Opening: Lisa Klakulak | Since Taos

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Lisa Klakulak presents Since Taos: Contraction of Mass, Concision of Thought. The solo exhibition of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. The collection simultaneously acts as a vivid portrait of Klakulak’s emotional journey and manifestation of her unique way of processing the world through fiber creations. “Like any piece of art you make, you are releasing an idea into the object,” Klakulak says. “It’s a completion of a certain cycle, and it’s interesting when someone on the other side spins it into their own emotive universe.” Klakulak’s work voices ideas about growth, human connection, mental stability, and the formation of personhood, as well as social commentary on issues of gender, income inequality, and culture.

Klakulak appears at a preview artist talk of Since Taos on Friday, February 22 from 4 to 5 pm. The opening reception directly follows, from 5 to 7 pm. The artist presents a registration-only felting workshop on February 23 and 24, 2019.

Learn more about this exhibition.

EVENTS

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | Register Here.

Preview Artist Talk: Lisa Klakulak

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Lisa Klakulak appears at this special preview of Since Taos: Contraction of Mass, Concision of Thought, directly preceding the opening reception of the solo exhibition. The series of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. Klakulak thinks of her life since that moment in distinct phases. “The works are all related to these leaps of faith that I have taken,” she says. “I want to think about, or articulate what I’m thinking about, in a manner that I can translate into a physical form.” Join her for an interactive tour of the show, just before its official debut.

Learn more about this exhibition.

EVENTS

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | SOLD OUT.

Debra Baxter | Elegant Experimentation

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Debra Baxter photographed in her studio by Suzanna Finley.

 

“Even though I am interested in very traditional materials within the history of sculpture, I don’t want to be boring and stuck in that history.” Debra Baxter said in an interview with One 2 Three’s Practice Practice. “I want to mix them in a way that no one has.”

 

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Breastplate (Reveal), bronze and quartz crystal, 18 x 11 x 3 in

 

As a master of material inversion, Debra transforms dense materials into light and flowing sculptures, or fragile mediums into resilient structures.

 

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The end result is elegant – but dangerous – as seen in her Lace Throwing Star, which gives the delicate textile an edge.

 

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Unapologetic Glory 

Debra received her MFA in Sculpture from Bard College. Her wearable sculpture Devil Horns Crystal Brass Knuckles (Lefty) is featured in the permanent collection of the Smithsonian’s Renwick Gallery. She debuted her solo show, Tooth & Nail, at form & concept this past spring.

Click here to view more of Debra’s work in our collection. To view pieces from Debra’s jewelry line, db/cb, click here.

To learn more about Debra, please inquire or contact us at 505-216-1256

This Saturday: Matthew Mullins Artist Talk

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This Saturday, Matthew Mullins hosts an artist talk for his solo exhibition The Sun In Our Bones. When Mullins began working on the monumental show last year, he was shooting for the stars. “I thought about this spectrum of very earthy and grounded to the cosmos,” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The exhibition is on view through November 17, 2018. Scroll down to see selections from the exhibition, and click here to browse all of the artwork online.

 

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Matthew Mullins, Source of the Rio Nambe, oil on canvas

 

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Matthew Mullins, Dome, 19th century engraving with gold leaf
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Matthew Mullins, Chama River, archival pigment print

Press Roundup: Matthew Mullins | The Sun In Our Bones

Tonight, Santa Fe artist Matthew Mullins presents his solo exhibition The Sun in Our Bones. Mullins’s work is inspired by the intrinsic links between humans and the natural world. He has a lot of ground to cover, which is why we’ve dedicated our entire ground floor to showcase his paintings, photographs, and sculptures.

We visited Matthew’s studio to talk about his process and inspiration for his show. “I want people to look beyond what’s right in front of us,” says Mullins. “And make them aware of our own cosmic origins.” Check out the video above to learn more about his artistic practice.

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Mullins also gave Megan Bennett of the Albuquerque Journal a tour of his studio. Here’s an excerpt:

Mullins thinks of the patterns as a representation of the human experience of being out there nature.

“If you’re in one of these places or in nature just staring off into the trees, I feel the mind kind of wanders a little bit,” he said. “Like you’re looking at the landscape, but other thoughts come in. You lose it, and then you see the landscape.

“So I like the representational qualities with the landscape, as well as the abstract patterns. The brain can go from experiencing the depth and light of the landscape to the flatness and rhythm of the abstraction. The brain toddles back and forth, and it creates a more dynamic experience that’s kind of uncontrollable.”

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Mullins was also the subject of Emily Van Cleve’s article in the Santa Fe Arts Journal. Check out this quote:

An award-winning professional artist who moved to Santa Fe in 2011, Mullins has been working on the pieces in “The Sun in our Bodies” for the past two years.

“My work draws upon my fascination with visual perception and the forces of nature,” he says. “By integrating human-made constructs with natural environments, I’m composing a relationship that is often deconstructed or forgotten in today’s society.

The press doesn’t stop there! The Santa Fe Reporter brought Mullins in for their 3 Questions Column. Here’s what he had to say about The Sun in Our Bone’s overarching theme:

The theme is trying to make art that can connect the viewer with nature and the cosmos. A lot of pieces in the show are about how the materials in our own body are made of the stars, and how the elements that give us life and the ability to have consciousness come from the stars. I’m really trying to drive that point home. The title of the show, The Sun in Our Bones, comes from a poem by poem by Nayyirah Waheed, and really conveys what I’m trying to do with art.

The Sun in Our Bones opens September 28th at 5 PM and runs through November 17th. Mullins will conduct an Artist Talk on the 20th of October.

 

Opening: Matthew Mullins | The Sun In Our Bones

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Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.

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It’s World Rhino Day!

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Elana Schwartz, Meditation on Impermanence, bronze, 12 x 10.5 x 8.5 in. Available in two patinas.

September 22 is World Rhino Day! Just in time for the holiday, Elana Schwartz has completed a fantastical rhino sculpture in bronze. We’re donating 10% of the proceeds from the artwork’s sale to the International Rhino Foundation. Help save the rhinos, and add this stunning artwork to your collection.

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“The Earth is on the verge of a mass extinction event,” said Schwartz. “Today, plants and animals on earth’s surface are becoming extinct at a faster rate than ever before. The corruption of earth’s shared natural resources informs us that humanity is inseparable from the rest the natural world and leads us the confront and thus act on the untimely impermanence of all existence.”

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At the start of the 20th century, 500,000 rhinos roamed the earth. Today, only 29,500 rhinos survive in the wild. Learn more about the rhino crisis and how you can help here.

 

Preview: Matthew Mullins | The Sun In Our Bones

Matthew Mullins- The Sun In Our Bones- Oil on Canvas- Form and Concept Gallery- Santa Fe New Mexico

Matthew Mullins is an avid hiker and distance runner, and lately he’s been leaving artwork behind on his adventures through New Mexico’s high desert. He’ll install pinhole cameras in remote areas, note their coordinates, and return for them weeks or months later. The final images reflect the shifting path of the sun and other natural phenomena—that is, if Mullins can retrieve them. Weather and wild animals have destroyed several cameras, and others have vanished without a trace. Despite the occasional lost artwork, Mullins says his far-flung creative process is worth the risk.

“With these pinhole photos, I’m presenting different ways to look at nature and different ways of seeing time,” the Santa Fe artist explains. “The incredibly long exposures require the cameras to be in remote locations, which always involves leaps of faith.” In his solo exhibition The Sun in Our Bones, opening Friday, September 28 from 5 to 7 pm, Mullins presents photographs, paintings and sculptures inspired by the intrinsic links between humans and the natural world. An artist talk follows on October 20, and a closing reception takes place on November 17.

Matthew Mullins- Orphan Mesa- Oil on Canvas- Form and Concept Gallery- Santa Fe New Mexico

When Mullins began working on The Sun in Our Bones last year, he was shooting for the stars. “I thought about making a series of artwork within a spectrum of very earthy and grounded to cosmic. I wanted to paint nature and natural processes from the subatomic world to the stars” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The Santa Fe artist has been working on a series of highly unconventional landscape paintings since moving to New Mexico from Berkeley, California in 2011. The works depict scenes from nature, often in a monochrome palette, with geometric patterns inspired by human-made designs cutting through them. A concurrent series of watercolor paintings features mandala patterns dotted with countless stars.

Branching out even further, the artist started experimenting with several new mediums. He gathered dry, twisted pieces of juniper wood on his outdoor excursions and brought them back to his studio, cleaning them, burnishing them and covering them with shiny graphite to accentuate their lines and textures. Through the pinhole photography series, Mullins found a method for depicting a temporal experience of landscape. “I really wanted to track time in a different way and also show the movement of our planet around the sun.  I didn’t think I could really get that in my paintings,” he says. “I love the idea of having these pinhole cameras out in the world. They’re working right now, so I’m making art 24/7.”

The Sun in Our Bones will span form & concept’s ground floor, the second show in the gallery’s two-year history (after Thais Mather’s Reckless Abandon in November 2017) to devote an entire level to a single artist. The title of the exhibition is a reference to an unconventional material Mullins has incorporated into some of his cosmic paintings: pigment made from burnt animal bones. “The calcium and phosphorous in those bones, and our own, are made in stars,” Mullins says. “It’s truly all connected.”

Matthew Mullins- Obsidian Ridge- Pinhole Photograph- Form and Concept Gallery- Santa Fe New Mexico

For Mullins, the exhibition is a culmination of 15 years of work as a professional artist. Originally from the Bay Area of California, he received his MFA from University of California Berkeley. There, he began his career with his Artifacts & Archives paintings, a series of photo-realistic watercolors that replicate the archival environments and materials he had access to during his graduate studies.

Mullins received the prestigious Eisner Prize for Visual Art in 2010, a year before relocating to New Mexico. Following the move, he was inspired by the desolate, sweeping landscapes of the Desert Southwest to shift from an illustrative style to semi-abstraction. Through his latest work, Mullins has sought to show the connection between human consciousness and the natural world. “Humans are part of the natural world,” says Mullins. “But we often become so focused on our individuality that we lose track of that greater connection. My work is about reintegrating with nature and finding unity in that relationship.”

Learn more about this exhibition.
RSVP for the opening on Facebook.