“I have a new outlook,” says ceramicist Susan Beiner. “By utilizing repetition and multiplication, I create dense patterning–but with spaces to take a breath.”
Susan Beiner returns to form & concept for a solo exhibition featuring a large-scale, modular installation. The wall sculptures will feature Beiner’s characteristic floral forms, a porcelain garden of tactile blooms with allusions to architectural structures. Though it reads as one unit, each piece will be a unique work, showcasing Beiner’s vocabulary of encrusted forms.
Beiner’s ceramic art is often dominated by vivid, mottled greens. For Sugar Fields, the artist strived to develop new methods and incorporate a new color palette. “I started thinking about color in a more illustrative way, allowing form to develop as a graphic element,” the ceramicist said. Beiner layers multiple glazes to create deeper hues, which allows an illusion of depth to coat the surface. The appearance of drippy glazes envelops the piece, evoking the kaleidoscopic effects of sunlight passing through the leaves of a plant.