Closing Reception: Matthew Mullins | The Sun In Our Bones

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Join Matthew Mullins at a closing reception for his solo exhibition The Sun In Our Bones on Saturday, November 17 from 5-7 pm. His work will span form & concept’s ground floor, the second exhibition in the gallery’s two-year history to devote an entire level to a single artist. The title of the exhibition is a reference to an unconventional material Mullins has incorporated into some of his cosmic paintings: pigment made from burnt animal bones. “The calcium and phosphorous in those bones, and our own, are made in stars,” Mullins says. “It’s truly all connected.”

Learn more about this exhibition.

Events

Opening Reception: Friday, September 28, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, October 20, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Opening: Matthew Mullins | The Sun In Our Bones

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Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.

The monumental body of work, which will fill form & concept’s ground floor, is united by patterns that repeat throughout the universe at infinite scales. The Sun in our Bones debuts on Friday, September 28 from 5 to 7 pm. Mullins will host an artist talk on Saturday, October 20 from 2 to 3 pm and closing reception on Saturday, November 17 from 5 to 7 pm.

Learn more about this exhibition.

Events

Opening Reception: Friday, September 28, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, October 20, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Curator’s Selection: Matthew Mullins | Inner Orbit

For the second entry in our new Curator’s Selection video series (check out the first one here), form & concept gallery director Frank Rose discussed an artwork by Matthew Mullins from the group exhibition Inner Orbit. Matt’s mixed-media painting The Sun Is In Our Bones is an anchor of the show, which explores personal and cultural visions of outer space, and it’s also an introduction to his next body of work. In late September, he’ll debut a solo exhibition called The Sun In Our Bones that will span our ground floor. Learn more about the painting in the video above, then click over to the exhibition page to discover how it connects with the themes of the forthcoming show.

Matthew Mullins- The Sun Is In Our Bones- Mixed-Media Painting- Form and Concept Gallery- Santa Fe New Mexico

Here is Matt’s meditation on his painting The Sun Is In Our Bones:

The Sun Is In Our Bones is a meditation on the cosmic origins of the elements that comprise our bodies. The elements in our bodies such as carbon, calcium and iron were forged by the extreme forces that exist inside stars, supernovae and other cosmic events. It’s fascinating to think about the journey our bodies’ atomic ingredients have had, and that all of those individual atoms are now working together to form you and me. These elements that have existed for eons are engaged in a mysterious dance that allows us to maintain our complicated biological processes and even consciousness, empathy and love.

The black paint in this piece is made from burnt cow bones. The atoms of calcium and phosphorus from those bones, just like in our bones, were created in the stars. So, the material used in this painting was actually created in space and once provided life to other beings. The title The Sun In Our Bones is not only poetic, it can be taken somewhat literally. The bare linen that the stars seem to be growing into represents yet-to-be-created space. The handprints on the sides are traced from my hands and my wife’s hands, and represent the evolution of human consciousness from the elemental, raw ingredients created inside the stars.

Crystalline and Constellate are meditations on the subatomic world within our bodies. These paintings are nearly photo-realistic depictions of a matrix of atoms being lit up with a laser beam. The source photos that I painted from were taken with an electron microscope. I am awestruck by the intelligent orderliness, but also the mysterious fluidity, of the world experienced at this scale. Our own bodies look similar when viewed from a small enough vantage point.

Click here to browse the complete Inner Orbit exhibition on our website. The show appears in conjunction with Santa Fe Futurition, the Currents New Media Festival, and the Santa Fe Institute’s Interplanetary Festival.

Artist Talk: Wesley Anderegg | ARIZONA

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Join Wesley Anderegg for this artist talk on Saturday, March 31 from 2 to 3 pm. His solo exhibition ARIZONA opens on Friday, March 30 from 5 to 7 pm and runs through May 19, 2018.

The mosaical visual memoir that makes up Anderegg’s ARIZONA exhibition started as a happy accident. “I had a bunch of these ceramic squares made, and they were just sitting there,” he says. Anderegg is known for his sculptural depictions of somewhat impish figures who are often in comical conflict or cartoonish peril. The fresh stack of ceramic tiles inspired him to play around with more complex 2D compositions. “I got this idea to make these markers of my time in Arizona, the dusty palette and everything,” he says. “It’s just memories of my childhood, all the crazy crap we used to do.”

Learn more about this exhibition.

Events

Opening Reception: Friday, March 30, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, March 31, 2-3 pm | RSVP on Facebook

Opening: Wesley Anderegg | ARIZONA

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“Everybody that lives in New Mexico goes to Arizona every once in awhile,” says Wesley Anderegg. “That’s the only reason Arizona exists, is to drive through to go to California.” It’s a particularly sacrilegious statement for a born-and-raised Arizonan, but Anderegg hasn’t lived there for decades. He’s also never directly revisited his wild childhood through his figurative ceramics—until now. “As you get older, you kind of get reminiscing,” says the California-based artist. “It’s like, oh man, I’m on the downslope these days. Time to look back.”

In a new series of diminutive ceramic tiles, Anderegg flattens his tragicomic sculptural figures with a playful nod to Pop Art paintings and comic book panels. The painted compositions evoke Anderegg’s experience growing up in the sun-drenched and lawless Sonoran Desert. Wesley Anderegg: ARIZONA debuts at form & concept on Friday, March 30 from 5 to 7 pm. Anderegg recognizes the humor of mounting a show called ARIZONA one state to the east, but it’s a simple matter of personal preference. “I thought about actually having it in Arizona, but I like you guys better,” he says with a grin.

Wesley Anderegg: ARIZONA debuts at form & concept on Friday, March 30 from 5 to 7 pm, with an artist talk on Saturday, March 31 from 2 to 3 pm. The show runs through May 19, 2018.

Learn more about this exhibition.

Events

Opening Reception: Friday, March 30, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, March 31, 2-3 pm | RSVP on Facebook

Preview: Wesley Anderegg | Arizona

“Everybody that lives in New Mexico goes to Arizona every once in a while,” says Wesley Anderegg. “That’s the only reason Arizona exists, is to drive through to go to California.” It’s a particularly sacrilegious statement for a born-and-raised Arizonan, but Anderegg hasn’t lived there for decades. He’s also never directly revisited his wild childhood through his figurative ceramics—until now. “As you get older, you kind of get reminiscing,” says the California-based artist. “It’s like, oh man, I’m on the downslope these days. Time to look back.” In a new series of diminutive ceramic tiles, Anderegg flattens his tragicomic sculptural figures with a playful nod to Pop Art paintings and comic book panels. The painted compositions evoke Anderegg’s experience growing up in the sun-drenched and lawless Sonoran Desert. Wesley Anderegg: ARIZONA debuts at form & concept on Friday, March 30 from 5 to 7 pm, with an artist talk on Saturday, March 31 from 2 to 3 pm.

As Anderegg tells it, his mosaical visual memoir started as a happy accident. “I had a bunch of these ceramic squares made, and they were just sitting there,” he says. Anderegg is known for his sculptural depictions of somewhat impish figures who are often in comical conflict or cartoonish peril. He also has an ongoing series of figurative paintings on circular platters, but the fresh stack of ceramic tiles inspired him to play around with more complex 2D compositions. “I got this idea to make these markers of my time in Arizona, the dusty palette and everything,” he says. “It’s just memories of my childhood, all the crazy crap we used to do.”

The works document all sorts delightful mischief: there’s an inner tube voyage down a lazy river, and a romantic rendezvous in the bed of a pickup truck. Rakish cowboys sip cold cans of Coors, bug-eyed jackrabbits scurry across sizzling highways, and strangely human cacti flash spiny, gaping smiles. “You can see this evolution of techniques through the series,” Anderegg says. “The first desert scenes were glazed, while the last ones are dry with a matte surface.” It’s as though the artist had to ease into this gritty universe of memories, slowly bringing the Arizona of his youth into focus. “One thing that’s the same in all of them is the sky, which is glazed with these really cool blues,” he says. “I had to get that desert sky just right.”

Anderegg’s tiles measure just under 12 x 12 inches each, and they’ll span form & concept’s stairwell and catwalk spaces for the solo exhibition. Though the series represents a new direction for the artist, form & concept director Frank Rose sees a clear link between old and new. “Every figure that Wes makes represents a little part of him and his story,” Rose says. “Arizona is a more direct expression of that—even the desert creatures in the paintings have these bold personalities that evoke personal allegories.” Anderegg recognizes the humor of mounting a show called ARIZONA one state to the east, but it’s a simple matter of personal preference. “I thought about actually having it in Arizona, but I like you guys better,” he says with a grin.

Learn more about this exhibition.
RSVP for the opening reception on Facebook.

Artist News | March 2018

Heidi Brandow- Artwork- Form and Concept Gallery- Santa Fe New Mexico
Heidi Brandow, Low Tide, mixed media painting, 5.5 x 5.5 x 1.5 in.

Heidi Brandow has received two fellowships in the past few months. Story Maps is an initiative by Santa Fe Art Institute that mentors young, local, creative leaders of color in community engagement. Heidi also received an Artist in Business Leadership fellowship from the First Peoples Fund. Read a snippet from their mission statement below:

“When an individual artist is uplifted and supported, they impact their families, communities and the benefits can ripple out regionally and nationally. This inspires artists to fully honor their cultural creativity and frees them to embrace their Native identity and voice.”

Debra Baxter- Sculpture- Form and Concept Gallery- Santa Fe New Mexico
Debra Baxter, Breastplate (Reveal), bronze, quartz crystal, 18 x 11 x 3 in.

“Baxter is an artist for one refreshingly honest reason. ‘If I didn’t make art, I would lose my mind.'” That’s the first line of Elysian’s recent profile on Debra Baxter. The article, much like Debra’s work, is a vulnerable and powerful examination of what it means to be a female artist. Read the full interview here. Debra’s Aqua Aura Knuckles appear on the cover of The Magazine’s February/March relaunch issue. Here’s an excerpt from Jenn Shapland’s cover story about Debra and her work:

Debra Baxter has just chucked something across her studio. A five-pointed throwing star sticks firmly into the opposite wall. She’s about to throw another, but first she shows it to me. It’s elegant lace made of metal. The tips have been sharpened.

Matthew Mullins- Painting- Form and Concept Gallery- Santa Fe New Mexico
Matthew Mullins, Chicoma, acrylic ink and watercolor on paper, 58 x 38 in.

Matthew Mullins will appear in the New American Paintings Special Alumni Issue this March. Pick up a copy to see his painting Chicoma in print. Matthew’s Ursa Major graced the cover of Pasatiempo in December, for their 2017 Writing Competition issue.

Rebecca Rutstein- Painting- Form and Concept Gallery- Santa Fe New Mexico
Rebecca Rutstein, Slanted and Enchanted, acrylic on canvas, 90 x 60 in.

Rebecca Rutstein is taking Pennsylvania museums by storm! The Philadelphia Museum of Art recently acquired a 2017 painting by Rutstein for their public collection. The Pennsylvania Academy of Fine Arts Museum, which is the nation’s oldest art museum and art school, added two of her artworks to their collection.

Wesley Anderegg- Painting on Ceramic Tile- Form and Concept Gallery- Santa Fe New Mexico
Wesley Anderegg, Big Strawberry, ceramic, 11.25 x 11.25 x 1.5 in.

Wesley Anderegg‘s solo exhibition ARIZONA is coming up at form & concept. The opening reception is Friday, March 30 from 5 to 7 pm, and Wes will conduct an artist talk on Saturday, March 31 from 2 to 3 pm. Wes also appears with Ryan Meyers in the two-man exhibition About Face, opening in Bakersville, NC this April.

Click here to browse the complete form & concept collection.

Matthew Mullins covers Pasatiempo.

Artist Matthew Mullins- Ursa Major Painting- Pasatiempo Cover- Form and Concept Gallery- Santa Fe New Mexico
Ursa Major by Matthew Mullins is this week’s Pasatiempo cover.

This week’s issue of Pasatiempo features the winners of the publication’s annual writing contest. Images of works by local artists appear in the cover story, and a painting by our own Matthew Mullins graces the cover! The piece is a watercolor and gouache on paper titled Ursa Major. Make sure to grab a copy while it’s on the stands (December 22-28, 2017), and read more about Matt in his recently updated biography. Here’s an excerpt:

The interconnection of human consciousness and the natural world is what inspires the work of Santa Fe artist Matthew Mullins. Mullins’ watercolor and acrylic ink paintings merge human made patterns derived from social constructs with the visual perception of nature, creating a harmonious relationship that the artist feels is often lost in today’s culture.

“Humans are part of the natural world,” says Mullins. “But we often become so focused on our individuality that we lose track of that connection. My work is about reintegrating with nature and finding unity in that relationship.”

Click here to read more, and stop by the gallery to see Ursa Major in person! You can browse all of Matt’s artwork on his artist page.

Matthew Mullins- Ursa Major- Painting- Form and Concept Gallery- Santa Fe New Mexico
Matthew Mullins, Ursa Major, watercolor and gouache on paper, 21.25 x 16 in.