Preview: Jesse Tatum & Tara Khozein Perform.

Jesse Tatum and Tara Khozein- Performance- Form and Concept Gallery- Santa Fe New Mexico

CLICK HERE TO PURCHASE TICKETS.

Tara Khozein and Jesse Tatum first met in an alternate universe. Khozein was dressed from head to toe in black-and-white, with matching makeup covering every inch of exposed skin. Tatum sported a transparent raincoat and fairy makeup, and wielded a flute. They were both solo performers in Meow Wolf’s House of Eternal Return, for the local art installation’s 2017 Summer in the Multiverse event series, and something instantly clicked between them. “We had a few interactions in character in the exhibition and backstage, and I developed a big artist crush on her,” Khozein explains.

That initial creative attraction blossomed into a full-fledged collaboration, which makes its Santa Fe debut at form & concept on Saturday, July 14 at 7 pm. The New Mexico artists, both sopranos, will perform a new series of duets that combine melodic and percussive instrumentals and vocals. Tickets priced at a sliding scale of $5-$25 are available at https://fluteandvoice.bpt.me.

Tara Khozein and Jesse Tatum- Performance- Form and Concept Gallery- Santa Fe New Mexico

“Art making is social for me,” says Khozein. “I watch other artists in admiration, and then I kind of shyly approach them, the way you’d approach a middle school crush.” In recent years, she has collaborated closely with acclaimed saxophonist Rhonda Taylor and dancer Emmaly Wiederholt. She’ll often approach artists who are interested in reframing classical music for contemporary audiences.

“Seeing Jesse in that raincoat shredding virtuosic music on her flute made me be like, ‘That’s someone I could do an amazing recital with,’” Khozein says. “Later I saw her perform at SITE with David Felberg, and the casual way she connected to the audience was really in line with how I like to perform. I was like, ‘That’s someone who is tearing down the pretension surrounding classical music.’”

Tara Khozein and Jesse Tatum- Performance- Form and Concept Gallery- Santa Fe New Mexico

The new duo built a broad and diverse program that combines elegant melodic and textural materials with comedy and absurdity. Tatum, who serves as Principal Flute of the Santa Fe Symphony among other prestigious appointments, will play flute, bass flute and piccolo. Khozein will provide vocals and flex the theater skills that she also employs in her work with the local, experimental troupe Theater Grottesco.

“I speak often, there is lots of play of vocal percussion through consonants,” says Khozein. “Jesse plays lots of florid fast things that only woodwinds can do, and uses lots of extended techniques, and we trade off being accompaniment to each other. With this instrumentation, the playing field is so level. We are two melodic slash percussive wind instruments in conversation.”

CLICK HERE TO PURCHASE TICKETS.

Beyond Meow Wolf.

Meow Wolf- Ultimate Santa Fe Summer Guide- Form and Concept Gallery- Santa Fe New Mexico

form & concept is featured in Meow Wolf’s Ultimate Santa Fe Summer Guide! If you’re planning a trip to see the art collective’s world-famous art installation House of Eternal Return, make sure to check out all of the other sweet spots on their list. Here’s an excerpt from the guide:

As much fun as it would be to get lost in the multiverse forever, one has to come back to reality once in awhile. While in this dimension here’s our list of the best things to do during summer in (and around) Santa Fe that will keep your journey thriving.

They call us “one of Santa Fe’s most experimental gallery spaces,” which is just what we’re aiming to be! Some of our other favorite places on the list include SITE Santa Fe, Currents New Media Festival, Opuntia, Tonic, Paloma and, of course, MEOW WOLF! Browse the whole list here, and we’ll see you in Santa Fe this summer!

Inner Orbit in review.

Inner Orbit Review- Chelsea Weathers- The Magazine- Santa Fe New Mexico
Drew Lenihan, The Luau IV, archival inkjet print, 20 x 14 in.

Happy July! We’re excited to share this lovely review of our Inner Orbit exhibition by Chelsea Weathers in The Magazine. The show explores cultural or personal visions of space, so Chelsea started her review with a childhood memory:

For most people who aren’t astronomers or astrophysicists, outer space is a nebulous concept (no pun intended). How we relate to ideas like space-time, the Big Bang, and black holes often has more to do with our immediate material surroundings than with equations and formulas. My own experience of watching Halley’s Comet involves a strong memory of the vanilla-chocolate swirl ice cream cone my father bought for me when we waited to catch a glimpse of it—a moment that I don’t remember at all. On one hand, my childhood mind grasping at quotidian details reflects an inability to comprehend the enormity of outer space. Then again, everyday human life is inextricably connected to our conceptions of the universe in ways that aren’t always grandiose. I understand the rarity of Halley’s Comet because I remember that ice cream cone.

Read the full review at The Magazine, and make sure to come see Inner Orbit before it closes on July 21.

Fragmentary Masterpieces.

Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Links #2, found silver-plated platter, 19 x 41 x 2 in.

Jaydan Moore‘s solo exhibition DUST opens tonight (Friday, 6/29, 5-7 pm), coinciding with our special reception Introducing Robin Waynee & Ryan Roberts. Jennifer Levin of Pasatiempo covered Moore’s show in a gorgeous piece titled “Fragmentary Masterpieces.” Check out a tidbit below, and make sure to read the whole article in print or online.

Moore holds a master of fine arts degree from the University of Wisconsin – Madison and teaches at Virginia Commonwealth University. An exhibition of his work, DUST, opens at Form & Concept on Friday, June 29. “I like to think of these silver-plated platters as having three weird little histories, or little lies,” he said. “The platters were mass-produced, made to look like they were from the 1800s—made to look old even though most of the stuff I use is from the 1940s through the 1980s. Then, there is the silver-plated material, which is usually brass or copper. This is the platter trying to look more valuable than it really is. Thirdly, there is the wear, the care thing. Some people polish or clean it all the time, and that can be an image of the value it had to them.”

Levin’s piece ends with this dazzling quote from Moore:

“I’ve been thinking about the show title and reading about dust—about how it’s this slow accumulation of everything. You don’t notice it until it’s built up over time, and it’s something we are always trying to clean and change. But dust is valuable because it contains the environment that it is in. Dust is everything that has happened.”

We’ll see you tonight from 5 to 7 pm! Make sure to RSVP on Facebook to show your support.

Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Specimen #19, found silver-plated platter, 24.5 x 38.5 x 2 in.
Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Specimen #20, found silver-plated platter, 15 x 21 x 1.5 in.
Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Woven/Worn, found silver-plated platter, 22 x 22 x 2 in.
Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Trimmings #2, found silver-plated platter, 6.75 x 9.5 x 0.5 in.

Introducing Robin Waynee & Ryan Roberts

RSVP on Facebook.

We’re honored to announce that internationally renowned jewelry designers Robin Waynee and Ryan Roberts are form & concept’s newest represented artists. The couple has worked side-by-side since 1997, and though they strongly influence each other, they maintain separate practices and bodies of work. They’ll present new designs at the special event Introducing Robin Waynee & Ryan Roberts on Friday, June 29 from 5 to 7 pm.

Robin Waynee

Robin Waynee learned at an early age how creativity and hard work can lead to fulfillment. A member of the Saginaw Chippewa Tribe, Robin was born and raised in Mio, Michigan along with six siblings. Following her family to Santa Fe, New Mexico in 1991, and continuing to work in the family business of custom furniture making, Robin began designing her own pieces and pursued woodworking for several years.

After meeting local jeweler Ryan Roberts in 1997, Robin became inspired by his work and discovered a burning desire to create jewelry. Her wide range of jewelry styles, creative choices of precious stone and metal combinations and anodizing schemes, along with her careful selection of quality materials and attention to detail make Robin’s jewelry highly sought after by the discriminating collector and devotee of exclusive fine jewelry.

Browse Robin’s work.

Ryan Roberts

Born in the small village of Chimayo in Northern New Mexico, Ryan was raised in a family in which almost everyone is an artist. When he was a young teen, Ryan lived in Hawaii for a year, where he spent time with his aunt Gayle Bright, a talented sculptor and jewelry designer. Seeing the skill and care with which she made her art inspired him, and he began to cultivate a love and appreciation of jewelry making which would lead him to his life work.

Upon returning home to New Mexico, just after his 16th birthday, Ryan secured an apprenticeship at a local jeweler’s studio. By the age of 19, Ryan was hired by one of Santa Fe’s most talented local jewelers, Mario Chavez. In this environment, the young artist was exposed to an expanded array of complex tools and techniques. Ryan’s reputation grew as one of the finest jewelers in Santa Fe. Later, Ryan met the only person he had ever taken as an apprentice: his future wife, Robin Waynee. The two would both go on to become interationally celebrated jewelers.

Browse Ryan’s work.

This Friday: Robin Waynee & Ryan Roberts

Introducing Robin Waynee and Ryan Roberts- Form and Concept Gallery- Santa Fe New Mexico

Special Reception

Introducing Robin Waynee & Ryan Roberts

Friday, June 29th, 5-7 pm

Internationally renowned jewelry designers Robin Waynee and Ryan Roberts are form & concept’s newest represented artists. The couple has worked side-by-side since 1997, and though they strongly influence each other, they maintain separate practices and bodies of work. They’ll present new designs at this special event, coinciding with the debut of Jaydan Moore’s solo exhibition Dust.

Learn more about this event.
RSVP on Facebook.

Robin Waynee- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Robin Waynee, Faceted Pearl Pendant, 18k gold, tahitian pearl, garnet, diamond, amethyst.
Ryan Roberts- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Ryan Roberts, Rubellite Tourmaline Ring, 18k gold, rubellite tourmaline, diamond, tsavorite, amethyst.
Robin Waynee- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Robin Waynee, Aquamarine Ring, 18k gold, aquamarine, diamond.
Ryan Roberts- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Ryan Roberts, Chrysocolla Gem Silica Ring, 18k gold, gem silica, tsavorite, diamond.
Robin Waynee- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Robin Waynee, Pearl, Diamond & Sapphire Earrings, 18k gold, tahitian pearl, diamond, orange sapphire.
Ryan Roberts- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Ryan Roberts, Platinum & Rubellite Tourmaline Ring, platinum, rubellite tourmaline, tsavorite, diamond.

Preview: Jaydan Moore | Dust

Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico

Jaydan Moore comes from a long line of California tombstone carvers, which might explain his obsession with the concept of commemoration. “The trade goes back four generations,” says the Virginia artist. “I grew up watching people make accommodations for loved ones, and turn their history into an object.” About six years ago, Moore began collecting silver-plated tableware to use as a raw material for intricate sculptures.

By reshaping these culturally loaded objects, he turned them into vessels for his ideas about memory and material culture. In a new solo exhibition at form & concept, Moore manipulates scrap metal from previous artistic experiments to flip his conceptual universe on its head. “What are the stages of forgetting?” he asks. Dust opens on Friday, June 29 from 5 to 7 pm, with an artist talk on Saturday, June 30 from 2 to 3 pm.

Jaydan Moore- Leftovers 1- Found Silver-Plated Platter- Form and Concept Gallery- Santa Fe New Mexico

Moore earned his BFA in jewelry and metal arts from California College of the Arts. In graduate school at the University of Wisconsin—Madison, he started sculpting tableware because the material seemed like a strong proxy for memory. “Metal feels tough, but it actually has so much malleability,” Moore says. “It’ll take on dings and scratches and patinas, holding ‘recollections’ of experiences it’s been through.”

He imagined that the heirlooms were still connected to the people who once owned them, and that he could preserve these delicate biographical threads through his sculptures. In a concurrent series of intaglio prints, he recorded the patterns and marks on the platters before chopping them up. “The works on paper were initially just to document what I had found, and those last traces of whoever owned it before me,” he says. “I thought of it as the shadow of somebody.”

Jaydan Moore- Traces- Found Silver-Plated Platters- Form and Concept Gallery- Santa Fe New Mexico

Moore graduated with his MFA in 2012, and continued using the tableware as a sculptural medium. Six years on, Moore is an adjunct faculty member at Virginia Commonwealth University. His thoughts about how metal holds meaning have shifted considerably. “For so long, when I was making stuff I always thought there was this living memory in things, that I could feel the person before,” he says.

Lately he’s taken an interest in the way personal significance fades when an object changes hands. Moore realized that the clues he’d been following in the tableware said more about him than their previous owners. He developed an interest in the fragments of metal that were left behind in his studio. “I do so much conglomeration and cutting, so tons of material ends up in the scrap pile,” says Moore. “The earlier series was about the memory that endures, so maybe these scraps could speak to that slow deletion.”

Jaydan Moore- Dustings 3- Etching and Gold Leaf- Form and Concept Gallery- Santa Fe New Mexico

Dust features sculptures made from the glittering shards that landed on Moore’s cutting room floor. In his past work, the artist has taken pains to leave the flawed surfaces of the tableware relatively untouched. “In this series, I’m letting my own personal narrative of how I connect with the material be much more a part of what the viewer sees, or how I talk about it,” Moore says. “My fingerprints are now becoming patina marks on all of this.”

The exhibition also includes a new series of intaglio prints that show intricate tableware patterns fading away. Despite his recent meditations on memory’s decay, Moore can’t fully shake his earlier idea of objects as reliquaries of experience. “The child from the tombstone family believes that there is still this memory in there,” Moore says. “We wouldn’t still be talking about how much objects have a hold on us unless there was something deeply invested in it.”

Preview more artwork.
RSVP on Facebook.

Curator’s Selection: Matthew Mullins | Inner Orbit

For the second entry in our new Curator’s Selection video series (check out the first one here), form & concept gallery director Frank Rose discussed an artwork by Matthew Mullins from the group exhibition Inner Orbit. Matt’s mixed-media painting The Sun Is In Our Bones is an anchor of the show, which explores personal and cultural visions of outer space, and it’s also an introduction to his next body of work. In late September, he’ll debut a solo exhibition called The Sun In Our Bones that will span our ground floor. Learn more about the painting in the video above, then click over to the exhibition page to discover how it connects with the themes of the forthcoming show.

Matthew Mullins- The Sun Is In Our Bones- Mixed-Media Painting- Form and Concept Gallery- Santa Fe New Mexico

Here is Matt’s meditation on his painting The Sun Is In Our Bones:

The Sun Is In Our Bones is a meditation on the cosmic origins of the elements that comprise our bodies. The elements in our bodies such as carbon, calcium and iron were forged by the extreme forces that exist inside stars, supernovae and other cosmic events. It’s fascinating to think about the journey our bodies’ atomic ingredients have had, and that all of those individual atoms are now working together to form you and me. These elements that have existed for eons are engaged in a mysterious dance that allows us to maintain our complicated biological processes and even consciousness, empathy and love.

The black paint in this piece is made from burnt cow bones. The atoms of calcium and phosphorus from those bones, just like in our bones, were created in the stars. So, the material used in this painting was actually created in space and once provided life to other beings. The title The Sun In Our Bones is not only poetic, it can be taken somewhat literally. The bare linen that the stars seem to be growing into represents yet-to-be-created space. The handprints on the sides are traced from my hands and my wife’s hands, and represent the evolution of human consciousness from the elemental, raw ingredients created inside the stars.

Crystalline and Constellate are meditations on the subatomic world within our bodies. These paintings are nearly photo-realistic depictions of a matrix of atoms being lit up with a laser beam. The source photos that I painted from were taken with an electron microscope. I am awestruck by the intelligent orderliness, but also the mysterious fluidity, of the world experienced at this scale. Our own bodies look similar when viewed from a small enough vantage point.

Click here to browse the complete Inner Orbit exhibition on our website. The show appears in conjunction with Santa Fe Futurition, the Currents New Media Festival, and the Santa Fe Institute’s Interplanetary Festival.

New Shop Arrivals!

Check out new wearable artworks by three artists from the form & concept shop—including two designers who are new to our roster!

Suzanne Schwartz

Suzanne Schwartz- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Suzanne Schwartz, Sew Weave Necklace, oxidized argentium silver stitched with fine silver wire.

Suzanne Schwartz first discovered the freedom that art could bring when her grandmother taught her to sew and knit. Textiles inspired her even as a child: with their variety of patterns and textures, they opened her eyes to art’s boundless possibilities. As an adult, her creative medium moved from textiles to metals, but the stitches came with her, as seen in her Interwoven Collections. She finds texture and form in nature all around her: the surface of a leaf, the pattern of lichen on a branch, the curve where hills meet, the shadows of water over rocks. These lines and fluid shapes become part of her jewelry.

Suzanne Schwartz- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Suzanne Schwartz, Large Post Earrings, oxidized and bright silver argentium stitched with fine silver.
Suzanne Schwartz- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Suzanne Schwartz, Freeform Pendant, oxidized argentium stitched with fine silver wire.
Suzanne Schwartz- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Suzanne Schwartz, Layered Cuff, oxidized argentium stitched with 18k and fine silver wire.
Suzanne Schwartz- Fine Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Suzanne Schwartz, Layered 3-Piece Earrings, argentium silver stitched with fine silver.

Julie Slattery

Julie Slattery- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Julie Slattery, Bird Skull (mini), bronze.

Julie Slattery‘s wearable sculptures explore emotional responses of attachment and loss. The objects she creates reflect sensations of unease, oddity, and a recognition of something that was or could have been. Slattery is an Albuquerque-based artist who works at the Los Ranchos Fine Art Foundry. Through the process of casting, she creates artwork that necessitates the destruction of an original object. This is often representative of crucial moments or pivotal experiences in her life.

Julie Slattery- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Julie Slattery, Bark Necklace, bronze.
Julie Slattery- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Julie Slattery, Eye of Aquarius Belt Buckle, bronze.
Julie Slattery- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Julie Slattery, Orion’s Belt Buckle, bronze.
Julie Slattery- Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Julie Slattery, Hand Necklace, bronze.

Kat Cole

Kat Cole- Enamel on Steel Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Kat Cole, Boundary Line Look Necklace, steel, enamel.

Kat Cole finds meaning through the observance and intimate awareness of the places she inhabits. With each geographic change, she has become more attuned to the natural and man-made attributes that make a location unique.  She looks to the built environment of the city where she lives for the formal qualities of her work: materials, forms, colors and surface qualities. The steel and concrete structures that surround us are evidence of human inhabitants, past and present. Cole distills her experiences of these monumental structures into the intimate scale of jewelry. They are completed when worn on the landscape of the body.

Kat Cole- Enamel on Steel Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Kat Cole, Yellow Structure Ring, steel, enamel, sterling silver.
Kat Cole- Steel on Enamel Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Kat Cole, Red Tube Ring, steel, enamel, sterling silver.
Kat Cole- Enamel on Steel Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Kat Cole, Red Dangle Hoop Earrings, steel, enamel, sterling silver.
Kat Cole- Enamel on Steel Jewelry- Form and Concept Gallery- Santa Fe New Mexico
Kat Cole, Yellow Oval Dip Earrings, steel, enamel, sterling silver.

Click here to browse the complete form & concept shop collection.