Tania Larsson: Traditional Meets Contemporary

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Tania Larsson starts with the land. Her materials are harvested from nature, then combined with silver, gold, and precious stones. The combination of traditional craft with a contemporary education results in striking, intricate adornment.

“My heritage is an integral part of who I am and my work,” said Tania Larsson in an interview with UNUM Magazine. “I wanted to present myself as a Gwich’in woman and needed cultural indicators that could be worn anywhere.”

Larsson maintains a studio in Yellowknife, but she hand delivers her jewelry works to our gallery shop. View some of our favorites below.

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Long Muskox Horn and Sterling Silver Earrings
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Long Bison Horn and Sterling Silver Earrings
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Etched Caribou Horn and Sterling Silver Necklace
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Bison Horn and Sterling Silver Necklace
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Triangle Muskox Horn and Sterling Silver Earrings
tania larsson, tania larsson jewelry, Porcupine Claw and Sterling Silver Earrings, form & concept, form and concept shop
Porcupine Claw and Sterling Silver Earrings

 

 

Dr. Estevan Rael-Gálvez | Entre Cíbolos Criados: Creativity, Consciousness and Community

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Dr. Estevan Rael-Gálvez

In August, Dr. Estevan Rael-Gálvez convened beneath the Flying Blue Buffalo for a special lecture titled Entre Cíbolos Criados: Creativity, Consciousness and Community.

In his moving speech, Dr. Rael-Gálvez discusses the three concepts that have long defined his work and the history of Indigenous slavery.

His lecture is sampled below, and can be read in full at flyingbluebuffalo.com

It is a tremendous honor to be able to participate in this opening by the amazing artist, Armond Lara – whose memorial is… breath-taking, but it gives breath as well. This thoughtful remembering is a project — that through creativity raises consciousness — and in the end, is inspired by the promise of strengthening community.

Here in this sovereign landscape, Pueblo elders have said that,  wherever we go, we leave our breath behind us” — an invocation recognizing those who came before us and how their life force remains with us long after they have gone. In recognizing this life force, we not only illuminate all of the ancestors who lived in this place, but point especially to the life of those living now in the present, as well as to those generations that will follow, inheriting what we leave behind in the future.

In time, drawn to the subject of enslaved Indians as a young scholar, I would immerse myself as a historian in countless archives, reading between the lines of documents, tracing my finger across maps and looking closer at photographs, all complemented by my work as an anthropologist, engaged in many hundreds of conversations set with bread at kitchen tables, revealed upon a walk through alfalfa fields, and shared across miles by telephone and electronic correspondence. 

Taking those experiences, connecting them and eventually centering them, the story grew like a forest, one that eventually became a manuscript defended by me to hold a doctoral credential. However, believing that scholarship is most valuable when grounded and applied in the world, I left academia, and yet through my role as a public historian and anthropologist, indeed, because of it, the story only deepened further, to this day.

So when I talk about consciousness now, I am not only referring to the work I have done as a scholar and public historian for over two decades, but a commitment to raising consciousness on the ground, locally, in the minds of people in our region and nation, particularly in the minds of those who have not yet recognized that this story, however painful, is also one of complex beauty. This is no easy task.

The eyes of all of the descendants of those indigenous ancestors continue to awaken the possibility of remembering with each new birth of a New Mexican. Telling this Story—in whatever form that telling comes— is about how individual and collective lives are remembered, how a community takes the memories, stories and traditions of what has been passed down from one generation to the next, and how it reimagines itself, now in the present and into the future. We are the herd of buffalo that rises.

Dr. Rael-Gálvez holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award-winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery.” Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center, and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°.

 

 

 

 

Artist Talk: Flying Blue Buffalo Installation

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Santa Fe artist Armond Lara and his collaborator Joseph Riggs discuss the story behind the Flying Blue Buffalo installation on Saturday, August 18, 2-3 pm. The monumental art installation, comprising 77 winged buffalo sculptures, tells the centuries-long story of enslaved Native American children. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.

Learn more about this exhibition.

Events

Preview with guest speaker Estevan Rael-Gálvez:
Thursday, August 16, 5:30-6:30 pm | RSVP on Facebook.

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, August 18, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Artist Talk: Soul of Nations

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Native teen artists from the Soul of Nations group exhibition join Ernest Hill, executive director of Soul of Nations, for an interactive tour of the show.

It’s safe to say that the Brea Foley Art Program is one-of-a-kind. The initiative, by Washington, D.C. and Arizona-based nonprofit Soul of Nations, vaults teens from Southwestern Indigenous communities into the upper echelons of the art world. This year’s program had hundreds of applicants and 15 finalists, all between the ages of 15 and 18. Three winners jetted off to Manhattan for a residency at New York University’s Tisch School of the Arts. Now, all of the finalists will exhibit together at form & concept gallery in Santa Fe, on the weekend of this year’s SWAIA Santa Fe Indian Market. Soul of Nations opens with a reception on Friday, August 17 from 5 to 7 pm.

Learn more about this exhibition.

Events

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, August 18, 1-2 pm | RSVP on Facebook.

Opening: Armond Lara | Flying Blue Buffalo Installation

RSVP on Facebook.

Armond Lara collaborates with form & concept on this monumental art installation that tells the centuries-long story of enslaved Native American children. The Santa Fe artist sends 77 hand-painted, cast resin Flying Blue Buffalo sculptures soaring through the gallery’s atrium. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience. Each sculpture in the suspended flock is labeled with the name of an abducted child. The installation debuts at a special reception on Friday, August 17, 5-7 pm, on the weekend of Santa Fe Indian Market.

Learn more about this exhibition.

Events

Preview with guest speaker Estevan Rael-Gálvez:
Thursday, August 16, 5:30-6:30 pm | RSVP on Facebook.

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, August 18, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Opening: Soul of Nations

RSVP on Facebook.

Soul of Nations, a Washington, D.C. and Arizona-based nonprofit that works to uplift Indigenous communities throughout the Americas, presents this juried exhibition of Native teen artists from Southwest reservations. The 15 featured artists all took part in the organization’s Brea Foley Art Program, which awarded three of them with a special residency at New York University’s Tisch School of the Arts. The exhibition opens on the weekend of SWAIA Santa Fe Indian Market and offers boundary-pushing aesthetic statements from a new generation of Indigenous artists. The theme of the exhibition is “Honor the Earth.”

Learn more about this exhibition.

Artists

Mikhail K. Ganadonegro, Quansha J. Abayta, Maiyah King, Bailey Makai Pete, Deanna Lee, Christine Garcia, Naomi Smart, Kyle Begay, Megan Joe, Rikki Begay, Iona Stevens, Naomi Begay, Josiah Whitesinger, Lehlahni Michelle, Kiara Tom

Events

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, August 18, 1-2 pm | RSVP on Facebook.

Meet Armond Lara.

Opening weekend for Armond Lara‘s Flying Blue Buffalo installation has arrived! On Thursday, August 16 at 5:30 pm, we’re hosting a preview of the installation. Dr. Estevan Rael-Gálvez, a Santa Fe-based scholar who is writing a book on the topic of Native slavery, will speak in our atrium under the installation. This Friday, August 17 from 5 to 7 pm, Lara will appear at form & concept for the official opening reception of the piece. In addition to the installation, a number of Lara’s artworks are on view in the gallery, along with an exhibition of Native teen artists. The final event of the weekend is an artist talk on Saturday, August 18 from 2 to 3 pm, which will take the form of a conversation between Lara and his collaborator Joseph Riggs.

Learn more about this exhibition.
RSVP for the opening reception on Facebook.

Preview: Flying Blue Buffalo Installation

RSVP on Facebook.

PLEASE NOTE: Seating is first come, first served at this free event. Please arrive early if you need to sit!

Dr. Estevan Rael-Gálvez of Santa Fe, who is writing a book on the topic of Native American slavery, presents a talk titled Entre Cíbolos Criados: Creativity, Consciousness and Community. The free event is a preview of Armond Lara’s Flying Blue Buffalo installation on Thursday, August 16 at 5:30 pm.

Lara collaborates with form & concept on this monumental art installation that tells the centuries-long story of enslaved Native American children. The Santa Fe artist sends 77 hand-painted, cast resin Flying Blue Buffalo sculptures soaring through the gallery’s atrium. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.

Learn more about this exhibition.

Dr. Estevan Rael-Gálvez

With ancestral connections to both Hispanic and indigenous communities, Dr. Rael-Gálvez was raised working on a farm and ranch stewarded by his family for generations in Costilla, New Mexico. He holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award-winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery.” He is currently working on the manuscript, The Silence of Slavery. Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°, a consulting firm which supports transformative work within communities and organizations, including his present project, an initiative on “Truth, Racial Healing and Transformation.”

Events

Preview with guest speaker Estevan Rael-Gálvez:
Thursday, August 16, 5:30-6:30 pm | RSVP on Facebook.

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, August 18, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Preview: Soul of Nations

Soul of Nations- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico
Frank Rose and Sandy Zane of form & concept, with Ernest Hill and Soul of Nations artists. 

It’s safe to say that the Brea Foley Art Program is one-of-a-kind. The initiative, by Washington, D.C. and Arizona-based nonprofit Soul of Nations, vaults teens from Southwestern Indigenous communities into the upper echelons of the art world. This year’s program had hundreds of applicants and 15 finalists, all between the ages of 15 and 18. Three winners jetted off to Manhattan for a residency at New York University’s Tisch School of the Arts. Later in the summer, all of the finalists will exhibit together at form & concept gallery in Santa Fe, on the weekend of this year’s SWAIA Santa Fe Indian Market.

The Soul of Nations group exhibition opens with a reception on Friday, August 17, 5 to 7 pm, followed by an artist talk on Saturday, August 18, 1 to 2 pm. Inspired by the theme “Honor the Earth,” the participants offer fresh perspectives on Indigenous identity, contemporary culture and the state of the environment.

Soul of Nations Group Exhibition- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico
Maiyah King, Sanctity, acrylic on canvas, 16 x 20 in.


“Art is its own language,” says Ernest Hill, cofounder of Soul of Nations. “People might not want to hear what you have to say about your own plight, but you could look at a canvas and that could ignite a discussion.” That was the founding philosophy for Soul of Nations, which Hill dreamed up with his childhood friend Brea Foley. Hill and Foley grew up in Denver but had strong connections to Navajo Nation in the Four Corners region: Foley’s heritage was Navajo, and Hill’s family conducted missionary work on Native reservations when he was young. They were both interested in addressing the extreme poverty divide between Indigenous communities and the rest of the Southwest.

“There was this drastic disconnect between on-reservation life and off-reservation life,” Hill says. “I made a promise to myself that I wouldn’t go back unless I could do something about it.” Foley passed away in 2014 from breast cancer, but Hill carried on their mission and officially incorporated Soul of Nations as a 501(c)3 the following year. The organization has a broad charter, seeking to uplift the vast numbers of displaced Indigenous communities throughout the Americas.

Soul of Nations Group Exhibition- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico
Mikhail Ganadonegro, Mother Earth, acrylic on canvas, 23 x 27.5 in.

Hill created the Brea Foley Art Program as a tribute to his late collaborator, with the more targeted mission of providing art world opportunities to Native teens from the Southwest. “At the beginning, we had a focus group and asked students, ‘What are you most interested in doing?’” says Hill. “About 80% of the students said that they were really interested in the arts as a career path. We wanted to show them ways to be successful.”

The Brea Foley Art Program has grown and evolved in the three years since its founding. Hill says awareness of the initiative has grown significantly, with 253 applicants for this year’s program. In addition to the residency at Tisch School of the Arts, this year’s winners—Maiyah King of Albuquerque, Bailey Pete of Gallup, and Christine Garcia of Santa Fe—participated in a special reception at the National Museum of the American Indian in New York City. “Last year we did a series of college tours and museum tours, but we wanted to find a school that was dedicated to investing in youth at a larger level,” says Hill. “NYU really stepped up to the plate.”

Soul of Nations Group Exhibition- Brea Foley Art Program- Form and Concept Gallery- Santa Fe New Mexico
Kiara Tom, The Y’ell Night Chants, acrylic on canvas, 24 x 18 in.

Hill also wanted to build a bridge to the commercial art world for the program’s participants. That’s how form & concept came into the picture. “It’s a whole new realm for us in terms of education,” says Hill. “We want to teach them how to work with a marketing team, but also how to market yourself in the commercial art scene. Being an artist is like having a sole proprietorship.” All 15 of this year’s finalists will contribute an artwork to the Soul of Nations group exhibition at form & concept. They hail from 11 different tribal communities throughout the Southwest.

Their work will debut at the gallery on the weekend of the SWAIA Santa Fe Indian Market, which attracts over 100,000 visitors to buy art directly from 1,000 artists who represent more than 200 federally recognized tribes from the U.S. and Canada. The show’s opening reception also features the debut of an art installation by Armond Lara, an internationally renowned artist with Navajo heritage.

Learn more about the exhibition.
RSVP on Facebook.

Featured Artists: Mikhail K. Ganadonegro, Quansha J. Abayta, Maiyah King, Bailey Makai Pete, Deanna Lee, Christine Garcia, Naomi Smart, Kyle Begay, Megan Joe, Rikki Begay, Iona Stevens, Naomi Begay, Josiah Whitesinger, Lehlahni Michelle, Kiara Tom