MIRROR BOX Closing Performance: Emmaly Wiederholt

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The gallery will ask for a sliding scale donation of $5-$25 in support of the artist. 

Local writer and performer Emmaly Wiederholt presents the original performance piece “Don’t You Want to Dance?” among the artworks of Mirror Box. The performance takes place on the last day of the exhibition—a final contribution that completes the show and offers a fresh way of experiencing the rest of the work.

Kyle Farrell, Alex Gill and Jordan Eddy, co-directors of Strangers Collective and the No Land art space, curate this exhibition of emerging artists and writers at form & concept. Mirror Box represents a network of early career creatives, starting in Santa Fe and spiraling across the nation. Its curatorial throughline presents a radical method for reflecting on place and identity through art objects.

Learn more about this exhibition.

Events

Opening Reception: Friday, 2/23, 5-8 pm | RSVP on Facebook
Curator & Artist Talk: Saturday, 3/17, 2-3 pm | RSVP on Facebook
Zine Reading: Saturday, 4/7, 3-4 pm | RSVP on Facebook
Closing Performance by Emmaly Wiederholt: Saturday, 4/14, 7 pm | RSVP on Facebook
$5-$25 suggested donation for closing performance.

Preview: A Day of Ritual Prayer Performance.

Tending The Mighty Dead- Performance Art- Ekalos Reed- Aine McCarthy- Form and Concept Gallery- Santa Fe New Mexico

“I find that people are really hungering for ritual and prayer, and not in a traditional, religious way,” says Ekalos Reed. Reed and Áine McCarthy’s performance art group is called Time Beings. On Saturday, January 20, they collaborate with Kara Duval—another local performer who explores themes of ritual, reclamation and healing—for a 12-hour performance among the artworks of form & concept’s exhibition Thais Mather: Reckless Abandon. In the multi-part ritual prayer, they will convene other Santa Fe artists and anyone who wishes to take part as they create moments and spaces that redefine the sacred. The piece represents a dynamic response to the exhibition’s themes and a tribute to women and others who have faced persecution. 

“I met with Thais about the possibility of a performance in the Reckless Abandon show about two weeks before it opened, and Thais recommended Silvia Federici’s Caliban and the Witch to me,” says Reed. Federici’s work of literary nonfiction examines the European witch trials from the 16th to 18th centuries, and explores how that history has influenced cultural conceptions of the body in the transition to capitalism. “The book just tied together so many loose threads in my mind and existence,” Reed explains. “Seeing Thais’ work and reading that book at the same time contributed to my feeling that we needed to make a long ritual piece.”  

Red- Performance Art- Kara Duval- Form and Concept Gallery- Santa Fe New Mexico

Reed and McCarthy have collaborated a number of times under the moniker Time Beings. Through their durational performance artworks, they seek to create moments and spaces that redefine the sacred. It’s an endeavor that takes time: Time Beings’ performances often last hours, and are designed to be viewed for any duration. Reed is a veteran performer who has toured the world with Martha Graham Dance Company, Pearl Lang Dance Theatre, Moving People Dance, Catherine Cabeen and Company, and Robert Wood Dance NY, among others. McCarthy studied Delicious Movement with Eiko Otake of the renowned ‘Eiko and Komo’. Time Beings’ most recent work appeared at the 2017 AHA Festival of Progressive Arts in Santa Fe, which was an 8-hour performance. “At AHA, we invited people to ring a bell or hang a prayer in our booth,” says Reed. “So many people did their own little ritual. When you enter that moment, your experience of time and space starts to change. That’s what we’re trying to do.”

Duval’s ‘Red’ is a visceral engagement with these themes. “Art and ritual is a form of currency that frees us from the confines of efficiency and the machine of consumerism.” says Duval, “It allows us to enter into relationship with the sublime.” The set for ‘Red’ consists of over 300 ft of red fabric that is woven through the artworks in the gallery. Duval traverses the fabric, symbolizing the long journey often taken to return home to the body after experiencing trauma. “‘Red’ is about physically putting myself on the ground, listening to it and feeling it’s pulse and waking up the visceral fluid experience,” Says Duval. “I am often reminded of a Mary Oliver poem called the ‘The Forest’ about a snake molting its skin in the dark of the night. It inches over dead leaves and branches, pulling its old skin off. It does not know why it does this and yet it is compelled to do so.”

Tending The Mighty Dead- Performance Art- Ekalos Reed- Aine McCarthy- Form and Concept Gallery- Santa Fe New Mexico

Reed, McCarthy’s, and Duval’s new work at form & concept will engage gallery visitors in various ways throughout the day.  “If you’re compelled to watch or join in, you’ll experience your own beginning, middle and end no matter how long you stay,” says Reed. “A big part of it is about bearing witness to things that have happened that are uncomfortable or traumatic. There’s no way we can fix that or say that it didn’t happen, but being there and bearing witness is the beginning of healing.”

Reed and McCarthy perform ‘Tending the Mighty Dead’ from 7 am to 7 pm. Duval performs ‘Red’ from 4:30- 6:30 pm. There is a closing ceremony from 6- 7 pm. From 7 to 10 am, the performance will be visible from outside form & concept, but the gallery does not open to the public until 10 am. Click here for additional information on the sequence of events. 

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Red- Performance Art- Kara Duval- Form and Concept Gallery- Santa Fe New Mexico

Images

1 & 3: Ekalos Reed & Áine McCarthy, “Tending the Mighty Dead,” durational performance piece, 2018. Photo by Timothy Jason Reed. Pictured artworks by Thais Mather.

2 & 4: Kara Duval, “Red,” durational performance piece, 2018. Photo by Kara Duval. Pictured artworks by Thais Mather.

January at form & concept.


Last Friday Art Walk- Santa Fe Railyard Arts District- Form and Concept Gallery- Santa Fe New Mexico

Our final event of the year is the Santa Fe Railyard Arts District’s Last Friday Art Walk, on December 29 from 5-7 pm! Swing by to see or current shows and pick up the first-ever form & concept annual catalog, which includes the gallery’s complete 2018 exhibition schedule. Here’s a first look at our January exhibitions & events:

Smitten Forum Exhibition- Gallery Talk- Form and Concept Gallery- Santa Fe New Mexico

Gallery Talk

Smitten Forum

Wednesday, January 3, 2-3 pm

Call it a mobile artist colony, a colorful social experiment or a crafty piece of performance art. Each year since 2014, Sara Brown and Marissa Saneholtz have invited a new group of pioneering jewelers and metalsmiths to work side-by-side in a communal studio for 7 days. The initiative is called Smitten Forum, and invitees range from emerging to well-established makers who employ a staggering array of mediums and techniques. This year’s participants are headed to Abiquiu, New Mexico in late December, but they’ll also leave their mark on the nearby art center of Santa Fe. A curator’s talk featuring Brown, Saneholtz and 2014 Smitten Forum participant Robert Ebendorf will take place on Wednesday, January 3 from 2-3 pm.

Learn more on our website.
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Ritual Prayer Performance- Ekalos Reed- Aine McCarthy- Kara Duval- Form and Concept Gallery- Santa Fe New Mexico

Special Event

A Day of Ritual Prayer Performance

In conjunction with Thais Mather’s exhibition Reckless Abandon,
and featuring Ekalos Reed, Áine McCarthy & Kara Duval

Saturday, January 20, 7 am-7pm

“I find that people are really hungering for ritual and prayer, and not in a traditional, religious way,” says Ekalos Reed. Reed and Áine McCarthy’s performance art group is called Time Beings. This winter, they collaborate with Kara Duval—another local performer who explores themes of ritual, reclamation and healing—for a 12-hour performance among the artworks of form & concept’s exhibition Thais Mather: Reckless Abandon. In the multi-part ritual prayer, they will convene other Santa Fe artists and anyone who wishes to take part as they create moments and spaces that redefine the sacred. The piece represents a dynamic response to the exhibition’s themes and a tribute to women and others who have faced persecution. Reed and McCarthy perform ‘Tending the Mighty Dead’ from 7 am to 7 pm. Kara Duval performs ‘Red’ from 4:30- 6:30 pm. There is a closing ceremony from 6- 7 pm. From 7 to 10 am, the performance will be visible from outside form & concept, but the gallery does not open to the public until 10 am.

Learn more on our website.
RSVP on Facebook.

Image: Kara Duval, Red, durational performance piece. Photo by Kara Duval.

Fiber Artist Jodi Colella- Unidentified Women Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico

Artist Talk & Opening

Jodi Colella: Unidentified Women

Artist Talk & Preview: Thursday, January 25, 2-3 pm | RSVP on Facebook.
Opening Reception: Friday, January 26, 5-7 pm | RSVP on Facebook.

It started somewhere among the vast archives of the Historic Northampton Museum in Northampton, Massachusetts. Fiber artist Jodi Colella was working on an art project inspired by the museum’s headwear collection, and she stumbled upon a series of daguerreotype portraits. “They were like little 18th and 19th century selfies,” Colella says. “I noticed that all the men in the images had every single detail of their life listed in the catalog. About 80% of the women were labeled ‘unidentified.’”

The artist was fascinated by these forgotten, female faces, and the contrast between the women’s fleeting social visibility and their invisibility to history. After hunting down similar portraits in flea markets and antique shops, Colella stitched intricate embroideries across the images, further obscuring the women’s identities. The body of work, titled Unidentified Women, makes its Santa Fe debut at form & concept on Friday, January 26 from 5-7 pm. Colella will appear at the opening reception, and also conduct an artist talk and preview on Thursday, January 25 from 2-3 pm.

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Image: Jodi Colella, Leaf (detail), found daguerreotype & embroidery, 2016.

Flying Blue Buffalo Kickstarter Campaign- Artist Armond Lara- Form and Concept Gallery- Santa Fe New Mexico

Kickstarter Campaign & Special Event

Armond Lara: Flying Blue Buffalo Project

Kickstarter Launch: Friday, January 26, 5-7 pm | RSVP on Facebook.
Open House & Panel: Wednesday, February 17, 2-5 pm | RSVP on Facebook.

“Buffalo are masters of survival,” says Armond Lara. “They’re still around today, even though we tried our best to kill them all off.” The Mexican-Diné artist has depicted buffalo in his drawings, paintings and sculptures for decades. In recent years, they’ve turned blue and sprouted wings. The winged blue buffalo reference a dark chapter of Lara’s family history: his grandmother, who was Diné, was kidnapped as a child and forced into servitude by a Mexican family. This was a common story in the American West. Across three centuries of Spanish, Mexican and American rule, millions of Native children were enslaved as household servants or field hands.

The Pueblo people called these abducted youths “lost bluebirds,” a symbol that Lara combined with the buffalo into a new icon of Indigenous survival. This August, he’ll collaborate with form & concept to fulfill his long-held dream of creating a monumental installation of flying blue buffalo sculptures that explores this little-told history. The Flying Blue Buffalo Project Kickstarter campaign, running January 26 through February 28 and anchored by a special event on February 17, will raise funds to support the production of over seventy 3D printed buffalo, based on a series of wood carvings by Lara.

Learn more on our website.

Image: Digital rendering of Armond Lara’s 3D-printed Flying Blue Buffalo3D Proven Systems.

Click here to view the complete form & concept event schedule.

TONIGHT: THE TARA & RHONDA SHOW!

Soprano Tara Khozein- Form and Concept Gallery- Santa Fe New Mexico

THE TARA & RHONDA SHOW! Fully Clothed and Highly Introverted makes its Santa Fe debut at form & concept tonight. Come to the gallery at 7 pm for an evening of improvisational performance with New Mexico musicians Tara Khozein and Rhonda Taylor. Make sure to bring a $5-$25 donation in support of the artists.

Khozein and Taylor have performed together once before, for the one-night sound exhibition Lyric Concrete at Radical Abacus in 2015. Here’s an excerpt from Alex De Vore’s write-up on the event for Santa Fe Reporter:

“Often in contemporary classical, it’ll just say that it’s for ‘voice’ or ‘female voice,’ and these newer compositions will focus on what they call extended techniques or mumbles and grumbles or things you could say that metal vocalists have been doing for years,” Khozein says, displaying her self-described crazy eyes. “I’ve been trying not to use the word ‘weird’ to describe this music, because that just seems a little apologetic.”

[…] Let’s get down to brass tacks here, you guys. What is the overall selling point, especially in a town where everyone hates what they don’t know? The selling point is that it’s important to experience some things that exist outside the norm. And while McKissick and Khozein readily admit that Lyric Concrete won’t be for everyone, they’ve both promised a tangible emotional response to the performances.

The same goes for Khozein and Taylor’s daring performance at form & concept tonight! Come hear how both artists have evolved since their last collaboration, and support performing arts in Santa Fe.

Learn more about this event.
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Reckless Abandon: Performance

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The gallery will accept a sliding scale donation of $5-$10 in support of the artists.

Thais Mather unites activist and feminist artists for this special holiday event. Todd Ryan White, David Mcmaster, Tim Reed, Ekalos Reed and Niomi Fawn will join Mather to present a series of performance vignettes among the artworks of Reckless Abandon.

Reckless Abandon is Mather’s first major show in Santa Fe, though she hesitates to call it a solo exhibition—at least in a traditional sense. “I feel like the concept of the male genius artist, presenting his solo magnum opus is a Greenbergian farce. Everything you create is influenced by other artists, by your mentors, by your relationships, by the music and literature you adore.” she says.

Mather considers the participating performers—and gallery visitors—to be collaborators when they cross the show’s threshold. The exhibition will evolve through these contributions and interactions, inspiring community members to return multiple times and experience new surprises. Inspired by the art movement called magical realism, Mather aims to weave moments of transformation into everyday life.

Reckless Abandon Events

Opening Reception | Friday, November 24, 2017 from 5-7 pm — RSVP on Facebook
Reckless Abandon: A Reading | Saturday, November 25, 2-3 pm — RSVP on Facebook
Reckless Abandon: Performance | Friday, December 15, 5-7 pm — RSVP on Facebook

Learn more about this exhibition.

Part of the proceeds from Thais Mather: Reckless Abandon will benefit the ACLU of New Mexico and the Sierra Club’s Rio Grande Chapter