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Megan Bent: Patient / Belongings
Exhibition Guide

Megan Bent: Patient / Belongings: Exhibition Guide

  • Megan Bent at Form & Concept

    Director's Note

    Jordan Eddy

    The Covid-19 pandemic was the impetus for this exhibition—and an impediment to its creation. To produce the ongoing series in Patient / Belongings, Megan Bent has wrestled with lockdowns and isolation, insomnia and fearful distraction, supply chain issues and rising material costs. She has processed the broad social and cultural phenomena of this era with a rage that often feels all-consuming. Sometimes that anger feeds her creativity; in other moments it plunges her into despair.

     
    Read more.
  • A viewer lifting the cover on a chlorophyll print by Megan Bent.

    Artist Statement

    Megan Bent

    In March of 2020, my fear of catching the Coronavirus became palpable. "Don't worry." an acquaintance assured me "only the sick and elderly will die." I am chronically ill and immunocompromised. 

     

    I Don't Want To Paint A Silver Lining Around It, the series that appears in this exhibition, is my personal reflection of being high risk in the pandemic. It is also my response to the outside world's demand that disabled people be acceptable losses for personal convenience or for corporate profit.

    Read more.
  • Chlorophyll prints developing in the sunlight in a meadow.

    The Process

    The chlorophyll printing process (where one print/exposure may take anywhere from 8 to 72 hours) relies on flexibility, interdependence with nature, and echoes my experience of the disability concept of Crip Time*; living in a body/mind that values slowing down, connection, and care over speed and production.
    Read more.
  • Installation Views

    Installation view of Megan Bent's exhibition at Form & Concept Gallery (Larger version of this image opens in a popup).
    Installation view of Megan Bent's exhibition at Form & Concept Gallery (Larger version of this image opens in a popup).
    Installation view of Megan Bent's exhibition at Form & Concept Gallery (Larger version of this image opens in a popup).
  • Artworks

    • Megan Bent, Covid Winter, 2021
      Megan Bent, Covid Winter, 2021
    • Megan Bent, Covid Winter, 2021
      Megan Bent, Covid Winter, 2021
    • Megan Bent, Quarantine Day 121, 2020
      Megan Bent, Quarantine Day 121, 2020
    • Megan Bent, Quarantine Day 121, 2020
      Megan Bent, Quarantine Day 121, 2020
    • Megan Bent, Quarantine Day 213 (#CripTheVote), 2020/2021
      Megan Bent, Quarantine Day 213 (#CripTheVote), 2020/2021
    • Megan Bent, Quarantine Day 213 (#CripTheVote), 2020/2021
      Megan Bent, Quarantine Day 213 (#CripTheVote), 2020/2021
    • Megan Bent, Quarantine Day 450, 2021
      Megan Bent, Quarantine Day 450, 2021
    • Megan Bent, Quarantine Day 450, 2021
      Megan Bent, Quarantine Day 450, 2021
    • Megan Bent, Quarantine Day 496, 2021
      Megan Bent, Quarantine Day 496, 2021
    • Megan Bent, Quarantine Day 496, 2021
      Megan Bent, Quarantine Day 496, 2021
    • Megan Bent, Quarantine Day 527, 2022
      Megan Bent, Quarantine Day 527, 2022
    • Megan Bent, Quarantine Day 527, 2022
      Megan Bent, Quarantine Day 527, 2022
    • Megan Bent, Quarantine Day 580 (Booster Shot), 2022
      Megan Bent, Quarantine Day 580 (Booster Shot), 2022
    • Megan Bent, Quarantine Day 580 (Booster Shot), 2022
      Megan Bent, Quarantine Day 580 (Booster Shot), 2022
    • Megan Bent, Quarantine Day 661, 2022
      Megan Bent, Quarantine Day 661, 2022
    • Megan Bent, Quarantine Day 661, 2022
      Megan Bent, Quarantine Day 661, 2022
    • Megan Bent, Quarantine Day 7, 2020
      Megan Bent, Quarantine Day 7, 2020
    • Megan Bent, Quarantine Day 7, 2020
      Megan Bent, Quarantine Day 7, 2020
    • Megan Bent, Untitled (180,000 Lost and Counting) August 26, 2020, 2020
      Megan Bent, Untitled (180,000 Lost and Counting) August 26, 2020, 2020
    • Megan Bent, Untitled (180,000 Lost and Counting) August 26, 2020, 2020
      Megan Bent, Untitled (180,000 Lost and Counting) August 26, 2020, 2020
  • The silhouette of Megan Bent next to a developing chlorophyll print.

    About the Artist

    Megan Bent is a lens-based artist interested in the malleability of photography and the ways image-making can happen beyond using a traditional camera. This interest started to occur after the diagnosis of a progressive chronic illness. Drawn to image-making processes that reject perfection, accuracy, or any certainty in results, she is interested instead in processes that reflect and embrace her disabled experience; especially interdependence, impermanence, care, and slowness.
     
  • Further Reading

    • Abled-Bodied Leftists Cannot Abandon Disabled Solidarity to “Move On” From COVID, Leah Lakshmi Piepzna-Samarasinha, Truthout, October 1, 2022
    • Disabled Oracles and the Coronavirus, Alice Wong, Disability Visibility, 2020
    • I’m disabled and need a ventilator to live. Am I expendable during this pandemic?, Alice Wong, Vox, 2020
    • Coronavirus: How These Disabled Activists Are Taking Matters Into Their Own (Sanitized) Hands, Matthew Green for KQED, 2020
    •  Death by a Thousand Words: COVID-19 and the Pandemic of Ableist Media, Imani Barbarin, Refinery 29
    •  What It’s Like to Be Black and Disabled in America, Shalene Gupta, The Atlantic
    • Sick Woman Theory, Johanna Hedva
    • Access Intimacy: The Missing Link, Mia Mingus
    • 10 Principles of Disability Justice, Sins Invalid
    • RX/27 - Spastic Walking, RX Museum Art & Reflection in Medicine
 

435 S. Guadalupe St.
Santa Fe, NM 87501

info@formandconcept.center
(505) 780-8312

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