Closing Reception: Flying Blue Buffalo Installation

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Santa Fe artist Armond Lara hosts a closing reception for his Flying Blue Buffalo installation on Saturday, November 17 from 5 to 7 pm. Lara collaborated with form & concept on this monumental art installation that tells the centuries-long story of enslaved Native American children. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.

Learn more about this exhibition.

Events

Preview with guest speaker Estevan Rael-Gálvez:
Thursday, August 16, 5:30-6:30 pm | RSVP on Facebook.

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Educational Event: Saturday, August 18, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Opening: Matthew Mullins | The Sun In Our Bones

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Santa Fe artist Matthew Mullins presents a solo exhibition of paintings, photographs and sculptures, inspired by the intrinsic links between humans and the natural world. Known for his mixed-media paintings that visually connect landscapes with human-made, geometric patterns, Mullins broadens his practice to encompass photography and sculpture. With this expanded artistic palette, he draws viewers across time and space—from a windswept patch of grass to the swirling cosmos.

The monumental body of work, which will fill form & concept’s ground floor, is united by patterns that repeat throughout the universe at infinite scales. The Sun in our Bones debuts on Friday, September 28 from 5 to 7 pm. Mullins will host an artist talk on Saturday, October 20 from 2 to 3 pm and closing reception on Saturday, November 17 from 5 to 7 pm.

Learn more about this exhibition.

Events

Opening Reception: Friday, September 28, 5-7 pm | RSVP on Facebook.
Artist Talk: Saturday, October 20, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Educational Event: Flying Blue Buffalo Installation

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Santa Fe artist Armond Lara convenes professional and amateur historians to discuss the story behind his Flying Blue Buffalo installation on Saturday, August 18, 2-3 pm. The monumental art installation, comprising 75 winged buffalo sculptures, tells the centuries-long story of enslaved Native American children. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.

Learn more about this exhibition.

Events

Preview with guest speaker Estevan Rael-Gálvez:
Thursday, August 16, 5:30-6:30 pm | RSVP on Facebook.

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Educational Event: Saturday, August 18, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Opening: Armond Lara | Flying Blue Buffalo Installation

RSVP on Facebook.

Armond Lara collaborates with form & concept on a monumental art installation that tells the centuries-long story of enslaved Native American children. The Santa Fe artist will send 75 hand-painted, cast resin Flying Blue Buffalo sculptures soaring through the gallery’s atrium. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience. Each sculpture in the suspended flock will be labeled with the name of an abducted child. The installation debuts at a special reception on Friday, August 17, 5-7 pm, on the weekend of Santa Fe Indian Market.

Learn more about this exhibition.

Events

Preview with guest speaker Estevan Rael-Gálvez:
Thursday, August 16, 5:30-6:30 pm | RSVP on Facebook.

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Educational Event: Saturday, August 18, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Preview: Flying Blue Buffalo Installation

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Dr. Estevan Rael-Gálvez of Santa Fe, who is writing a book on the topic of Native American slavery, will speak at this preview of Armond Lara’s Flying Blue Buffalo installation on Thursday, August 16, 5:30-6:30 pm. An opening reception for the piece follows on Friday, August 17.

Armond Lara collaborates with form & concept on a monumental art installation that tells the centuries-long story of enslaved Native American children. The Santa Fe artist will send 75 hand-painted, cast resin Flying Blue Buffalo sculptures soaring through the gallery’s atrium. Inspired by his own family history, Lara dreamed up the winged buffalo as a new symbol of Native survival and resilience.

Learn more about this exhibition.

Estevan Rael-Gálvez

With ancestral connections to both Hispanic and indigenous communities, Dr. Rael-Gálvez was raised working on a farm and ranch stewarded by his family for generations in Costilla, New Mexico. He holds a B.A. from the University of California at Berkeley and an M.A. and Ph.D. from the University of Michigan at Ann Arbor, where he completed an award-winning dissertation, “Identifying Captivity and Capturing Identity: Narratives of American Indian Slavery.” He is currently working on the manuscript, The Silence of Slavery. Formerly the State Historian of New Mexico, Executive Director of the National Hispanic Cultural Center and Senior Vice President at the National Trust for Historic Preservation, Dr. Rael-Gálvez currently is a writer and the founding principal of Creative Strategies 360°, a consulting firm which supports transformative work within communities and organizations, including his present project, an initiative on “Truth, Racial Healing and Transformation.”

Events

Preview with guest speaker Estevan Rael-Gálvez:
Thursday, August 16, 5:30-6:30 pm | RSVP on Facebook.

Opening Reception: Friday, August 17, 5-7 pm | RSVP on Facebook.
Educational Event: Saturday, August 18, 2-3 pm | RSVP on Facebook.
Closing Reception: Saturday, November 17, 5-7 pm | RSVP on Facebook.

Artist Talk: Jaydan Moore | Dust

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Join Jaydan Moore for an artist talk at form & concept on Saturday, June 30 from 2 to 3 pm. He discusses his solo exhibition Dust, featuring sculptures made from found, silver-plated tableware, and intaglio prints. Moore appears at the artist talk on Saturday, June 30 from 2 to 3 pm. The show opens with a reception on Friday, June 29, 5 to 7 pm.

Moore comes from a long line of California tombstone carvers, which might explain his obsession with the concept of commemoration. “The trade goes back four generations,” says the Virginia artist. “I grew up watching people make accommodations for loved ones, and turn their history into an object.” About six years ago, Moore began collecting silver-plated tableware to use as a raw material for intricate sculptures. By reshaping these culturally loaded objects, he turned them into vessels for his ideas about memory and material culture. In a new solo exhibition at form & concept, Moore manipulates scrap metal from previous artistic experiments to flip his conceptual universe on its head. “What are the stages of forgetting?” he asks.

Learn more about this exhibition.

Fragmentary Masterpieces.

Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Links #2, found silver-plated platter, 19 x 41 x 2 in.

Jaydan Moore‘s solo exhibition DUST opens tonight (Friday, 6/29, 5-7 pm), coinciding with our special reception Introducing Robin Waynee & Ryan Roberts. Jennifer Levin of Pasatiempo covered Moore’s show in a gorgeous piece titled “Fragmentary Masterpieces.” Check out a tidbit below, and make sure to read the whole article in print or online.

Moore holds a master of fine arts degree from the University of Wisconsin – Madison and teaches at Virginia Commonwealth University. An exhibition of his work, DUST, opens at Form & Concept on Friday, June 29. “I like to think of these silver-plated platters as having three weird little histories, or little lies,” he said. “The platters were mass-produced, made to look like they were from the 1800s—made to look old even though most of the stuff I use is from the 1940s through the 1980s. Then, there is the silver-plated material, which is usually brass or copper. This is the platter trying to look more valuable than it really is. Thirdly, there is the wear, the care thing. Some people polish or clean it all the time, and that can be an image of the value it had to them.”

Levin’s piece ends with this dazzling quote from Moore:

“I’ve been thinking about the show title and reading about dust—about how it’s this slow accumulation of everything. You don’t notice it until it’s built up over time, and it’s something we are always trying to clean and change. But dust is valuable because it contains the environment that it is in. Dust is everything that has happened.”

We’ll see you tonight from 5 to 7 pm! Make sure to RSVP on Facebook to show your support.

Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Specimen #19, found silver-plated platter, 24.5 x 38.5 x 2 in.
Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Specimen #20, found silver-plated platter, 15 x 21 x 1.5 in.
Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Woven/Worn, found silver-plated platter, 22 x 22 x 2 in.
Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico
Jaydan Moore, Trimmings #2, found silver-plated platter, 6.75 x 9.5 x 0.5 in.

Opening: Jaydan Moore | Dust

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Virginia artist Jaydan Moore is known for his sculptures made from found, silver-plated tableware. After six years of manipulating these lost heirlooms to reflect on memory and commemoration, he’s accumulated thousands of scrap metal fragments. In his solo exhibition Dust, Moore incorporates the shards into a new series of sculptures. Through these palimpsests and an array of intaglio prints, the artist explores the slow deterioration of memory. Dust opens on Friday, June 29 from 5 to 7 pm, with an artist talk on Saturday, June 30 from 2 to 3 pm.

Learn more about this exhibition.

Preview: Jaydan Moore | Dust

Jaydan Moore- Dust Solo Exhibition- Form and Concept Gallery- Santa Fe New Mexico

Jaydan Moore comes from a long line of California tombstone carvers, which might explain his obsession with the concept of commemoration. “The trade goes back four generations,” says the Virginia artist. “I grew up watching people make accommodations for loved ones, and turn their history into an object.” About six years ago, Moore began collecting silver-plated tableware to use as a raw material for intricate sculptures.

By reshaping these culturally loaded objects, he turned them into vessels for his ideas about memory and material culture. In a new solo exhibition at form & concept, Moore manipulates scrap metal from previous artistic experiments to flip his conceptual universe on its head. “What are the stages of forgetting?” he asks. Dust opens on Friday, June 29 from 5 to 7 pm, with an artist talk on Saturday, June 30 from 2 to 3 pm.

Jaydan Moore- Leftovers 1- Found Silver-Plated Platter- Form and Concept Gallery- Santa Fe New Mexico

Moore earned his BFA in jewelry and metal arts from California College of the Arts. In graduate school at the University of Wisconsin—Madison, he started sculpting tableware because the material seemed like a strong proxy for memory. “Metal feels tough, but it actually has so much malleability,” Moore says. “It’ll take on dings and scratches and patinas, holding ‘recollections’ of experiences it’s been through.”

He imagined that the heirlooms were still connected to the people who once owned them, and that he could preserve these delicate biographical threads through his sculptures. In a concurrent series of intaglio prints, he recorded the patterns and marks on the platters before chopping them up. “The works on paper were initially just to document what I had found, and those last traces of whoever owned it before me,” he says. “I thought of it as the shadow of somebody.”

Jaydan Moore- Traces- Found Silver-Plated Platters- Form and Concept Gallery- Santa Fe New Mexico

Moore graduated with his MFA in 2012, and continued using the tableware as a sculptural medium. Six years on, Moore is an adjunct faculty member at Virginia Commonwealth University. His thoughts about how metal holds meaning have shifted considerably. “For so long, when I was making stuff I always thought there was this living memory in things, that I could feel the person before,” he says.

Lately he’s taken an interest in the way personal significance fades when an object changes hands. Moore realized that the clues he’d been following in the tableware said more about him than their previous owners. He developed an interest in the fragments of metal that were left behind in his studio. “I do so much conglomeration and cutting, so tons of material ends up in the scrap pile,” says Moore. “The earlier series was about the memory that endures, so maybe these scraps could speak to that slow deletion.”

Jaydan Moore- Dustings 3- Etching and Gold Leaf- Form and Concept Gallery- Santa Fe New Mexico

Dust features sculptures made from the glittering shards that landed on Moore’s cutting room floor. In his past work, the artist has taken pains to leave the flawed surfaces of the tableware relatively untouched. “In this series, I’m letting my own personal narrative of how I connect with the material be much more a part of what the viewer sees, or how I talk about it,” Moore says. “My fingerprints are now becoming patina marks on all of this.”

The exhibition also includes a new series of intaglio prints that show intricate tableware patterns fading away. Despite his recent meditations on memory’s decay, Moore can’t fully shake his earlier idea of objects as reliquaries of experience. “The child from the tombstone family believes that there is still this memory in there,” Moore says. “We wouldn’t still be talking about how much objects have a hold on us unless there was something deeply invested in it.”

Preview more artwork.
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Closing Reception: Debra Baxter | Tooth & Nail

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Join Debra Baxter for a last look at her solo exhibition Tooth & Nail at this closing reception on Friday, June 15 from 5 to 7 pm. The show officially closes on June 16, 2018.

Baxter frequently picks up materials she’s never used before, searching for novel ways to engage the histories of sculpture, jewelry, weaponry or drapery. For Tooth & Nail, the events of the #MeToo movement have fed into her continued interest in the strength, vulnerability and the raw power of the female voice. The courage of these women has activated work with a blend of toughness and vulnerability. “These contrasting materials carry a similar spirit,” she explains. “My sculptures sometimes look delicate, but when they’re finished, they are structurally resilient.”

Learn more about this exhibition.

Events

Opening Reception | Friday, April 27, 5-7 pm | RSVP on Facebook
Artist Talk | Saturday, May 19, 2-3 pm | RSVP on Facebook
Closing Reception | Saturday, June 15, 5-7 pm | RSVP on Facebook