Lisa Klakulak presents Since Taos: Contraction of Mass, Concision of Thought. The solo exhibition of 13 felt-based sculptureswascreated over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. The collection simultaneously acts as a vivid portrait of Klakulak’s emotional journey and manifestation of her unique way of processing the world through fiber creations. “Like any piece of art you make, you are releasing an idea into the object,” Klakulak says. “It’s a completion of a certain cycle, and it’s interesting when someone on the other side spins it into their own emotive universe.” Klakulak’s work voices ideas about growth, human connection, mental stability, and the formation of personhood, as well as social commentary on issues of gender, income inequality, and culture.
Klakulak appears at a preview artist talk of Since Taos on Friday, February 22 from 4 to 5 pm. The opening reception directly follows, from 5 to 7 pm. The artist presents a registration-only felting workshop on February 23 and 24, 2019.
Lisa Klakulak appears at this special preview of Since Taos: Contraction of Mass, Concision of Thought, directly preceding the opening reception of the solo exhibition. The series of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. Klakulak thinks of her life since that moment in distinct phases. “The works are all related to these leaps of faith that I have taken,” she says. “I want to think about, or articulate what I’m thinking about, in a manner that I can translate into a physical form.” Join her for an interactive tour of the show, just before its official debut.
Nika Feldman unveils a series of seven garment-like works along with accompanying objects of adornment, made from recycled t-shirt parts and salvaged aluminum can pull-tabs. Representing over 2,000 hours of handwork by the Nova Scotia artist, the intricate pieces are inspired by the coded language of clothing. “It’s an attempt to create a new dialect,” Feldman says. “In today’s world what does contemporary clothing say about North American culture?”
Spirits in the Material World debuts with a special reception on Friday, January 25 from 5 to 7 pm. Feldman will host an artist talk on Saturday, January 26 from 2 to 3 pm and a workshop on Saturday, March 16 from 1 to 5 pm.
“I must be fearless in improvisation, fully committed and fully present,” says Las Cruces saxophonist Rhonda Taylor. “Otherwise the quality of the moment is diminished.” For a leap of faith like this, it helps to have a buddy. Enter Santa Fe soprano and theatre-maker Tara Khozein, who collaborates with Taylor on this evening of performance at form & concept. They will debut improvisational scores that incorporate instrumentals, vocals, and gestures.
“Tara and I have a sort of Venn diagram of skill sets,” Taylor says. “What I love about working and performing with her is how we both are able to push and pull the other one beyond her comfort zone, in what I believe is a very beautiful and unpredictable way.” The Tara + Rhonda Show 2018 is the duo’s second performance at form & concept, following last December’s The Tara + Rhonda Show: Fully Clothed and Highly Introverted. The gallery will ask for a sliding scale donation of $5-$25 at the door in support of the artists. Doors open at 6:30 pm, and the performance begins at 7:00 pm.
New Mexico School for the Arts is in the midst of renovating and repurposing their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. The arts high school collaborates with form & concept on NMSA First Thursdays, a monthly performance series featuring new, experimental, and collaborative work by NMSA students and faculty. The series was co-founded by Kurt Isaacson, Hakim Bellamy, and Sandy Zane in spring of 2018, and has featured student performances from all five arts departments at NMSA: visual art, theater, dance, music, and creative writing.
The Art of Text Painting
NMSA students share both poetry and music inspired by their work on “text painting,” the technique of evoking the emotions present in musical composition. The evening will feature student readings and performances curated by Denise Hinson, Coordinator of Creative Writing, and supported by Darci Balkcom, Voice Instructor & Vocal Division Coordinator.
Armond Lara hosts a closing reception for his Flying Blue Buffalo installation on Saturday, November 17 from 5 to 7 pm. The Santa Fe artist collaborated with form & concept on this monumental art installation that tells the centuries-long story of enslaved Native American children. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.
Tania Larsson starts with the land. Her materials are harvested from nature, then combined with silver, gold, and precious stones. The combination of traditional craft with a contemporary education results in striking, intricate adornment.
“My heritage is an integral part of who I am and my work,” said Tania Larsson in an interview with UNUM Magazine. “I wanted to present myself as a Gwich’in woman and needed cultural indicators that could be worn anywhere.”
Larsson maintains a studio in Yellowknife, but she hand delivers her jewelry works to our gallery shop. View some of our favorites below.
Friends of Architecture Santa Fe presents an open-format design charrette on Saturday, November 3 from 2 to 4 pm. In response to Santa Fe’s current housing crisis, participants will present blue-sky design concepts for building sites, housing types, financial models, and/or policy solutions. This charrette is the second and final part of an event series, Housing Santa Fe: New Approaches to Solving Santa Fe’s Housing Crisis. The first part is a forum and kick-off event on Saturday, September 22, also taking place at form & concept.
Design charrettes are intended to elicit broad thinking and strong ideas from the design community. Submission requirements will be simple, in order to encourage graphic presentations that are clear and compelling, but not overly time consuming. More detailed information will be provided, but design proposals will likely include:
Brief design statement or narrative
Site analysis and /or explanatory diagrams
Site plan or diagram
Unit floor plans
Digital 3D models, massing studies and/or experiential view
Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most all photographs have in common: they’re flat. For a new group exhibition at form & concept, ten artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere.
Whether they’re gelatin silver prints or daguerreotypes, there’s one thing that most photographs have in common: they’re flat. For a new group exhibition at form & concept, eleven artists from across the United States shatter this convention by applying craft media to photography—and vice versa. Hand/Eye presents images with the texture and volume of sculptures, vaulting a medium that’s often trapped behind glass into the viewer’s sphere. The artworks in the show incorporate a wide array of materials, including fiber, cast glass, micaceous clay and human hair. Call it super-alternative process photography.
Above: David Samuel Stern, Nouri, photographic prints on translucent vellum physically cut and woven together.
We’re excited to announce that Kylee Aragon is our new Administrative Coordinator! Kylee was born and raised in Albuquerque, NM. She received a BFA in Art History from the University of New Mexico. Kylee began her gallery experience at Tamarind Institute, where she developed a deep love for works on paper. While Kylee is not a printmaker she is a self-proclaimed print nerd who enjoys speaking in great detail about process, paper, and the print market. She is excited to bring her passion for art to form & concept.