Join us for a interactive tour of the Hand/Eye group exhibition, featuring a number of the featured artists. Hand/Eye is an exhibition of ten artists from across the United States who merge photography and craft mediums. The artworks in the show incorporate a wide array of materials—fiber, cast glass, micaceous clay, human hair—that shatter the picture plane and push photographic imagery into the real world.
Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most all photographs have in common: they’re flat. For a new group exhibition at form & concept, ten artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere.
Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most photographs have in common: they’re flat. For a new group exhibition at form & concept, eleven artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere. The artworks in the show incorporate a wide array of materials, including fiber, cast glass, micaceous clay and human hair. Call it super-alternative process photography.
Above: David Samuel Stern, Nouri, photographic prints on translucent vellum physically cut and woven together.
25 x 44 in.
Sampled Lives series
embroidered found postcards
4 x 6 in. each
archival pigment print
24 x 18 in.
needlepoint, thread on canvas
11 x 16 in.
Emily Margarit Mason
Yoga Mat and Glass
36 x 24 in
We’re excited to announce that Kylee Aragon is our new Administrative Coordinator! Kylee was born and raised in Albuquerque, NM. She received a BFA in Art History from the University of New Mexico. Kylee began her gallery experience at Tamarind Institute, where she developed a deep love for works on paper. While Kylee is not a printmaker she is a self-proclaimed print nerd who enjoys speaking in great detail about process, paper, and the print market. She is excited to bring her passion for art to form & concept.
American photographer Thomas Laird appears at form & concept to tell stories of his new TASCHEN book Murals of Tibet, a first-of-its-kind photographic archive of Buddhist murals that took more than a decade to create. Visitors will get a chance to interact with the Collector’s Edition of the book. Light refreshments inspired by the cuisine of Tibet will be served.
Using an innovative multi-image digital photography process, Laird captured murals as wide as 10 meters in life-size resolution. The publication of this unprecedented record of Tibetan art is so momentous that it caught the attention of His Holiness the 14th Dalai Lama, who signed all 998 copies of the Collector’s Edition. As the Dalai Lama has explained, these murals are not just objects of beauty, but serve as points of reference and guidance for practitioners of Buddhism, yoga, and meditation, as well as for anyone seeking to incorporate mindfulness into their daily life.
A display copy of Murals of Tibet appears at form & concept from July 12 through August 31, as part of a national tour. Come experience these hidden treasures of Tibet in all their sublime vastness and intricacy.
Thomas Laird, the photographer behind the new TASCHEN book Murals of Tibet, will appear at form & concept this Friday at 5 pm for a special event. He’ll talk about his journey of over ten years to create this stunning archive of Tibetan Buddhist art, and offer visitors an intimate look at the SUMO-sized Collector’s Edition of the book. Murals of Tibet has been on display in the gallery’s atrium since early July, and Laird’s appearance marks its final day here.
Ahead of the event, check out this incredible video series by TASCHEN about the creation of Murals of Tibet. Above, TASCHEN introduces the book in spectacular fashion. Here’s an excerpt from the narration:
For centuries, Tibet has been seen as an island in the sky. A remote land, close to the lights, beyond the mountains. A mysterious land, where monks practiced rituals and yoga that led to wisdom and power. What if, even in our age of increased accessibility, a great treasure still remained—hidden all of these centuries? Visions from another world. Visions created to inspire, as Tibetans say, liberation upon seeing.
Over the course of five expeditions, and using multi-image capture and render technology, Thomas Laird amassed the first catalog of life-size images of more than 200 Buddhist mural masterpieces—including the oldest and most important painted during the past 1,000 years.
In this “making of” video, the editorial team discusses the design process. Managing Editor Florian Kobel says:
The murals can now be appreciated much better than on site. They have never been explored to the extent as they have been now, because the walls are 9 meters high, the lighting is terrible. You never were able to look up and study the faces.
Frank Goerhardt, TASCHEN’s global publishing director, continues:
You cannot get the picture with one photograph. It is a sum of pictures taken digitally and stitched together.
Laird sat down with Richard Gere at the Explorers Club in New York for a conversation about the making of the book. Here’s what he had to say:
I spend the day shooting hundreds of images. That’s a lovely day in Tibet, in a dark room. […] You see the Buddha when you’re done that day, but you also have a headache. Then you bring that home, and you sit down in front of a computer, and your wife puts up with you for a month or six weeks. Then you say to her, ‘It’s very nice, but it’s not proper… so I need to go back to Tibet to recapture this.
Come meet Laird and learn more about Murals of Tibet on Saturday. This event is free and open to the public, but seating is limited so make sure to arrive early.
For more than a decade, American photographer Thomas Laird traversed snowy mountains, deep valleys, and desolate deserts to capture images of Tibet’s spectacular Buddhist murals. He worked with internationally renowned art book publisher TASCHEN to make Murals of Tibet, a 498-page volume that is the world’s first archive of these sacred artworks.
form & concept hosts Laird at a special event where he’ll share stories of the book’s creation, and offer visitors an up-close look at the Collector’s Edition of the book. The hardcover volume is signed by his Holiness the Dalai Lama and features Laird’s photographs in life-size resolution. The event is part of a national tour of the book by TASCHEN. It takes place at form & concept on Friday, August 31 from 5 to 7 pm. Murals of Tibet is on view at form & concept from July 12 through August 31, as part of a national tour.
“I spend the day shooting hundreds of images. That’s a lovely day in Tibet, in a dark room. […] You see the Buddha when you’re done that day, but you also have a headache,” Laird told Richard Gere at a TASCHEN event in New York earlier this year. “Then you bring that home, and you sit down in front of a computer, and your wife puts up with you for a month or six weeks. Then you say to her, ‘It’s very nice, but it’s not proper… so I need to go back to Tibet to recapture this.” Using this innovative multi-image digital photography process, Laird captured murals as wide as 10 meters in exquisite detail.
The publication of this unprecedented record of Tibetan art is so momentous that it caught the attention of His Holiness the 14th Dalai Lama, who signed all 998 copies of the Collector’s Edition. As the Dalai Lama has explained, these murals are not just objects of beauty, but serve as points of reference and guidance for practitioners of Buddhism, yoga, and meditation, as well as for anyone seeking to incorporate mindfulness into their daily life.
Binding contemporary photographic technology with ancient traditions, this book is at once a majestic art piece, a major milestone in the appreciation of Buddhism, a precious monument to Tibetan culture, and a vital source for the contemplative arts and sciences. The SUMO-sized Collector’s Edition comes with a bookstand designed by Pritzker Prize-winning architect and humanitarian pioneer Shigeru Ban.
As the murals are often massive in scale, Murals of Tibet measures 19.7 x 27.6 in. In a 528-page scholarly companion book, Buddhist writer and academic Robert Thurman takes us through this transcendent journey with detailed text on the murals’ spiritual significance while captions from experts Heather Stoddard and Jakob Winkler shed light on the storylines and artistic context of each image.
Opening Reception: Friday, May 25, 5-7 pm
Artist Talk: Saturday, June 9, 2-3 pm
From a human perspective, the night sky is a densely layered cultural landscape. Long before they were subjects of scientific study, stars were laden with countless overlapping mythologies. Fortune tellers, sailors, writers, architects and artists have all projected profound meaning into the cosmos—tying earthly events to the movements of heavenly bodies. Inner Orbit spotlights contemporary artists with personal or cultural visions of outer space. Many of the featured artists meld fine art and craft mediums with technology for a fresh look at the firmament.
Above: Hillerbrand + Magsamen, Higher Ground- Family, archival inkjet print, 2015.
Erika Lynne Hanson
Movement Choir: Landscape Scores
Opening Reception: Friday, May 25, 5-7 pm
Artist Talk: Saturday, May 26, 2-3 pm
Arizona artist Erika Lynne Hanson weaves a hidden history of the Southwest into her solo exhibition Movement Choir: Landscape Scores. Using a coded language in her fiber and new media artworks, Hanson charts the paths of Cold War missile tests from Green River, Utah to White Sands, New Mexico. The rusty remnants, scattered over more than 600 miles of desert, represent open questions about the nature of humanity and our relationship to nature.
Above: Erika Lynne Hanson, Movement Choir: Green River, site specific installation, 2017.
Strangers Collective‘s Mirror Box exhibition at form & concept features 35 artists and writers. Curators Kyle Farrell, Alex Gill and Jordan Eddy convene a number of the show’s contributors for an interactive walkthrough of the exhibition at this event on Saturday, March 17 from 2 to 3 pm.
Opening Reception: Friday, 2/23, 5-8 pm | RSVP on Facebook
Curator & Artist Talk: Saturday, 3/17, 2-3 pm | RSVP on Facebook
Zine Reading: Saturday, 4/7, 3-4 pm | RSVP on Facebook
Closing Performance by Emmaly Wiederholt: Saturday, 4/14, 7 pm | RSVP on Facebook
$5-$25 suggested donation for closing performance.
Kevin Bond, Derek Chan, Kyle Farrell, Alex Gill, Erin Gould, Julia Haywood, Chaz John, Kat Kinnick, Shannon Latham, Ariana Lombardi, Emily Mason, Nate Massé, Drew MC, David O’Brien, Josh Palmeri, Sarah Palmeri, Alicia Piller, Julie Slattery, Dion Valdez, Emmaly Wiederholt, Ona Yopack
Liz Brindley, Caryn Crimmel, Jordan Eddy, Pascal Emmer, Jess Haring, Katie Johnson, Israel Francisco Haros Lopez, Amanda Malloy & David McCarty, Erin Mickelson, Erica Nguyen, Yvette Serrano & Ryan Dennison, Bucket Siler, Emmaly Wiederholt, Rachelle Woods, Michael Wilson
Featured Image: Emily Mason, cannonball (detail), archival pigment print, 20 x 30 in., 2015.
“I think I’m trying to create a sense of familiarity, but in a total otherworldly way.” – Emily Mason
Photographer Emily Mason makes images of her surroundings, collages them onto sculptural props, and photographs the finished assemblages to create images that flicker between dimensionality and abstraction.
Kyle Farrell, Alex Gill and Jordan Eddy, co-directors of Strangers Collective and the No Land art space, curate this exhibition of emerging artists and writers at form & concept. Mirror Box represents a network of early career creatives, starting in Santa Fe and spiraling across the nation. Its curatorial throughline presents a radical method for reflecting on place and identity through art objects.
The term “mirror box” originates in the medical field: Vilayanur S. Ramachandran invented the box with two back-to-back mirrors in the center to help amputees manage phantom limb pain. The patient places the “good” limb into one side, and the “residual” limb into the other, making mirrored movements that can trick the brain into believing that it’s moving the phantom limb. “It’s a tribute to the incredible power of grey matter,” says Eddy. “If our minds are capable of conjuring a nervous system from thin air, can we link up with people, places or things in the same visceral but invisible way?” The curatorial team realized that art, like the mirror box, can act as a conduit for this type of transcendent—but also highly tangible—experience.
It started somewhere among the vast archives of the Historic Northampton Museum in Northampton, Massachusetts. Fiber artist Jodi Colella was working on an art project inspired by the museum’s headwear collection, and she stumbled upon a series of daguerreotype portraits. “They were like little 19th century selfies,” Colella says. “I noticed that all the men in the images had every single detail of their life listed in the catalog. About 80% of the women were labeled ‘unidentified.’”
The artist was fascinated by these forgotten, female faces, and the contrast between the women’s fleeting social visibility and their invisibility to history. After hunting down similar portraits in flea markets and antique shops, Colella stitched intricate embroideries across the images, further obscuring the women’s identities. The body of work, titled Unidentified Women, makes its Santa Fe debut at form & concept on Friday, January 26 from 5-7 pm. Colella will appear at the opening reception, and also conduct an artist talk and preview on Thursday, January 25 from 2-3 pm.