Artist Talk: Nika Feldman | Spirits in the Material World

Nika Feldman hosts an artist talk for her solo exhibition Spirits in the Material World on Saturday, January 26 from 2 to 3 pm. Spirits in the Material World is an exploration of the coded language of garments, within Feldman’s native cultural context. The show’s title holds multiple references, one being as Feldman explains, “The belief that the spirits of both the maker and the wearer are held within a garment.” Another reference is to a song with the same name by The Police from the 1981 album Ghost in the Machine, which one could argue describes the unfortunate state of realities today. The underlying message within the song that resonates for Feldman is the description of a material culture, which is void of sacredness.

Learn more about this exhibition.

 

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook
Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Opening: Nika Feldman | Spirits in the Material World

Nika Feldman unveils a series of seven garment-like works along with accompanying objects of adornment, made from recycled t-shirt parts and salvaged aluminum can pull-tabs. Representing over 2,000 hours of handwork by the Nova Scotia artist, the intricate pieces are inspired by the coded language of clothing. “It’s an attempt to create a new dialect,” Feldman says. “In today’s world what does contemporary clothing say about North American culture?” 

Spirits in the Material World debuts with a special reception on Friday, January 25 from 5 to 7 pm. Feldman will host an artist talk on Saturday, January 26 from 2 to 3 pm and a workshop on Saturday, March 16 from 1 to 5 pm.

Learn more about this exhibition.

EVENTS

Opening Reception: Friday, January 25, 5-7 pm | RSVP on Facebook
Artist Talk: Saturday, January 26, 2-3 pm | RSVP on Facebook
Tees & Tabs Workshop: Saturday, March 16, 1-5 pm | Register

Press Roundup: Nika Feldman | Spirits in the Material World

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Nika Feldman’s solo exhibition Spirits in the Material World opens Saturday, January 25 from 5-7 pm, coinciding with our sister gallery Zane Bennett Contemporary Art’s Stitched Ink. Both exhibitions deal with textiles, but with largely different implications.

“A culture’s clothing has its own language,” begins Megan Bennett of Albuquerque Journal’s write-up of Nika. “What that language is, or how cultural identities and values are reflected in garments, is what drives Nika Feldman’s work.” Bennett interviewed Feldman early this winter, excerpted here:

The pieces are intentionally made to be “garment-like” rather than actual clothing items, said Feldman, with the exception of an XXL black T-shirt she didn’t want to cut apart, and instead decorated with tabs and fringe tassles made from other shirts.

“When it’s artwork, people have to investigative, people have to go deeper into those narratives,” she said. “If it’s a wearable garment, it doesn’t go any farther than that. People see it as fashion, they want to know if it comes in their size, they want to know how much it is.”

 

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Emily Van Cleve covered Spirits in the Material World in a feature on the Santa Fe Arts Journal. Here’s an excerpt:

 

“All around the world, people wear t-shirts,” says Feldman, a Santa Fe artist who moved to town from Nova Scotia at the end of 2017. “T-shirts were originally an undergarment. But now, through their logos, they inform others about the specific groups, companies, rock bands and organizations we like.” Feldman liked the idea of putting pull-tabs in her work for the same reasons she was drawn to t-shirts. They’re readily available. There’s an abundant supply of them. They’re also an integral part of Western culture.

 

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The Santa Fean also covered Spirits in the Material World for their Holiday Issue. Here’s an excerpt:

Nika Feldman describes herself as a textile artist, rag picker, and costume stenographer, and her job history includes stints in fashion design, social work, and sorting through clothing in a thrift store. Feldman weaves these disparate threads into a whole in the eight pieces displayed in Spirits in the Material World.

 

Spirits in the Material World opens January 25 and runs through March 23. Nika Feldman will conduct an Artist Talk on January 26 at 2 pm.

The Play Issue | Print Release Party & Fashion Show

Good Mood Studio, formerly known as 1905 Magazine, hosts a release party and fashion show for their winter release, The Play Issue. Directed by Keynan Johnson, the fashion show will echo the varied aesthetics and collaborative energy that has become synonymous with Good Mood Studio.

read more

Tania Larsson: Traditional Meets Contemporary

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Tania Larsson starts with the land. Her materials are harvested from nature, then combined with silver, gold, and precious stones. The combination of traditional craft with a contemporary education results in striking, intricate adornment.

“My heritage is an integral part of who I am and my work,” said Tania Larsson in an interview with UNUM Magazine. “I wanted to present myself as a Gwich’in woman and needed cultural indicators that could be worn anywhere.”

Larsson maintains a studio in Yellowknife, but she hand delivers her jewelry works to our gallery shop. View some of our favorites below.

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Long Muskox Horn and Sterling Silver Earrings
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Long Bison Horn and Sterling Silver Earrings
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Etched Caribou Horn and Sterling Silver Necklace
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Bison Horn and Sterling Silver Necklace
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Triangle Muskox Horn and Sterling Silver Earrings
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Porcupine Claw and Sterling Silver Earrings

 

 

Design Spotlights & Introductions!

Lisa Klakulak

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Lisa Klakulak is an avid traveler, and often draws inspiration from far-flung landscapes to create stunning fiber artworks. In the past, she’s crafted wearables that evoke lava flows and glaciers. This fall, Lisa debuts a series that draws from the vernacular of the human body. The new works reflect the soft textures and hues of hair and skin.

“Attracted by its protective and nurturing qualities, I found wool fiber a relevant material to use in my work that’s related to concepts of human vulnerability and security,” Lisa says. “I attribute the sense of contentment and calm that I feel when I’m working in the studio to the constant touch involved in the process, as well as bringing an idea into fruition. You need that idea, that inspiration.”

 

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Lisa Klakulak, Untitled Bracelet, felt mixed media
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Lisa Klakulak, Tail, merino wool, cotton thread, vintage hot roller pins

Oaxacan Ceramics

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Oaxacan Ceramics, Tall Bartolo Vase, ceramic

Made by hand in Oaxaca, these ceramics are as functional as they are elegant. From spice jars to vases, Oaxacan ceramics adapt to contemporary lifestyles while maintaining Mexican traditions.

Introductions!

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Jordan Eddy is the new Gallery Director of form & concept and Zane Bennett Contemporary Art! Originally from Oregon, Jordan moved to Santa Fe in 2012 and quickly found himself immersed in the gallery community. He performed marketing and public relations work for galleries and museums in every Santa Fe arts district before landing at form & concept as Marketing Director. After two years in that role, he’s excited to take the helm at both galleries. Jordan also writes for a number of arts publications including The MagazineSanta Fe Reporter, and New Mexico Magazine.

 

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Savannah Sakry is our new Sales Manager at form & concept, while our beloved Sales Manager Clara Holiday will continue to spearhead sales for the Zane Bennett Contemporary Art collection! Originally from Evergreen, CO, Savannah moved to New York City where she received a BFA in Photography from the School of Visual Arts. Relocating to Santa Fe in 2015, she began her experience with fine art sales working for the internationally acclaimed photo bookstore and contemporary photography gallery, photo-eye. While photography is Savannah’s first love she is just as enthusiastic about other mediums, and shares form & concept’s mission to challenge traditional distinctions between art, craft, and design.

Design Spotlight: Kat Cole

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Kat Cole, Red Folded Pendant, steel & enamel

When it comes to inspiration, Kat Cole looks to city skylines. Cole studies the constructed environment of her surroundings and replicates the steel structures at an intimate, wearable scale. Her steel and enamel creations are new arrivals to our gallery shop — in dazzling shades of red, yellow, and blue.

 

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Kat Cole, Red Open Oval Earrings, steel, enamel, & sterling silver
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Kat Cole, Red Dangle Hoop Earrings, steel, enamel, & sterling silver

 

Design Spotlight: Kat Cole, Robert Ebendorf & more.

Robert Ebendorf- Handmade Found Object Jewelry- Fish Necklace- Form and Concept Gallery- Santa Fe New Mexico

There’s new work in our gallery shop! You might recognize some familiar faces. Thais Mather recently re-imagined the 200,000 installation from her last solo exhibition with a series of four mask groups in the form & concept Annual ExhibitionRobert Ebendorf replenished his jewelry line with an eclectic collection of brooches, necklaces, and earrings. Snag them before they’re gone! Kat Cole sent us a fiery new necklace—as well as some chunky, industrial rings and brooches. Bunny Tobias is back with more Swarovski crystal and bronze clay creations. Bronze feathers, tourmaline, and undulating patterns are highlighted in this new line. See some of our favorites below, and click the images for more from each artist.

Thais Mather- Handmade Ceramic Jewelry- Form and Concept Gallery- Santa Fe New Mexico

Thais Mather.

Robert Ebendorf- Handmade Found Object Jewelry- Form and Concept Gallery- Santa Fe New Mexico

Robert Ebendorf.

Kat Cole- Handmade Enamel and Steel Jewelry- Form and Concept Gallery- Santa Fe New Mexico

Kat Cole.

Bunny Tobias- Handmade Bronze Clay Jewelry- Form and Concept Gallery- Santa Fe New Mexico

Bunny Tobias.

Press: American Jewelry from New Mexico

American Jewelry from New Mexico- Albuquerque Museum- Form & Concept Blog- Albuquerque New Mexico

Since we first blogged about Albuquerque Museum’s American Jewelry from New Mexico—which features six designers who show in the form & concept shop—there’s been quite a lot of press coverage on the exhibition. Kate Nelson of New Mexico Magazine wrote a blog post about the show when it opened in June. Here’s an excerpt:

From Spanish and Mexican silversmiths to Navajo and Zuni jewelry makers, New Mexico has gained a reputation for finely wrought baubles. But the blending of cultures and their traditions didn’t stop there. By tracking the evolution from the 1870s to the 21st century, visitors to the Albuquerque Museum exhibit, American Jewelry from New Mexico can essentially trace the history of the state. “There is so much jewelry being created here that’s never been shown as New Mexico jewelry,” says curator Andrew Connors.

Kathaleen Roberts of Albuquerque Journal also wrote a preview of the show. This is a tidbit that mentions our artist Debra Baxter:

Other pieces lean more toward the outrageous. Santa Fe artist Debra Baxter created a set of silver and crystal brass knuckles from quartz and silver-plated bronze. The internationally known artist recently completed a show at Washington, D.C.’s Renwick Gallery. “It’s much more of a conceptual piece,” Connors said. “It’s about power and authority and the idea of protecting yourself.”

More recently, Grace Parazzoli covered the exhibition for Santa Fe New Mexican and also mentioned Debra’s work:

The modern pieces, like those earliest in the exhibition, are materially innovative, from Debra Baxter’s brass knuckles crowned with aqua aura quartz (2017) to Kristin Diener’s New Orleans and Alabama/Mississippi Gulf Coast Love Story: Loss and Lament: Fertility Reliquary II (2005), a reliquary that sits upon a mannequin as though it were a chastity belt. The piece’s 23 materials include toy scissors, a Route 66 guitar pick, a candy wrapper, and vintage nude photographs. (Baxter and Diener live in Santa Fe and Albuquerque, respectively; both are from the Midwest.)

Learn more about the exhibition in our previous blog post, and check out work by the other form & concept artists featured in the show on our website. In addition to Baxter, form & concept designers Robert Ebendorf, Robin Waynee, Ryan Roberts, and Steven Ford & David Forlano of Ford / Forlano are all on view.

Image: Albuquerque Museum.

Open House: Canyon Road Creatives

Bunny Tobias - Art Instructor - Workshop - Santa Fe Workshop - Santa Fe Art Workshop - Santa Fe Instructor - Canyon Road Workshop

“Canyon Road is in flux right now—more than locals might realize,” says Sandy Zane. “It’s on the cusp of a contemporary revolution.” As owner of form & concept and Zane Bennett Contemporary Art, Zane has worked for years to foster a strong contemporary arts scene in the city’s Railyard District. Now she’s opening a dynamic new business on Canyon Road, and is determined to help turn the tide in the notoriously traditional gallery district. Canyon Road Creatives, located at 826 Canyon Road, is a national hub for highly unconventional arts workshops. Zane brings together instructors for the first round of workshops at a free open house event on Saturday, July 21 from noon to 5 pm.

“We’ve been doing these spectacular artist demonstrations at form & concept, and wanted a way to present more of those dynamic moments where an artistic process is revealed,” Zane says. form & concept, which opened in the Railyard in May 2016, blends art, craft and design disciplines in a boundary-shattering exhibition and event program. As Zane conceptualized Canyon Road Creatives with local artist Bunny Tobias, they were guided by this resolutely mixed-media philosophy. “In short, things have gotten weird, which is just how we like it,” Tobias explains. “These workshops are designed to spark powerful contemporary dialogues. You’ll leave with new skills and artwork, but also with a head full of fresh ideas.”

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Since the soft opening of Canyon Road Creatives in early June, the space has hosted a number of innovative workshops. Renata Gaul and Francesca Rodriguez Sawaya taught weaving and coding in a class presented by the Currents New Media Festival. Solange Roberdeau introduced students to the process of gilding on fabric, paper and wood. Pat Chapman shared her expertise in sculpting with a papier mâché-clay hybrid, and Tobias presided over an epic, multi-round game of exquisite corpse. 

Upcoming Canyon Road Creatives workshops are just as varied, as is the slate of instructors. Some of the teachers are represented artists at form & concept, while others hail from across the nation and the world. “There’s essentially no limit to what we can do,” says Zane. “The space is versatile, the artists we’re working with are enormously talented, and the demand for programming like this is strong.”

Canyon Road Creatives - Canyon Road Gallery - Canyon Road Workshop - Canyon Road Art - Santa Fe Workshops - Santa Fe Art

Canyon Road Creatives is located at 826 Canyon Road, a historic adobe home that’s a few doors up from El Farol Restaurant and across from The Teahouse. Zane owns the building, and previously provided it to Santa Fe Community College’s student-run Red Dot Gallery. When SFCC closed the art space, Zane knew she wanted to keep its educational mission alive in some way. It’s well-suited for workshops, with multiple rooms for classes, a living room with a vast library of art periodicals, and a full kitchen. Zane and Tobias have even bigger plans for the space: they’re working on the plans for an artist residency and exhibition schedule.

Zane sees her new workshop venue as part of a larger wave of new, game-changing art spaces and projects on Canyon Road. Just next door is the Beals & Co. Showroom, a space that’s directed by Bobby Beals and exhibits experimental work by local, emerging artists. Farther up Canyon Road, Pilar Law’s Edition One Gallery presents one-off prints by early-to-late-career photographers. At the base of Canyon Road, galleries such as OTA Contemporary and Peters Projects have resolutely contemporary exhibition programs. “There’s a new contingent forming,” says Zane. “Over the coming months and years, it’s bound to coalesce into something that profoundly shifts the culture of Santa Fe.”

View upcoming workshops here.
RSVP on Facebook.