Debra Baxter | Ghost Heart

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Debra Baxter is back in Seattle.

Her new solo show, Ghost Heart, opens tomorrow at Roq La Rue.

The show is already garnering press, with recent write-ups by Hi-Fructose and Juxtapoz.

Inspired by a medical process created by Dr. Doris Taylor, where a heart’s blood cells are removed until only a “protein scaffold” remains. The now colorless, lifeless heart is then injected with millions of bone-marrow stem cells, until the heart begins beating once again.

This phenomenon caused Debra to consider the boundary between life and death, and how the line is more amorphous that previously believed.

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Roq La Rue explains, “Simultaneously, she became intrigued with the popular Victorian era iconography of disembodied hands that existed predominantly in jewelry, in glass and on gravestones. The attributed meaning of that symbolism is depicting the spirit of a passed person guiding a dying loved one into the next life.”

Ghost Heart debuts alongside Rebecca Chaperone, a painter that also incorporates crystals into her body of work. As the gallery says, “Crystals are an integral aspect to both the hard earth science of geology, as well as a key component in various mystical studies, with an array of attributes and powers attributed to them. Occasionally dismissed as just fluffy ‘woo woo’ mystical mumbo jumbo coming from the New Age movement, crystals actually have been revered by various cultures throughout time both for their perceived occult qualities as well as their sheer beauty.

Ghost Heart opens April 11th at Roq La Rue in Seattle, Washington and runs through May 5th.

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Ebb & Flow | Matthew Szösz

ouroboros matthew szöszOuroboros, glass, 14 x 24 x 2 4in

 

Most artists try to avoid failure. For Matthew Szösz, it’s a welcome occurrence. He estimates about 75 to 80 percent of his artworks break, but working through the process is the real reward for the glass artist.

The Seattle artist is all about experimentation. His oeuvre features unfathomable glass sculptures: woven structures and inflated forms that seem to defy the laws of physics.

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Floret, glass, 16 x 14 x 16 in

 

Matthew is fascinated by the properties of glass as it shifts from solid to liquid and back again. Successfully producing the conditions to reshape the medium is a process that demands scientific precision and bold experimentation.”

It’s a lot more like working with a partner than working with a material,” says Szösz of working with glass. “You’re not just imposing your idea on something else. There’s a response from the material that’s not necessarily predictable.”

 

matthew szöszMatthew Szösz photographed by Corning Museum of Glass.

His innovation earned him a spot in the Smithsonian’s Renwick Gallery exhibition 40 under 40: Craft Futures in 2012. His solo show, Minimal Tension, spanned form & concept’s ground floor last spring.

“If I wasn’t being surprised, I would get bored and stop playing around with it,” says Matthew. “That surprise, that thing where you create something that’s independent of you a little bit, where it’s as much a product of the material and circumstance that you set up as well as your own vision, that’s the thing that’s kind of exciting for me.”

matthew szösz untitled (inflatable) no. 81p

 

To learn more about Matthew, please contact us at 505-216-1256. Click here to view all works by Matthew Szösz in our collection.

Opening: Lisa Klakulak | Since Taos

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Lisa Klakulak presents Since Taos: Contraction of Mass, Concision of Thought. The solo exhibition of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. The collection simultaneously acts as a vivid portrait of Klakulak’s emotional journey and manifestation of her unique way of processing the world through fiber creations. “Like any piece of art you make, you are releasing an idea into the object,” Klakulak says. “It’s a completion of a certain cycle, and it’s interesting when someone on the other side spins it into their own emotive universe.” Klakulak’s work voices ideas about growth, human connection, mental stability, and the formation of personhood, as well as social commentary on issues of gender, income inequality, and culture.

Klakulak appears at a preview artist talk of Since Taos on Friday, February 22 from 4 to 5 pm. The opening reception directly follows, from 5 to 7 pm. The artist presents a registration-only felting workshop on February 23 and 24, 2019.

Learn more about this exhibition.

EVENTS

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | Register Here.

Preview Artist Talk: Lisa Klakulak

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Lisa Klakulak appears at this special preview of Since Taos: Contraction of Mass, Concision of Thought, directly preceding the opening reception of the solo exhibition. The series of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. Klakulak thinks of her life since that moment in distinct phases. “The works are all related to these leaps of faith that I have taken,” she says. “I want to think about, or articulate what I’m thinking about, in a manner that I can translate into a physical form.” Join her for an interactive tour of the show, just before its official debut.

Learn more about this exhibition.

EVENTS

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | SOLD OUT.

Debra Baxter | Elegant Experimentation

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Debra Baxter photographed in her studio by Suzanna Finley.

 

“Even though I am interested in very traditional materials within the history of sculpture, I don’t want to be boring and stuck in that history.” Debra Baxter said in an interview with One 2 Three’s Practice Practice. “I want to mix them in a way that no one has.”

 

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Breastplate (Reveal), bronze and quartz crystal, 18 x 11 x 3 in

 

As a master of material inversion, Debra transforms dense materials into light and flowing sculptures, or fragile mediums into resilient structures.

 

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The end result is elegant – but dangerous – as seen in her Lace Throwing Star, which gives the delicate textile an edge.

 

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Unapologetic Glory 

Debra received her MFA in Sculpture from Bard College. Her wearable sculpture Devil Horns Crystal Brass Knuckles (Lefty) is featured in the permanent collection of the Smithsonian’s Renwick Gallery. She debuted her solo show, Tooth & Nail, at form & concept this past spring.

Click here to view more of Debra’s work in our collection. To view pieces from Debra’s jewelry line, db/cb, click here.

To learn more about Debra, please inquire or contact us at 505-216-1256

This Saturday: Matthew Mullins Artist Talk

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This Saturday, Matthew Mullins hosts an artist talk for his solo exhibition The Sun In Our Bones. When Mullins began working on the monumental show last year, he was shooting for the stars. “I thought about this spectrum of very earthy and grounded to the cosmos,” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The exhibition is on view through November 17, 2018. Scroll down to see selections from the exhibition, and click here to browse all of the artwork online.

 

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Matthew Mullins, Source of the Rio Nambe, oil on canvas

 

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Matthew Mullins, Dome, 19th century engraving with gold leaf

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Matthew Mullins, Chama River, archival pigment print

Press Roundup: Matthew Mullins | The Sun In Our Bones

Tonight, Santa Fe artist Matthew Mullins presents his solo exhibition The Sun in Our Bones. Mullins’s work is inspired by the intrinsic links between humans and the natural world. He has a lot of ground to cover, which is why we’ve dedicated our entire ground floor to showcase his paintings, photographs, and sculptures.

We visited Matthew’s studio to talk about his process and inspiration for his show. “I want people to look beyond what’s right in front of us,” says Mullins. “And make them aware of our own cosmic origins.” Check out the video above to learn more about his artistic practice.

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Mullins also gave Megan Bennett of the Albuquerque Journal a tour of his studio. Here’s an excerpt:

Mullins thinks of the patterns as a representation of the human experience of being out there nature.

“If you’re in one of these places or in nature just staring off into the trees, I feel the mind kind of wanders a little bit,” he said. “Like you’re looking at the landscape, but other thoughts come in. You lose it, and then you see the landscape.

“So I like the representational qualities with the landscape, as well as the abstract patterns. The brain can go from experiencing the depth and light of the landscape to the flatness and rhythm of the abstraction. The brain toddles back and forth, and it creates a more dynamic experience that’s kind of uncontrollable.”

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Mullins was also the subject of Emily Van Cleve’s article in the Santa Fe Arts Journal. Check out this quote:

An award-winning professional artist who moved to Santa Fe in 2011, Mullins has been working on the pieces in “The Sun in our Bodies” for the past two years.

“My work draws upon my fascination with visual perception and the forces of nature,” he says. “By integrating human-made constructs with natural environments, I’m composing a relationship that is often deconstructed or forgotten in today’s society.

The press doesn’t stop there! The Santa Fe Reporter brought Mullins in for their 3 Questions Column. Here’s what he had to say about The Sun in Our Bone’s overarching theme:

The theme is trying to make art that can connect the viewer with nature and the cosmos. A lot of pieces in the show are about how the materials in our own body are made of the stars, and how the elements that give us life and the ability to have consciousness come from the stars. I’m really trying to drive that point home. The title of the show, The Sun in Our Bones, comes from a poem by poem by Nayyirah Waheed, and really conveys what I’m trying to do with art.

The Sun in Our Bones opens September 28th at 5 PM and runs through November 17th. Mullins will conduct an Artist Talk on the 20th of October.

 

Opening: Matthew Mullins | The Sun In Our Bones

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Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.

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It’s World Rhino Day!

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Elana Schwartz, Meditation on Impermanence, bronze, 12 x 10.5 x 8.5 in. Available in two patinas.

September 22 is World Rhino Day! Just in time for the holiday, Elana Schwartz has completed a fantastical rhino sculpture in bronze. We’re donating 10% of the proceeds from the artwork’s sale to the International Rhino Foundation. Help save the rhinos, and add this stunning artwork to your collection.

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“The Earth is on the verge of a mass extinction event,” said Schwartz. “Today, plants and animals on earth’s surface are becoming extinct at a faster rate than ever before. The corruption of earth’s shared natural resources informs us that humanity is inseparable from the rest the natural world and leads us the confront and thus act on the untimely impermanence of all existence.”

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At the start of the 20th century, 500,000 rhinos roamed the earth. Today, only 29,500 rhinos survive in the wild. Learn more about the rhino crisis and how you can help here.