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Split Stone, Cretaceous Seaway, 2025
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PANEL 00, 2025
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PANEL, 2025
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PANEL 030, 2025
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2.5 Billion Years Ago, 2025
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FIREBOX RIFT, 2025
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FIREBOX MOON, 2017
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OPEN MOON, 2024
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Aluminum Ruins 001, 2025$ 400.00
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Aluminum Ruins 002, 2025$ 400.00
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Aluminum Ruins 003, 2025$ 400.00
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Aluminum Ruins 004, 2025$ 400.00
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Chunk Maquette Abiquiú Black L01, 2024$ 250.00
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Chunk Maquette Abiquiú Black L02, 2024$ 250.00
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Chunk Maquette Abiquiú Black L03, 2024$ 250.00
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Chunk 1, 2025$ 400.00
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Chunk 4, 2025$ 200.00
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Chunk 5, 2025$ 50.00
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Chunk 6, 2025$ 50.00
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Chunk 7, 2025$ 50.00
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Chunk 8, 2025$ 200.00
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Chunk 9, 2025Sold
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Markings from Fire – American Creek/Hermits Peak 003, 2025
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Markings from Fire – American Creek/Hermits Peak Horizon 002, 2025
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Markings from Fire – American Creek/Hermits Peak Wave 001, 2025
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Markings From Fire – American Creek/Hermits Peak 008 Too Big, Too Bad, 2025
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Markings from Fire – American Creek/Hermits Peak 007 Tire 2, 2025
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Markings from Fire – American Creek/Hermits Peak 006 Tire 1, 2025
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Markings from Fire – American Creek/Hermits Peak Sketch 004, 2025
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Teacup, 2025$ 50.00
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Cocktail Cup (Black), 2025$ 50.00
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Cocktail Cup (Black), 2025$ 50.00
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Cocktail Cup (White), 2025$ 50.00
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Yunomi (Cup), 2025$ 80.00
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Pint Cup, 2025$ 64.00
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Pint Cup, 2025$ 64.00
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Mug, 2025$ 65.00
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Mug, 2025$ 65.00
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Abiquiú Clay Mug, 2025$ 88.00
Avi Farber’s work emerges with fire—both in the flame as it flows over clay in the wood kiln and in the spirit of a wildfire as its memory is recorded on his land-based art panels. Years of watching fires move through mountains while working as a wildland firefighter have shaped his approach to ceramics, where landscapes, clay, and fire become active collaborators. This is a ceramic practice that takes place in and with the landscape.
Farber received his Master of Interdisciplinary Design (MDes) from Emily Carr University of Art and Design and a BA in Philosophy from Bates College. His love for mud began in his mom’s studio, where, as a child, he would press clay against his face, using his own head as a slump mold to make colorful masks. He now holds clay as a storyteller—a vessel that carries collective meanings, records reflections, and offers a space to reimagine our own beliefs. His work is represented by form & concept and G2 Gallery and has been supported by residencies at the University of California Santa Barbara, the Clay Studio of Missoula, and the Material Matters Lab.