Santa Fe artist Armond Lara hosts a closing reception for hisFlying Blue Buffalo installation on Saturday, November 17 from 5 to 7 pm. Lara collaborated with form & concept on this monumental art installation that tells the centuries-long story of enslaved Native American children. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.
Matthew Mullins hosts an artist talk for his solo exhibition The Sun In Our Boneson Saturday, October 20 from 2 to 3 pm. When Mullins began working on the showlast year, he was shooting for the stars. “I thought about this spectrum of very earthy and grounded to the cosmos,” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The exhibition opens with a reception on Friday, September 28 from 5 to 7 pm.
Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.
The monumental body of work, which will fill form & concept’s ground floor, is united by patterns that repeat throughout the universe at infinite scales. The Sun in our Bones debuts on Friday, September 28 from 5 to 7 pm. Mullins will host an artist talk on Saturday, October 20 from 2 to 3 pm and closing reception on Saturday, November 17 from 5 to 7 pm.
Join form & concept’srepresented artists for a gallery talk on Saturday, August 25 from 2 to 3 pm. They’re all featured in theform & concept Annual Exhibition 2018, a showcase for each artist’s latest work and a collective expression of the gallery’s overarching mission. The exhibition opens Friday, July 27, 5-7 pm, and runs through September 15, 2018.
Soul of Nations, a Washington, D.C. and Arizona-based nonprofit that works to uplift Indigenous communities throughout the Americas, presents this juried exhibition of Native teen artists from Southwest reservations. The 15 featured artists all took part in the organization’s Brea Foley Art Program, which awarded three of them with a special residency at New York University’s Tisch School of the Arts. The exhibition opens on the weekend of SWAIA Santa Fe Indian Market and offers boundary-pushing aesthetic statements from a new generation of Indigenous artists. The theme of the exhibition is “Honor the Earth.”
form & concept’s represented artists come together for this dynamic group exhibition. form & concept Annual Exhibition 2018 is a showcase for each artist’s latest work, and a collective expression of the gallery’s overarching mission. Since its founding in May 2016, form & concept has added ten artists to its official roster. They maintain cross-disciplinary practices that contribute to the gallery’s creative conversation about the intersections between art, craft and design. form & concept Annual Exhibition 2018 opens Friday, July 27, 5-7 pm, and runs through September 15, 2018. A number of the featured artists will conduct a gallery talk on Saturday, August 25 from 2 to 3 pm.
New Mexico School for the Arts is hard at work on renovations for their new Railyard location, and they’re wasting no time injecting fresh creative energy into the arts district. The arts high school presents a special performance series at form & concept, hosted by faculty members and showcasing outstanding student musicians, creative writers and poets. Additional details about the featured student artists for upcoming Young Masters events are forthcoming.
We’re honored to announce that internationally renowned jewelry designers Robin Waynee and Ryan Roberts are form & concept’s newest represented artists. The couple has worked side-by-side since 1997, and though they strongly influence each other, they maintain separate practices and bodies of work. They’ll present new designs at the special event Introducing Robin Waynee & Ryan Roberts on Friday, June 29 from 5 to 7 pm.
Robin Waynee learned at an early age how creativity and hard work can lead to fulfillment. A member of the Saginaw Chippewa Tribe, Robin was born and raised in Mio, Michigan along with six siblings. Following her family to Santa Fe, New Mexico in 1991, and continuing to work in the family business of custom furniture making, Robin began designing her own pieces and pursued woodworking for several years.
After meeting local jeweler Ryan Roberts in 1997, Robin became inspired by his work and discovered a burning desire to create jewelry. Her wide range of jewelry styles, creative choices of precious stone and metal combinations and anodizing schemes, along with her careful selection of quality materials and attention to detail make Robin’s jewelry highly sought after by the discriminating collector and devotee of exclusive fine jewelry.
Born in the small village of Chimayo in Northern New Mexico, Ryan was raised in a family in which almost everyone is an artist. When he was a young teen, Ryan lived in Hawaii for a year, where he spent time with his aunt Gayle Bright, a talented sculptor and jewelry designer. Seeing the skill and care with which she made her art inspired him, and he began to cultivate a love and appreciation of jewelry making which would lead him to his life work.
Upon returning home to New Mexico, just after his 16th birthday, Ryan secured an apprenticeship at a local jeweler’s studio. By the age of 19, Ryan was hired by one of Santa Fe’s most talented local jewelers, Mario Chavez. In this environment, the young artist was exposed to an expanded array of complex tools and techniques. Ryan’s reputation grew as one of the finest jewelers in Santa Fe. Later, Ryan met the only person he had ever taken as an apprentice: his future wife, Robin Waynee. The two would both go on to become interationally celebrated jewelers.
For the second entry in our new Curator’s Selection video series (check out the first one here), form & concept gallery director Frank Rose discussed an artwork by Matthew Mullins from the group exhibition Inner Orbit. Matt’s mixed-media painting The Sun Is In Our Bones is an anchor of the show, which explores personal and cultural visions of outer space, and it’s also an introduction to his next body of work. In late September, he’ll debut a solo exhibition called The Sun In Our Bones that will span our ground floor. Learn more about the painting in the video above, then click over to the exhibition page to discover how it connects with the themes of the forthcoming show.
Here is Matt’s meditation on his painting The Sun Is In Our Bones:
The Sun Is In Our Bones is a meditation on the cosmic origins of the elements that comprise our bodies. The elements in our bodies such as carbon, calcium and iron were forged by the extreme forces that exist inside stars, supernovae and other cosmic events. It’s fascinating to think about the journey our bodies’ atomic ingredients have had, and that all of those individual atoms are now working together to form you and me. These elements that have existed for eons are engaged in a mysterious dance that allows us to maintain our complicated biological processes and even consciousness, empathy and love.
The black paint in this piece is made from burnt cow bones. The atoms of calcium and phosphorus from those bones, just like in our bones, were created in the stars. So, the material used in this painting was actually created in space and once provided life to other beings. The title The Sun In Our Bones is not only poetic, it can be taken somewhat literally. The bare linen that the stars seem to be growing into represents yet-to-be-created space. The handprints on the sides are traced from my hands and my wife’s hands, and represent the evolution of human consciousness from the elemental, raw ingredients created inside the stars.
Crystalline and Constellate are meditations on the subatomic world within our bodies. These paintings are nearly photo-realistic depictions of a matrix of atoms being lit up with a laser beam. The source photos that I painted from were taken with an electron microscope. I am awestruck by the intelligent orderliness, but also the mysterious fluidity, of the world experienced at this scale. Our own bodies look similar when viewed from a small enough vantage point.
Check out new wearable artworks by three artists from the form & concept shop—including two designers who are new to our roster!
Suzanne Schwartz first discovered the freedom that art could bring when her grandmother taught her to sew and knit. Textiles inspired her even as a child: with their variety of patterns and textures, they opened her eyes to art’s boundless possibilities. As an adult, her creative medium moved from textiles to metals, but the stitches came with her, as seen in her Interwoven Collections. She finds texture and form in nature all around her: the surface of a leaf, the pattern of lichen on a branch, the curve where hills meet, the shadows of water over rocks. These lines and fluid shapes become part of her jewelry.
Julie Slattery‘s wearable sculptures explore emotional responses of attachment and loss. The objects she creates reflect sensations of unease, oddity, and a recognition of something that was or could have been. Slattery is an Albuquerque-based artist who works at the Los Ranchos Fine Art Foundry. Through the process of casting, she creates artwork that necessitates the destruction of an original object. This is often representative of crucial moments or pivotal experiences in her life.
Kat Cole finds meaning through the observance and intimate awareness of the places she inhabits. With each geographic change, she has become more attuned to the natural and man-made attributes that make a location unique. She looks to the built environment of the city where she lives for the formal qualities of her work: materials, forms, colors and surface qualities. The steel and concrete structures that surround us are evidence of human inhabitants, past and present. Cole distills her experiences of these monumental structures into the intimate scale of jewelry. They are completed when worn on the landscape of the body.
Click here to browse the complete form & concept shop collection.