festival.
Image: Marcus Zuñiga, lines, mural, led string lights, marker.
form & concept presents Inner Orbit, an exhibition of contemporary artists from across the United States with deeply personal or cultural visions of outer space. The show appears in conjunction with Santa Fe Futurition, the Currents New Media Festival, and the Santa Fe Institute’s Interplanetary Festival. Inner Orbit opens on Friday, May 25, 5-7 pm, and a number of the participating artists will appear at a gallery talk on Saturday, June 9, 2-3 pm.
From a human perspective, the night sky is a densely layered cultural landscape. Long before they were subjects of scientific study, stars were laden with countless overlapping mythologies. Fortune tellers, sailors, writers, architects and artists have all projected profound meaning into the cosmos—tying earthly events to the movements of heavenly bodies. Inner Orbit spotlights contemporary artists who meld fine art and craft mediums with technology for a fresh look at the firmament.
Katie Dorame, Nina Elder, Stephan Hillerbrand, Case Jernigan, Drew Lenihan, Mary Magsamen, Matthew Mullins, Eric William Carroll, Andrew Yang, Marcus Zúñiga
Image: Case Jernigan, Aliens and Boats at Muni (detail), paper, canvas, thread, LED lights, 21×25 inches, 2017
Move over, hammer and chisel. NoiseFold’s sculpture installation at form & concept was generated in the digital world, and forged in the legendary glass studio of Dale Chihuly. Transdisciplinary artists Cory Metcalf and David Stout, who collaborate under the name NoiseFold, are known for combining visual art, music and interactive cinema into artworks that manipulate the senses and stretch the imagination. The centerpiece of their exhibition, a series of blown glass forms titled Metamorph, emerged from an unexpected project with master glass artists. Metcalf and Stout will speak about their installation at an artist talk on Saturday, June 17 from 2-3 pm.
“We were given eight days with two of Dale Chihuly’s glass blowers,” says Stout. “We decided to use software to generate novel forms, and then work with the glass artists to bring them into the physical world.” The idea was an extension of their previous work, which melds real-time animation and generative electronic sound within the legacy of cybernetics and mathematical visualization. As they produced three-dimensional forms on a screen and then watched artists shape them from molten glass, they drew some surprising parallels between glass blowing and their multimedia performances.
“It was interesting to see how collaboration works in a hot shop, because it’s this incredible level of nonverbal communication,” says Metcalf. “You’re watching people dance with flaming hot substances.” The result is a series of elegant forms that are meant to be viewed in sequence. “Each piece can stand on its own, but it’s really a series of eight pieces that make a transition from a sphere into a double cone form. Seen together, they represent the time-based process that you see in this transformation.” A video animation that depicts this transformation will appear next to the Metamorph sculptures in the exhibition.
In another piece that will appear in the exhibition, titled Swarm Caste, NoiseFold generated forms using a series of equations and used a CNC machine to create a graphite mold. In the Pilchuck studio, they filled the mold with molten glass to create a sculptural form.
The works at form & concept are dramatically different from NoiseFold’s contribution to this year’s Currents New Media Festival, which opens on June 9th in the Santa Fe Railyard. For the festival, the duo is creating a virtual reality experience that utilizes large-scale projections to immerse viewers in surreal digital landscapes. Still, NoiseFold’s new understanding of glass art has echoed into their purely digital work.
“The opportunity for new media and traditional artists to merge their work is just so obvious,” says Metcalf. “Creating artificial boundaries between those worlds is not the right thing to do at this juncture. It’s important to start breaking those boundaries in the art world as much as possible.”