Debra Baxter | Ghost Heart

debra baxter ghost heart, debra baxter sculpture, debra baxter, debra baxter santa fe

Debra Baxter is back in Seattle.

Her new solo show, Ghost Heart, opens tomorrow at Roq La Rue.

The show is already garnering press, with recent write-ups by Hi-Fructose and Juxtapoz.

Inspired by a medical process created by Dr. Doris Taylor, where a heart’s blood cells are removed until only a “protein scaffold” remains. The now colorless, lifeless heart is then injected with millions of bone-marrow stem cells, until the heart begins beating once again.

This phenomenon caused Debra to consider the boundary between life and death, and how the line is more amorphous that previously believed.

debra baxter, debra baxter sculpture

Roq La Rue explains, “Simultaneously, she became intrigued with the popular Victorian era iconography of disembodied hands that existed predominantly in jewelry, in glass and on gravestones. The attributed meaning of that symbolism is depicting the spirit of a passed person guiding a dying loved one into the next life.”

Ghost Heart debuts alongside Rebecca Chaperone, a painter that also incorporates crystals into her body of work. As the gallery says, “Crystals are an integral aspect to both the hard earth science of geology, as well as a key component in various mystical studies, with an array of attributes and powers attributed to them. Occasionally dismissed as just fluffy ‘woo woo’ mystical mumbo jumbo coming from the New Age movement, crystals actually have been revered by various cultures throughout time both for their perceived occult qualities as well as their sheer beauty.

Ghost Heart opens April 11th at Roq La Rue in Seattle, Washington and runs through May 5th.

debra baxter, debra baxter sculpture,

Ebb & Flow | Matthew Szösz

ouroboros matthew szöszOuroboros, glass, 14 x 24 x 2 4in

 

Most artists try to avoid failure. For Matthew Szösz, it’s a welcome occurrence. He estimates about 75 to 80 percent of his artworks break, but working through the process is the real reward for the glass artist.

The Seattle artist is all about experimentation. His oeuvre features unfathomable glass sculptures: woven structures and inflated forms that seem to defy the laws of physics.

floret matthew szösz, matthew szösz santa fe, matthew szösz

Floret, glass, 16 x 14 x 16 in

 

Matthew is fascinated by the properties of glass as it shifts from solid to liquid and back again. Successfully producing the conditions to reshape the medium is a process that demands scientific precision and bold experimentation.”

It’s a lot more like working with a partner than working with a material,” says Szösz of working with glass. “You’re not just imposing your idea on something else. There’s a response from the material that’s not necessarily predictable.”

 

matthew szöszMatthew Szösz photographed by Corning Museum of Glass.

His innovation earned him a spot in the Smithsonian’s Renwick Gallery exhibition 40 under 40: Craft Futures in 2012. His solo show, Minimal Tension, spanned form & concept’s ground floor last spring.

“If I wasn’t being surprised, I would get bored and stop playing around with it,” says Matthew. “That surprise, that thing where you create something that’s independent of you a little bit, where it’s as much a product of the material and circumstance that you set up as well as your own vision, that’s the thing that’s kind of exciting for me.”

matthew szösz untitled (inflatable) no. 81p

 

To learn more about Matthew, please contact us at 505-216-1256. Click here to view all works by Matthew Szösz in our collection.

Opening: Lisa Klakulak | Since Taos

RSVP on Facebook.

Lisa Klakulak presents Since Taos: Contraction of Mass, Concision of Thought. The solo exhibition of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. The collection simultaneously acts as a vivid portrait of Klakulak’s emotional journey and manifestation of her unique way of processing the world through fiber creations. “Like any piece of art you make, you are releasing an idea into the object,” Klakulak says. “It’s a completion of a certain cycle, and it’s interesting when someone on the other side spins it into their own emotive universe.” Klakulak’s work voices ideas about growth, human connection, mental stability, and the formation of personhood, as well as social commentary on issues of gender, income inequality, and culture.

Klakulak appears at a preview artist talk of Since Taos on Friday, February 22 from 4 to 5 pm. The opening reception directly follows, from 5 to 7 pm. The artist presents a registration-only felting workshop on February 23 and 24, 2019.

Learn more about this exhibition.

EVENTS

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | Register Here.

Preview Artist Talk: Lisa Klakulak

RSVP on Facebook.

Lisa Klakulak appears at this special preview of Since Taos: Contraction of Mass, Concision of Thought, directly preceding the opening reception of the solo exhibition. The series of 13 felt-based sculptures was created over a period of nearly two decades, since the freewheeling artist moved away from Taos, New Mexico in 2001. Klakulak thinks of her life since that moment in distinct phases. “The works are all related to these leaps of faith that I have taken,” she says. “I want to think about, or articulate what I’m thinking about, in a manner that I can translate into a physical form.” Join her for an interactive tour of the show, just before its official debut.

Learn more about this exhibition.

EVENTS

Preview Artist Talk: Friday, February 22, 4-5 pm | RSVP on Facebook.
Opening Reception: Friday, February 22, 5-7 pm | RSVP on Facebook.
Felting Workshop: Feb. 23-24, $315 | SOLD OUT.

Artist Talk: Nika Feldman | Spirits in the Material World

Nika Feldman hosts an artist talk for her solo exhibition Spirits in the Material World on Saturday, January 26 from 2 to 3 pm. Spirits in the Material World is an exploration of the coded language of garments, within Feldman’s native cultural context. The show’s title holds multiple references, one being as Feldman explains, “The belief that the spirits of both the maker and the wearer are held within a garment.” Another reference is to a song with the same name by The Police from the 1981 album Ghost in the Machine, which one could argue describes the unfortunate state of realities today. The underlying message within the song that resonates for Feldman is the description of a material culture, which is void of sacredness.

Learn more about this exhibition.

 

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook
Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Press Roundup: Nika Feldman | Spirits in the Material World

nika feldman crop top, nika feldman artist, nika feldman spirits in the material world, nika feldman art, nika feldman textiles, nika feldman t-shirts and pull tabls, form & concept nika feldman, form and concept nika feldman, form and concept spirits in the material world, santa fe gallery, santa fe form & concept, santa fe gallery nika feldmanCrop Top, recycled t-shirts & aluminum pull-tabs, embroidery, 32 x 50 in

 

Nika Feldman’s solo exhibition Spirits in the Material World opens Saturday, January 25 from 5-7 pm, coinciding with our sister gallery Zane Bennett Contemporary Art’s Stitched Ink. Both exhibitions deal with textiles, but with largely different implications.

“A culture’s clothing has its own language,” begins Megan Bennett of Albuquerque Journal’s write-up of Nika. “What that language is, or how cultural identities and values are reflected in garments, is what drives Nika Feldman’s work.” Bennett interviewed Feldman early this winter, excerpted here:

The pieces are intentionally made to be “garment-like” rather than actual clothing items, said Feldman, with the exception of an XXL black T-shirt she didn’t want to cut apart, and instead decorated with tabs and fringe tassles made from other shirts.

“When it’s artwork, people have to investigative, people have to go deeper into those narratives,” she said. “If it’s a wearable garment, it doesn’t go any farther than that. People see it as fashion, they want to know if it comes in their size, they want to know how much it is.”

 

nika feldman hooded cape, hooded cape nika feldman, nika feldman artist, nika feldman art, nika feldman form & concept, form & concept nika feldman, form and concept textils, form and concept gallery, santa fe galleries, santa fe gallery, new mexico galleryHooded Cape, recycled t-shirts & aluminum pull-tabs,embroidery, 50 x 40 in

 

Emily Van Cleve covered Spirits in the Material World in a feature on the Santa Fe Arts Journal. Here’s an excerpt:

 

“All around the world, people wear t-shirts,” says Feldman, a Santa Fe artist who moved to town from Nova Scotia at the end of 2017. “T-shirts were originally an undergarment. But now, through their logos, they inform others about the specific groups, companies, rock bands and organizations we like.” Feldman liked the idea of putting pull-tabs in her work for the same reasons she was drawn to t-shirts. They’re readily available. There’s an abundant supply of them. They’re also an integral part of Western culture.

 

nika feldman camo dress, nika feldman artist, nika feldman spirits in the material world, nika feldman art, nika feldman textiles, nika feldman t-shirts and pull tabs, form & concept nika feldman, form and concept nika feldman, form and concept spirits in the material world, santa fe gallery, santa fe form & concept, santa fe gallery nika feldmanCamo Dress, recycled t-shirts & aluminum pull-tabs,embroidery, 50 x 45 in

The Santa Fean also covered Spirits in the Material World for their Holiday Issue. Here’s an excerpt:

Nika Feldman describes herself as a textile artist, rag picker, and costume stenographer, and her job history includes stints in fashion design, social work, and sorting through clothing in a thrift store. Feldman weaves these disparate threads into a whole in the eight pieces displayed in Spirits in the Material World.

 

Spirits in the Material World opens January 25 and runs through March 23. Nika Feldman will conduct an Artist Talk on January 26 at 2 pm.

Debra Baxter | Elegant Experimentation

debra baxter, debra baxter artist, debra baxter in studio, form & concept, form and concept, santa fe gallery, santa fe artist, new mexico artist, new mexico sculptor, debra baxter sculpture, debra baxter portrait

Debra Baxter photographed in her studio by Suzanna Finley.

 

“Even though I am interested in very traditional materials within the history of sculpture, I don’t want to be boring and stuck in that history.” Debra Baxter said in an interview with One 2 Three’s Practice Practice. “I want to mix them in a way that no one has.”

 

debra baxter, debra baxter artist, debra baxter breasplate, breasplate reveal, debra baxter crystal sculpture, debra baxter bronze sculpture, bronze and crystal scultpure, bronze shirt sculpture, bronze victorian shirt sculpture

Breastplate (Reveal), bronze and quartz crystal, 18 x 11 x 3 in

 

As a master of material inversion, Debra transforms dense materials into light and flowing sculptures, or fragile mediums into resilient structures.

 

debra baxter, debra baxter artist, debra baxter scultpure, lace throwing star, lace throwing star artist, lace throwing star sculpture, bronze lace throwing star, santa fe sculpture, santa fe artist, bronze sculpture, material inversion art, debra baxter art, debra baxter lace throwing star

 

The end result is elegant – but dangerous – as seen in her Lace Throwing Star, which gives the delicate textile an edge.

 

debra baxter, debra baxter artist, debra baxter sculpture, debra baxter sculpture, debra baxter art, bronze sculputre, bronze wood

Unapologetic Glory 

Debra received her MFA in Sculpture from Bard College. Her wearable sculpture Devil Horns Crystal Brass Knuckles (Lefty) is featured in the permanent collection of the Smithsonian’s Renwick Gallery. She debuted her solo show, Tooth & Nail, at form & concept this past spring.

Click here to view more of Debra’s work in our collection. To view pieces from Debra’s jewelry line, db/cb, click here.

To learn more about Debra, please inquire or contact us at 505-216-1256

This Saturday: Matthew Mullins Artist Talk

matthew mullins, the sun in our bones, matthew mullins art, matthew mullins exhibition, matthew mullins solo exhibition, form & concept, form and concept, santa fe art

 

This Saturday, Matthew Mullins hosts an artist talk for his solo exhibition The Sun In Our Bones. When Mullins began working on the monumental show last year, he was shooting for the stars. “I thought about this spectrum of very earthy and grounded to the cosmos,” says Mullins. “How do you encompass that staggering span, and pull someone all the way through it?” The exhibition is on view through November 17, 2018. Scroll down to see selections from the exhibition, and click here to browse all of the artwork online.

 

matthew mullins, source of the rio nambe, the sun in our bones, matthew mullins artist, matthew mullins art, santa fe artist, new mexico art, santa fe art, form & concept, form and concept, santa fe gallery, santa fe art
Matthew Mullins, Source of the Rio Nambe, oil on canvas

 

Matthew Mullins, dome, santa fe artist, santa fe art, new mexico artist, matthew mullins artist, matthew mullins art, form & concept, form and concept, santa fe gallery, satna fe galleries
Matthew Mullins, Dome, 19th century engraving with gold leaf

matthew mullins, chama river, pinhole photography, santa fe artist, matthew mullins artist, new mexico art, new mexico artist, santa fe gallery, form & concept, form and concept
Matthew Mullins, Chama River, archival pigment print

Design Spotlights & Introductions!

Lisa Klakulak

lisa klakulak, felt jewelry, santa fe gallery, form & concept, form and concept, lisa klakulak artist, lisa klakulak jewelry, santa fe jewelry, form & concept shop, form & concept jewelry

Lisa Klakulak is an avid traveler, and often draws inspiration from far-flung landscapes to create stunning fiber artworks. In the past, she’s crafted wearables that evoke lava flows and glaciers. This fall, Lisa debuts a series that draws from the vernacular of the human body. The new works reflect the soft textures and hues of hair and skin.

“Attracted by its protective and nurturing qualities, I found wool fiber a relevant material to use in my work that’s related to concepts of human vulnerability and security,” Lisa says. “I attribute the sense of contentment and calm that I feel when I’m working in the studio to the constant touch involved in the process, as well as bringing an idea into fruition. You need that idea, that inspiration.”

 

lisa klakulak, felt jewelry, felt bracelet, lisa klakulak jewelry, lisa klakulak buy, felt jewelry, wearable art, felt fashion, santa fe gallery, form & concept, santa fe best gallery, form & concept shop, form and concept
Lisa Klakulak, Untitled Bracelet, felt mixed media

lisa klakulak, lisa klakulak jewelry, felt jewelry, wearable art, upcycled jewelry, mixed media jewelry, santa fe gallery, form & concept, form and concept, form & concept shop, santa fe jewelry
Lisa Klakulak, Tail, merino wool, cotton thread, vintage hot roller pins

Oaxacan Ceramics

oaxacan ceramics, santa fe gallery, form & concept, form and concept, santa fe galleries, santa fe ceramics, ceramic vase buy, form & concept shop
Oaxacan Ceramics, Tall Bartolo Vase, ceramic

Made by hand in Oaxaca, these ceramics are as functional as they are elegant. From spice jars to vases, Oaxacan ceramics adapt to contemporary lifestyles while maintaining Mexican traditions.

Introductions!

jordan eddy, jordan eddy santa fe, jordan eddy gallery director, form & concept director, form & concept, form and concept, form & concept santa fe, form and concept santa fe, santa fe gallery, new mexico gallery, what a cutie

Jordan Eddy is the new Gallery Director of form & concept and Zane Bennett Contemporary Art! Originally from Oregon, Jordan moved to Santa Fe in 2012 and quickly found himself immersed in the gallery community. He performed marketing and public relations work for galleries and museums in every Santa Fe arts district before landing at form & concept as Marketing Director. After two years in that role, he’s excited to take the helm at both galleries. Jordan also writes for a number of arts publications including The MagazineSanta Fe Reporter, and New Mexico Magazine.

 

savannah sakry, form & concept, form and concept, santa fe gallery, form & concept sales manager

Savannah Sakry is our new Sales Manager at form & concept, while our beloved Sales Manager Clara Holiday will continue to spearhead sales for the Zane Bennett Contemporary Art collection! Originally from Evergreen, CO, Savannah moved to New York City where she received a BFA in Photography from the School of Visual Arts. Relocating to Santa Fe in 2015, she began her experience with fine art sales working for the internationally acclaimed photo bookstore and contemporary photography gallery, photo-eye. While photography is Savannah’s first love she is just as enthusiastic about other mediums, and shares form & concept’s mission to challenge traditional distinctions between art, craft, and design.