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Western Blue
Exhibition Guide

Western Blue: Exhibition Guide

  • Thais Mather at form & concept gallery

    Thais Mather: Western Blue

     

    “WHENEVER I’VE LOST HOPE IN THE PAST FEW YEARS, I GO ON A WALK AND WATCH FOR FLASHES OF BLUE.”

    New Mexico-based artist Thais Mather is referring to the western bluebirds that live in her garden and the surrounding high desert terrain. They’re often preyed upon by fiercely territorial swallows, but they manage to thrive. Mather mirrors and magnifies the experience of spotting one in her new exhibition Western Blue, suspending a 20-by-20-foot, cloth-and-metal bluebird lantern in form & concept’s atrium space.

     

    The monumental sculpture crowns a 5,000-square-foot solo show—Mather’s second major display at the gallery—featuring paintings, sculptures, drawings and installation art. It also forms the heart of Mather’s exploration of the collective consciousness during a time in which we are not sure how much longer humanity will endure.

     

  • Thais Mather at form & concept gallery

    Poem

    Thais Mather

    Western Blue

    Ever deeper, never done

    You become the morning sun

    For those we hold, and those away

    I’ll never waste another day

    When the evening moon has fledged

    You become the world at edge

    Both the spirit and the sky

    The veiled surface- singing nigh

     

    When she left I did not mourn

    Because she rose at every

    dawn

    And looked a baby in the eyes

    Whose colors spread across the skies

    Ever deeper, never done

    I’ll find you in a morning song

    And greet you as the summer moon

    Omnipresent western blue

  • Curatorial Statement, Jordan Eddy

    Curatorial Statement

    Jordan Eddy

    “That we came from one microorganism and out of the blue is phenomenal,” says Thais Mather. Her monumental solo exhibition Western Blue, which stretches around you and soars above your head, links this small but remarkable event in earthly history to any other moment in time.

     

    Why is marveling at the thought of the first multicellular organism more or less important than drawing hope from the sight of a bluebird in your garden? In the scheme of things, aren’t both blue-hued visions just as extraordinary and mystery-filled?

     

    Read the full statement.
  • Installation Views

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  • Pen & Ink

    • Thais Mather, Eternal Time (1), 2020
      Thais Mather, Eternal Time (1), 2020
    • Thais Mather, Eternal Time (2), 2020
      Thais Mather, Eternal Time (2), 2020
    • Thais Mather, Preserve the Flame, 2020
      Thais Mather, Preserve the Flame, 2020
    • Thais Mather, Black of Space, 2021
      Thais Mather, Black of Space, 2021
    • Thais Mather, The Shades of Living Light (1), 2021
      Thais Mather, The Shades of Living Light (1), 2021
    • Thais Mather, The Shades of Living Light (2), 2021
      Thais Mather, The Shades of Living Light (2), 2021
    • Thais Mather, The Shades of Living Light (3), 2021
      Thais Mather, The Shades of Living Light (3), 2021
    • Thais Mather, The Shades of Living Light (4), 2021
      Thais Mather, The Shades of Living Light (4), 2021
    • Thais Mather, Beatific Vision (1), 2021
      Thais Mather, Beatific Vision (1), 2021
    • Thais Mather, Beatific Vision (2), 2021
      Thais Mather, Beatific Vision (2), 2021
    • Thais Mather, Beatific Vision (3), 2021
      Thais Mather, Beatific Vision (3), 2021
    • Thais Mather, Beatific Vision (4), 2021
      Thais Mather, Beatific Vision (4), 2021
    • Thais Mather, Beatific Vision (5), 2021
      Thais Mather, Beatific Vision (5), 2021
    • Thais Mather, Beatific Vision (6), 2021
      Thais Mather, Beatific Vision (6), 2021
    • Thais Mather, Beatific Vision (7), 2021
      Thais Mather, Beatific Vision (7), 2021
    • Thais Mather, Beatific Vision (8), 2021
      Thais Mather, Beatific Vision (8), 2021
    • Thais Mather, Beatific Vision (9), 2021
      Thais Mather, Beatific Vision (9), 2021
    • Thais Mather, Beatific Vision (10), 2021
      Thais Mather, Beatific Vision (10), 2021
  • Watercolor

    • Thais Mather, Out of the Blue 1, 2020
      Thais Mather, Out of the Blue 1, 2020
    • Thais Mather, Out of the Blue 2, 2020
      Thais Mather, Out of the Blue 2, 2020
    • Thais Mather, Out of the Blue 3 (unframed), 2021
      Thais Mather, Out of the Blue 3 (unframed), 2021
    • Thais Mather, Transmundane (1), 2021
      Thais Mather, Transmundane (1), 2021
    • Thais Mather, Transmundane (2), 2021
      Thais Mather, Transmundane (2), 2021
    • Practitioner, 2020-2021 Watercolor on paper Various size Small: $25, Medium: $50, Large: $100 Enquire

      Practitioner, 2020-2021

      Watercolor on paper

      Various size

      Small: $25, Medium: $50, Large: $100

      Enquire

  • Hologram

    • Thais Mather, Sunlike Star, 2021
      Thais Mather, Sunlike Star, 2021
    • Thais Mather, Blazing Open, 2021
      Thais Mather, Blazing Open, 2021
    • Thais Mather, Nothing Holy, 2021
      Thais Mather, Nothing Holy, 2021
    • Thais Mather, Nothing Cursed, 2021
      Thais Mather, Nothing Cursed, 2021
    • Thais Mather, Shineth in Darkness, 2021
      Thais Mather, Shineth in Darkness, 2021
    • Thais Mather, True North, 2021
      Thais Mather, True North, 2021
    • Thais Mather, Dark Adaptation, 2021
      Thais Mather, Dark Adaptation, 2021
  • Cast Wax

    • Thais Mather, Into the Black (Cupped Hands), 2021
      Thais Mather, Into the Black (Cupped Hands), 2021
    • Thais Mather, Into the Black (Full arm), 2021
      Thais Mather, Into the Black (Full arm), 2021
  • Installation

    • Amy Westphal, Blue Devotion, 2021
      Amy Westphal, Blue Devotion, 2021
  • Event Imagery

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  • Thais Mather at form & concept gallery

    About the Artist

    Thais Mather is an installation artist born and based in Santa Fe, New Mexico. Spanning sculpture, printmaking, painting, new media, and installation, Thais’ work explores themes of feminism, authorship, mythology, the objectification of culture, and women’s labor.

     

    Mather has been a student and teacher of feminism for a decade. She holds an MFA in installation art and feminist theory from the Vermont College of Fine Arts where she is now a Graduate Professor of Art. She is a recipient of the Shipley Swan Fellowship for Printmaking, the Levin Lutz Fellowship for Installation and Research, and the LewAllen Grant for Educators. She has been featured in solo and group exhibitions in galleries and fairs across the country, including Gallery Sonja Roesch (Houston) and Select Art Fair (New York,) among others.

     

    Mather also owns and operates Good Folk Gallery in Santa Fe, NM with her husband, artist Todd Ryan White. The focus of Good Folk Gallery is to support and create careers for folk artists from Northern New Mexico and Oaxaca, Mexico.

 

435 S. Guadalupe St.
Santa Fe, NM 87501

info@formandconcept.center
(505) 780-8312

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