Good Mood Studio, formerly known as 1905 Magazine, hosts a release party and fashion show for their winter release, The Play Issue. Directed by Keynan Johnson, the fashion show will echo the varied aesthetics and collaborative energy that has become synonymous with Good Mood Studio.
“Even though I am interested in very traditional materials within the history of sculpture, I don’t want to be boring and stuck in that history.” Debra Baxter said in an interview with One 2 Three’s Practice Practice. “I want to mix them in a way that no one has.”
Breastplate (Reveal), bronze and quartz crystal, 18 x 11 x 3 in
As a master of material inversion, Debra transforms dense materials into light and flowing sculptures, or fragile mediums into resilient structures.
The end result is elegant – but dangerous – as seen in her Lace Throwing Star, which gives the delicate textile an edge.
Debra received her MFA in Sculpture from Bard College. Her wearable sculpture Devil Horns Crystal Brass Knuckles (Lefty) is featured in the permanent collection of the Smithsonian’s Renwick Gallery. She debuted her solo show, Tooth & Nail, at form & concept this past spring.
To learn more about Debra, please inquire or contact us at 505-216-1256
Tania Larsson starts with the land. Her materials are harvested from nature, then combined with silver, gold, and precious stones. The combination of traditional craft with a contemporary education results in striking, intricate adornment.
“My heritage is an integral part of who I am and my work,” said Tania Larsson in an interview with UNUM Magazine. “I wanted to present myself as a Gwich’in woman and needed cultural indicators that could be worn anywhere.”
Larsson maintains a studio in Yellowknife, but she hand delivers her jewelry works to our gallery shop. View some of our favorites below.
Lisa Klakulak is an avid traveler, and often draws inspiration from far-flung landscapes to create stunning fiber artworks. In the past, she’s crafted wearables that evoke lava flows and glaciers. This fall, Lisa debuts a series that draws from the vernacular of the human body. The new works reflect the soft textures and hues of hair and skin.
“Attracted by its protective and nurturing qualities, I found wool fiber a relevant material to use in my work that’s related to concepts of human vulnerability and security,” Lisa says. “I attribute the sense of contentment and calm that I feel when I’m working in the studio to the constant touch involved in the process, as well as bringing an idea into fruition. You need that idea, that inspiration.”
Made by hand in Oaxaca, these ceramics are as functional as they are elegant. From spice jars to vases, Oaxacan ceramics adapt to contemporary lifestyles while maintaining Mexican traditions.
Jordan Eddy is the new Gallery Director of form & concept and Zane Bennett Contemporary Art! Originally from Oregon, Jordan moved to Santa Fe in 2012 and quickly found himself immersed in the gallery community. He performed marketing and public relations work for galleries and museums in every Santa Fe arts district before landing at form & concept as Marketing Director. After two years in that role, he’s excited to take the helm at both galleries. Jordan also writes for a number of arts publications including The Magazine, Santa Fe Reporter, and New Mexico Magazine.
Savannah Sakry is our new Sales Manager at form & concept, while our beloved Sales Manager Clara Holiday will continue to spearhead sales for the Zane Bennett Contemporary Art collection! Originally from Evergreen, CO, Savannah moved to New York City where she received a BFA in Photography from the School of Visual Arts. Relocating to Santa Fe in 2015, she began her experience with fine art sales working for the internationally acclaimed photo bookstore and contemporary photography gallery, photo-eye. While photography is Savannah’s first love she is just as enthusiastic about other mediums, and shares form & concept’s mission to challenge traditional distinctions between art, craft, and design.
When it comes to inspiration, Kat Cole looks to city skylines. Cole studies the constructed environment of her surroundings and replicates the steel structures at an intimate, wearable scale. Her steel and enamel creations are new arrivals to our gallery shop — in dazzling shades of red, yellow, and blue.
“It’s all about having this vulnerability and turning it into power. The crystals stemmed from Superman’s crystalline Fortress of Solitude. It’s about the power of crystals in this kind of cartoony, comic book way—and then in reality, the various properties that people believe they have. They’re like mini shields.”
There’s new work in our gallery shop! You might recognize some familiar faces. Thais Mather recently re-imagined the 200,000 installation from her last solo exhibition with a series of four mask groups in the form & concept Annual Exhibition. Robert Ebendorf replenished his jewelry line with an eclectic collection of brooches, necklaces, and earrings. Snag them before they’re gone! Kat Cole sent us a fiery new necklace—as well as some chunky, industrial rings and brooches. Bunny Tobias is back with more Swarovski crystal and bronze clay creations. Bronze feathers, tourmaline, and undulating patterns are highlighted in this new line. See some of our favorites below, and click the images for more from each artist.
Since we first blogged about Albuquerque Museum’s American Jewelry from New Mexico—which features six designers who show in the form & concept shop—there’s been quite a lot of press coverage on the exhibition. Kate Nelson of New Mexico Magazine wrote a blog post about the show when it opened in June. Here’s an excerpt:
From Spanish and Mexican silversmiths to Navajo and Zuni jewelry makers, New Mexico has gained a reputation for finely wrought baubles. But the blending of cultures and their traditions didn’t stop there. By tracking the evolution from the 1870s to the 21st century, visitors to the Albuquerque Museum exhibit, American Jewelry from New Mexico can essentially trace the history of the state. “There is so much jewelry being created here that’s never been shown as New Mexico jewelry,” says curator Andrew Connors.
Other pieces lean more toward the outrageous. Santa Fe artist Debra Baxter created a set of silver and crystal brass knuckles from quartz and silver-plated bronze. The internationally known artist recently completed a show at Washington, D.C.’s Renwick Gallery. “It’s much more of a conceptual piece,” Connors said. “It’s about power and authority and the idea of protecting yourself.”
More recently, Grace Parazzoli covered the exhibition for Santa Fe New Mexican and also mentioned Debra’s work:
The modern pieces, like those earliest in the exhibition, are materially innovative, from Debra Baxter’s brass knuckles crowned with aqua aura quartz (2017) to Kristin Diener’s New Orleans and Alabama/Mississippi Gulf Coast Love Story: Loss and Lament: Fertility Reliquary II (2005), a reliquary that sits upon a mannequin as though it were a chastity belt. The piece’s 23 materials include toy scissors, a Route 66 guitar pick, a candy wrapper, and vintage nude photographs. (Baxter and Diener live in Santa Fe and Albuquerque, respectively; both are from the Midwest.)
Learn more about the exhibition in our previous blog post, and check out work by the other form & concept artists featured in the show on our website. In addition to Baxter, form & concept designers Robert Ebendorf, Robin Waynee, Ryan Roberts, and Steven Ford & David Forlano of Ford / Forlano are all on view.
Image: Albuquerque Museum.
“Canyon Road is in flux right now—more than locals might realize,” says Sandy Zane. “It’s on the cusp of a contemporary revolution.” As owner of form & concept and Zane Bennett Contemporary Art, Zane has worked for years to foster a strong contemporary arts scene in the city’s Railyard District. Now she’s opening a dynamic new business on Canyon Road, and is determined to help turn the tide in the notoriously traditional gallery district. Canyon Road Creatives, located at 826 Canyon Road, is a national hub for highly unconventional arts workshops. Zane brings together instructors for the first round of workshops at a free open house event on Saturday, July 21 from noon to 5 pm.
“We’ve been doing these spectacular artist demonstrations at form & concept, and wanted a way to present more of those dynamic moments where an artistic process is revealed,” Zane says. form & concept, which opened in the Railyard in May 2016, blends art, craft and design disciplines in a boundary-shattering exhibition and event program. As Zane conceptualized Canyon Road Creatives with local artist Bunny Tobias, they were guided by this resolutely mixed-media philosophy. “In short, things have gotten weird, which is just how we like it,” Tobias explains. “These workshops are designed to spark powerful contemporary dialogues. You’ll leave with new skills and artwork, but also with a head full of fresh ideas.”
Since the soft opening of Canyon Road Creatives in early June, the space has hosted a number of innovative workshops. Renata Gaul and Francesca Rodriguez Sawaya taught weaving and coding in a class presented by the Currents New Media Festival. Solange Roberdeau introduced students to the process of gilding on fabric, paper and wood. Pat Chapman shared her expertise in sculpting with a papier mâché-clay hybrid, and Tobias presided over an epic, multi-round game of exquisite corpse.
Upcoming Canyon Road Creatives workshops are just as varied, as is the slate of instructors. Some of the teachers are represented artists at form & concept, while others hail from across the nation and the world. “There’s essentially no limit to what we can do,” says Zane. “The space is versatile, the artists we’re working with are enormously talented, and the demand for programming like this is strong.”
Canyon Road Creatives is located at 826 Canyon Road, a historic adobe home that’s a few doors up from El Farol Restaurant and across from The Teahouse. Zane owns the building, and previously provided it to Santa Fe Community College’s student-run Red Dot Gallery. When SFCC closed the art space, Zane knew she wanted to keep its educational mission alive in some way. It’s well-suited for workshops, with multiple rooms for classes, a living room with a vast library of art periodicals, and a full kitchen. Zane and Tobias have even bigger plans for the space: they’re working on the plans for an artist residency and exhibition schedule.
Zane sees her new workshop venue as part of a larger wave of new, game-changing art spaces and projects on Canyon Road. Just next door is the Beals & Co. Showroom, a space that’s directed by Bobby Beals and exhibits experimental work by local, emerging artists. Farther up Canyon Road, Pilar Law’s Edition One Gallery presents one-off prints by early-to-late-career photographers. At the base of Canyon Road, galleries such as OTA Contemporary and Peters Projects have resolutely contemporary exhibition programs. “There’s a new contingent forming,” says Zane. “Over the coming months and years, it’s bound to coalesce into something that profoundly shifts the culture of Santa Fe.”