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Tilke Elkins: Records of Being Held
Exhibition Guide

Tilke Elkins: Records of Being Held: Exhibition Guide

  • Tilke Elkins at Form & Concept Gallery

    Director's Note

    Jordan Eddy
    Records of Being Held is a reintroduction to the tree as a unified being that is also an infinite series of cradles and portals. A bough can hold the human body with incredible firmness, and it can also visually carry a marvelous beyond of hills and valleys in its crook. Remember?
    Read more.
  • Tilke Elkins at Form & Concept Gallery

    Artist Statement

    Tilke Elkins
    Paint, as a living and energetic collaborator, and as an embodiment of the soil, rocks and plants that make up the places that hold me, works with me to leave a record of my experience of bodily and sensory intimacy with that place.
    Read more.
  • Visual Language, Tilke Elkins

    Visual Language

    Tilke Elkins
    Records of Being Held is designed to substantiate the presence of the living world and its many forms as not just "actants" - beings capable of playing imaginary roles - but "interactants": beings with agency capable of interaction and collaboration.
    Read more.
  • Tilke Elkins at Form & Concept Gallery

    Kalapuya Ancestral Pigment Practices

    Tilke Elkins
    Ancestral knowledge of Kommema Kalapuya mineral pigment use was destroyed through cultural genocide, says elder Esther Stutzman. Although the Records of Being Held series will be offered for purchase, the pigments themselves will be available for “rent” only, with an annual fee paid at the time of the initial purchase to the Kommema Cultural Protection Association.
    Read more.
  • Artworks

  • Parents I & II

    Parents I & II

    Parents I & II  (side 1 pictured) are a tribute to two trees: one on the East Coast, on Abanaki Nation of Missisquoi lands (Vermont) where I was born and grew up, and one on the West Coast, where I’ve lived as a guest on Kalapuya lands (Oregon) for the past couple of decades.
    View both sides.
  • Tilke Elkins at Form & Concept Gallery

    Under the Log I & II

    Under the Log  (side 1 pictured) is the middle piece in this series: strange, personal, and ineffable, reflective of the pleasures of traveling into the unknown and feeling both lost and, at the same time, protectively concealed, hidden from sight and incubating insight.

    View both sides.
  • Tilke Elkins at Form & Concept Gallery

    Nothing Gold Can Stay & Family

    Nothing Gold Can Stay (pictured) is a reference to the fleeting nature of spring, a feeling that is imbued in this performed painting. I briefly engaged with these foraged pigments as paint, but they’ll soon be ceremonially washed off and returned to their land. Family is a painted record made with all 47 pigments, from 33 contributors, that have been part of Wild Pigment Project’s Ground Bright monthly pigment subscription. 

    View both sides.
  • After Shadows

    After Shadows

    This long-term project involves a registering of plant shadows as they are cast by the sun on stone cliff faces, in a variety of ecosystems on the planet, thus ser ving as deep-time records of the plants that represent botanical life today. The panel pictured is from the series of eleven.
    View the series.
  • Noelle Guetti at Form & Concept Gallery

    Field Clothes / After Shadows

    Noelle Guetti
    This jumpsuit, designed and made by textile artist Noelle Guetti, is intended to be worn during the recording of botanical shadows on cliff walls by artist Tilke Elkins, as part of the second stage of the After Shadows project.
  • Tilke Elkins at Form & Concept Gallery

    Ground Bright Installation

    These leaves and clay balls represent 47 pigments from 33 artists around the world, assembled by Wild Pigment Project founder Tilke Elkins for Ground Bright, the project’s monthly pigment subscription. Each pigment has its own name, chosen by its contributor.

  • Tilke Elkins at Form & Concept Gallery

    Brush Cleaning Leaves

    While painting, the artist wipes her paint brushes thoroughly on these leaves before dipping them in water to clean them. The leaves become like watercolor pans, whose paint can be used by whisking a wet brush back and forth across their surfaces.

  • Noelle Guetti at Form & Concept Gallery

    Pigment Reclamation Cloth

    Noelle Guetti
    The pigment-reclamation cloth woven by textile artist Noelle Guetti is comprised of six pieces stitched together to form a single canvas that must be cut each time a painting in the Records of Being Held series is rented. The cloths reflect patterns used by early weavers of sail and artist’s canvas, and are designed to show places where the pattern is dissolving or being worn away. Canvas, integral to the infrastructure of the colonization of the so-called “New World” and the subsequent visual records of “exotic” landscapes, is, through this process, inverted from a surface which holds the landscape captive to a vehicle of return which carries the pigment back to its land of origin. The cutting of the canvas/sail represents a ritual dismantling of colonizing structures.
  • About the Artist

  • Tilke Elkins - Records of Being Held - Image by Kelly Moody
    Image by Kelly Moody.

    Tilke Elkins

    Wild Pigment Project Founding Director Tilke Elkins (‘TIL-kah EL-kins’) has been researching, foraging for and painting with botanical and mineral pigments since 2008, with particular focus on the magic that happens when plant and stone pigments are combined. In addition to her solo exhibition at form & concept, she curated a concurrent group exhibition titled  Wild Pigment Project at the gallery.

     

    She leads group collaborations through classes and workshops, and co-organized the inaugural Pigments Revealed Symposium in June 2021.  Artists interested in working with Elkins can view all currently offered classes here, or send inquiries to info@wildpigmentproject.org.

  • Karma Barnes at Form & Concept
    Artwork by Karma Barnes.

    Wild Pigment Project

    This group exhibition, curated by Wild Pigment Project founding director Tilke Elkins, gathers pigments, artwork and stories from people who've engaged with the project since its inception in 2019. It traces the project's extraordinary path, starting in Elkins' home on Kalapuya lands (also known as Springfield, Oregon) and branching out across the world.
    Explore the show.
 

435 S. Guadalupe St.
Santa Fe, NM 87501

info@formandconcept.center
(505) 780-8312

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