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Working with Kin
Exhibition Guide

Working with Kin: Exhibition Guide

  • Heidi Brandow at Form & Concept Gallery

    Show Statement

    Heidi Brandow explores confluence and communication in her work, materially and conceptually. She grew up in a family of Native Hawaiian musicians and Diné (Navajo) storytellers, and her influences span the globe—from the Japanese Superflat movement to Turkish street art. Brandow has exhibited with form & concept since we opened in 2016. 


    Working with Kin, Brandow’s inaugural curatorial effort at the gallery, traces the roots of her intersectional practice. The show is a dimensional biography of her life, uniting friends and mentors who have shaped her path. Conceptual and aesthetic influences flow in every direction, offering new context for each artist’s work.

     

    “The artists I chose are asking a lot of the same questions, and not accepting the status quo of what art or Native art should be,” Brandow says.

     

     

    Learn more.
  • Exhibiting Artists

    Exhibiting Artists

     

    Jamison Chās Banks, Heidi Brandow, Nigel Paul Conway, Eliza Naranjo Morse, Alex Peña

     

     

  • Artworks

  • Heidi Brandow

    • Heidi Brandow, Migration Stories, 2022
      Heidi Brandow, Migration Stories, 2022
      $ 1,500.00
    • Heidi Brandow, As Luck Would Have It, 2022
      Heidi Brandow, As Luck Would Have It, 2022
    • Heidi Brandow, The Best Part, 2022
      Heidi Brandow, The Best Part, 2022
    • Heidi Brandow, Cusp, 2022
      Heidi Brandow, Cusp, 2022
    • Heidi Brandow, Something on Your Mind, 2022
      Heidi Brandow, Something on Your Mind, 2022
    • Heidi Brandow, Good Days, 2022
      Heidi Brandow, Good Days, 2022
    • Heidi Brandow, Elevated, 2018
      Heidi Brandow, Elevated, 2018
  • JAMISON CHĀS BANKS

    “He’s irreverent and unafraid,” says Brandow of Banks. They met in college at the Institute of American Indian Arts, where they bonded over societal critiques and pop culture riffs.
    • Jamison Chās Banks, Any port in a storm I, 2022
      Jamison Chās Banks, Any port in a storm I, 2022
    • Jamison Chās Banks, Any port in a storm II, 2022
      Jamison Chās Banks, Any port in a storm II, 2022
    • Jamison Chās Banks, Untitled, 2015
      Jamison Chās Banks, Untitled, 2015
  • ELIZA NARANJO MORSE

    “Eliza never felt this pressure of containing what Native art should be,” says Brandow. They’ve been friends and collaborators since middle school, when they made zines together.
    • Eliza Naranjo Morse, Tit for Tat, 2022
      Eliza Naranjo Morse, Tit for Tat, 2022
    • Eliza Naranjo Morse, Safe Enough To Seek Out Sanctuary, 2022
      Eliza Naranjo Morse, Safe Enough To Seek Out Sanctuary, 2022
  • NIGEL PAUL CONWAY

    “Nigel builds these layered surfaces that are incredible,” says Brandow. They met through the Santa Fe live-work space Art Barn. Conway’s dynamic brushwork and vibrant characters inspired her.
    • Nigel Paul Conway, Broken Toy Having Such a Nice Time, 2021
      Nigel Paul Conway, Broken Toy Having Such a Nice Time, 2021
    • Nigel Paul Conway, Her Tell Tale Sign, 2021
      Nigel Paul Conway, Her Tell Tale Sign, 2021
  • ALEX PEÑA

    Peña is an avid scavenger, layering gold leaf, ink and paint with real flowers and other found materials. As Brandow’s teacher at IAIA, Peña inspired her to be fearless with her materials.
    • Alex Peña, La Vie en Rose #2, 2020
      Alex Peña, La Vie en Rose #2, 2020
    • Alex Peña, Finding La Vie en Rose #1, 2020
      Alex Peña, Finding La Vie en Rose #1, 2020
    • Alex Peña, White Washed Uncertainty #1, 2022
      Alex Peña, White Washed Uncertainty #1, 2022
    • Alex Peña, White Washed Uncertainty #2, 2022
      Alex Peña, White Washed Uncertainty #2, 2022
    • Alex Peña, White Washed Uncertainty #3, 2022
      Alex Peña, White Washed Uncertainty #3, 2022
    • Alex Peña, Joie de Vivre? #1, 2022
      Alex Peña, Joie de Vivre? #1, 2022
    • Alex Peña, Joie de Vivre? #2, 2022
      Alex Peña, Joie de Vivre? #2, 2022
    • Alex Peña, Joi de Vivre? #3, 2022
      Alex Peña, Joi de Vivre? #3, 2022
    • Alex Peña, Joie de Vivre? #4, 2022
      Alex Peña, Joie de Vivre? #4, 2022
    • Alex Peña, Joie de Vivre? #5, 2022
      Alex Peña, Joie de Vivre? #5, 2022
  • About the Curator

    About the Curator

    Heidi Brandow is a multi-disciplinary artist whose work is commonly filled with whimsical characters and monsters that are often combined with words of poetry, stories and personal reflections.


    Hailing from a long line of Native Hawaiian singers, musicians and performers on her mother’s side and Diné storytellers and medicine people on her father’s side, she finds that her pursuit of an artistic career came natural. Brandow's work concerns discovering, defining, and redefining personal identity by questioning authority and deconstructing mainstream assumptions of Native Americans. Brandow’s work engages personal, cultural, and historical experiences while incorporating perspectives of critical theory.


    Brandow's paintings are a part of the permanent collection at the Museum of Contemporary Native Arts in Santa Fe, New Mexico, the Hunter Museum of American Art in Chatanooga, Tennessee, and the Luciano Benetton Collection in Italy.Heidi K. Brandow is a graduate of the Institute of American Indian Arts in Santa Fe, New Mexico, USA and has studied design at the Harvard Graduate School of Design in Cambridge, Massachusetts and Istanbul Technical University in Istanbul, Turkey.

    Learn more.
 

435 S. Guadalupe St.
Santa Fe, NM 87501

info@formandconcept.center
(505) 780-8312

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